The Bonus Church

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Another church?

Not having planned another stop during my afternoon in the eastern part of Milan, I was headed to an early dinner.  Coming up out of the metro stop of San Babila, I looked up and wouldn’t you know…there was a church…the Basilica of San Babila.

Did I have time to pop in?  Of course I did!  I always make time for churches, especially in Italy!

Built at the crossroads that lay at the point where the Porta Orientale (or Eastern Gateway) once stood, San Babila was once considered the third most important basilica after the Duomo and the Basilica di Sant’Ambrogio.  Dedicated to Babylas of Antioch, his relics, along with those of Romanus of Caesarea were brought from Antioch to Milan by Marolus, the bishop of Milan in the beginning of the 5th century.

The church of San Babila was built on its current site in 1095, to house these relics, and extended with additional construction at the front and a new baroque facade.  Though much of its original style has been lost during renovations, the church still retains its original medieval feel.  During the 19th century, the complex was renovated with the aim of restoring the appearance of the medieval basilica and in the early 20th century the Neo-Romanesque facade by Paolo Cesa-Bianchi was built.  The bell tower was eventually added in 1920 to replace the original tower which had fallen in the 16th century.

With the many grand churches throughout Italy, it was quite surprising when I entered, that San Babila was a very simple, mostly unadorned church.  The interior has a nave and two aisles with two side chapels that date from the late Renaissance.  Pay particular to the right aisle as it has an image of the Madonna, highly esteemed by the Milanese community.  Also particular to note are some lovely medieval frescoes, Renaissance windows and beautiful mosaics.

If traveling in this area of Milan and happen to enter or exit at the San Babila metro, take a moment to stop in and relish the quiet beauty.

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Chiesa di San Babila (The Church of San Babila)

  • http://www.santiprofeti.it/basilica-di-san-babila/
  • Address:  Corso Monforte, 1, 20122 Milano MI, Italy
  • Hours:  Saturday, 0830-1830, Sunday, 0930-1830, Monday thru Friday, 0800-1830 (not verified)
  • Admission:  free
  • Getting There:  Take the metro to the San Babila metro stop.  The church is immediately adjacent to the stop.

Caravaggio’s Church

© 2018 Snapping the Globe, L.L.C. All rights reserved.

When seeking out San Bernardino alla Ossa in Milan, many people make the simple mistake of entering the Basilica di Santo Stefano Maggiore.

Though maybe not the intended destination, duck in for a moment and take a quick look around.

St. Stefano, is also referred to as St. Stephen in Brolo, the historical name of the area or St. Stephen’s Gate, for the port that once existed in this location.  As you approach the two churches, St. Stefano stands out with its bell tower and extravagantly carved facade.  Much more in its interior, however, should lure those who appreciate an impressive basilica and the history behind it.

Established in the 5th century, the basilica was formerly dedicated to both Saints Zechariah and Stephen, though eventually given over to the latter.  The original building was constructed around the year 417, destroyed by fire in 1070 and rebuilt in the Romanesque style in 1075.  Since 1594, many reconstructions, expansions and restoration have been completed including enlargement of the apse and the main altar, lengthening of the nave and reconstruction of the facade, reconstruction of the bell tower by architect Gerolamo Quadrio and the construction of the sacristy and the modernization of some chapels.

St. Stefano is most famous for the many saints interred within its walls, most notably, San Carlo Borromeo and for two major events that occurred in the church.   The Duke of Milan Galeazzo Maria Sforza was assassinated by four conspirators in 1476, under the medieval portico outside the church, as he visited the basilica for the celebration of the patron saint.  The remaining pillar of the portico can be viewed in front of the belltower.   Also, after years of speculation, the baptismal certificate from 1571, of the painter Michelangelo Merisi, better known as “Caravaggio”, was discovered in 2007 in the archival documents of the basilica, giving a definitive answer to the age-old question of his baptismal and birth place.

Though the basilica is very little known to tourists, it is easily accessible from the Piazza Fontana and quite impressive for its size and historical significance.  Though the church is in desperate need of renovations, there are many items worth noting on its interior.  Many of the side chapels contain beautiful and original stained glass and paintings and the altar is quite grand with its gold tabernacle.  Also, be sure to note the imposing organ, the unique statues and the beautiful vaulted ceiling.  Of particular interest is the life-sized bronze statue of Jesus on the cross, flanked by his mother and disciples, at the rear of the structure.

If the churches of Milan peak your interest, make the short walk from the Duomo area and investigate the neighboring churches of St. Stefano and San Bernardino alla Ossa.  Two different churches, connected by location and history…a sort of  “two for the price of one”, kind of deal!

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Basilica di Santo Stefano Maggiore

  • Address:  Piazza Santo Stefano 10Milan, Italy
  • Hours: Daily, 0900-1700
  • Admission:  free
  • Getting There:  Metro, Duomo stop.  Proceed along the cathedral’s southern side to the end of the square and into Piazza Fontana. Cross the piazza diagonally, across Via Verziere.

 

 

 

 

 

Churchill’s Hideout

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Last week, I saw the movie, “Darkest Hour” and a few week’s before that, “Dunkirk”.  History is not my strongest suit, despite my love of museums, but having visited the Churchill War Rooms in London recently, everything that happened during that time frame suddenly made sense to the muddled historic timeline in  my head!

One of the five branches of the Imperial War Museums, the Churchill War Rooms, opened to the public in 1984, includes the Cabinet War Rooms, the historic underground complex that housed the British government center throughout World War II and the Churchill Museum, dedicated to the life of former prime minister Winston Churchill.

As Hitler threatened the world, Britain began construction on the Cabinet War Rooms, located below the Treasury building in Westminster in 1938.  Just before the war broke out in Europe, operations were moved in and remained throughout the Second World War until the surrender of Japan.

The Churchill War Rooms offer a self guided tour through each of the areas used by British intelligence and more importantly, the prime minister of the time, Winston Churchill.

Watching the movie, it was quite thrilling to see the Map Room, which was used continually by the officers of the Royal Navy, British Army and Royal Air Force who produced a daily intelligence summary for the King, Prime Minister and the military Chiefs of Staff.  The other room I recognized was the Cabinet Room, from which Churchill visited in 1940 and famously declared, “This is the room from which I will direct the war.”  And that he did.  115 Cabinet meetings, in all, were held in the Cabinet War Rooms.

Map Room
Cabinet Room

The facility included living and sleeping areas for the staff, bedrooms for the military officers and senior ministers and rooms for the typists and telephone switchboard operators.  The prime minister also spent much of his time below ground working, despite the fact that the rooms were not entirely immune to the bombing raids that continually rained devastation upon the city.

Living and Sleeping Quarters
Churchill’s office/bedroom

Also interesting to observe were the Transatlantic Telephone Room and Churchill’s office-bedroom, both preserved much as they were left.  Noticing a small sign which instructed visitors to walk to the end of one of the hallways, it  also gave instructions to check out a doorway on the left.  Though it only appeared to be the entrance to a bathroom, there wasn’t much else to clue anyone in as to its importance.  As I entered the next room, one of the volunteers, asked me if I had noticed the doorway.  Since I didn’t seem to know anything about it, he proceeded to tell me about a scene in the movie to watch for when Winston Churchill retired to what appeared to be a restroom.  A glass wall, around the corner, offered a glimpse into the pseudo bathroom…it was actually a small room outfitted with a SIGSALY code-scrambling encrypted telephone connected directly with the Pentagon in Washington, D.C.  This modest space offered the prime minister privacy and a direct line to speak with American President Roosevelt.

The other major part of the exhibit was the Churchill Museum.  A large detailed space, it offered a look into Churchill’s life from his birth, to his military career,  his political career and finally retirement.

 

Whether you are a fan of the two-time prime minister or a history buff, the Churchill War Rooms does not cease to please.  Take a couple of hours and head on over to the place in London that made a huge impact on World War II.

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Churchill War Rooms

  • https://www.iwm.org.uk/visits/churchill-war-rooms
  • Address:  Clive Steps, King Charles St, Westminster, London SW1A 2AQ, UK
  • Hours:  Daily, 0930-1800
  • Admission:  Adult, £21.00, Children under 5, free, Children ages 5-15, £10.50, Family ticket (2 adults, 1 child) £35.70, Family ticket (2 adults, 2 children) £53.55, Concessions, £16.80.  Audio guides included in admission price.
  • Getting There: Metro, Westminster station

 

 

 

1,000 Years of Worship

© 2018 Snapping the Globe, L.L.C. All rights reserved.

Old churches in London…there are many!

Though my initial plan was to visit St. Paul’s, discovering that photos were not allowed there, as they were not in Westminster Abbey, altered my decision.  One church with no photos per visit is plenty!  So…since I was planning to have something to eat at the Borough Market and Southwark Cathedral is next door, I decided to pop in and check it out.

The location of Christian worship for more than 1,000 years, Southwark was originally an Augustinian priory and then a parish church by the name of St. Saviour’s.  The Gothic structure was built between 1220 and 1420 with the addition of the nave during the 19th century.

Having seen the magnificent Westminster Abbey, in all of its glory the day before, this cathedral could have been sort of a letdown.  However, you can’t compare apples to oranges.  Southwark has an amazing history and some unique things to see as well.

When you walk into the cathedral, one of the first things you will notice on the rear wall, near the baptismal font, are the Medieval Roof Bosses.  When the roof collapsed in 1469, these bosses were part of the newly built wooden vaulted roof.  Originally 150 in all, some of these quirky, yet ornate, pieces still sport the remains of the bright paints used to decorate them.  Also, near the baptismal font, pay attention to the original thirteenth century medieval arcading on the walls.

Making your way toward the altar on the cathedral’s north aisle, you will encounter the tomb of medieval English poet, John Gower.  A friend of Geoffrey Chaucer, he lived in the cathedral’s priory from the 1370’s until his death at the age of 78.  His body is interred with his head resting on one of his most famous works, Speculum Meditantis, Vox Clamantis and Confessio Amantis.  The latter’s first editions were dedicated to Richard II.

Make sure to gaze upward at the beautiful stained glass windows, especially, Queen Victoria’s Diamond Jubilee Window in the south wall of the retrochoir, the story of Creation, a set of three lancets at the west end of the nave and the Shakespeare Memorial window in the south aisle of the choir.

On the north aisle of the cathedral is the North Transept and many monuments are located in this area, most notably the monument to Lionel Lockyer, a physician whose pills were said to heal all ailments and another to lawyer and poet, William Austin.  Austin’s monument, created by Nicholas Stone, a famous 17th century sculptor, is hard to miss for its size.

Take a peek into the Harvard Chapel and inspect the John Harvard Memorial window before continuing on toward the Lady Chapel.  Along the way, take in the Humble Monument, which pays homage to Alderman Richard Humble, a member of the church vestry, and his two wives, Elizabeth and Isabel.  Equally impressive is the Medieval Effigy of a Knight, an incredible carving of a knight, possible a crusader, dating from 1280.

Between the north and south aisles, behind the altar is one of the greatest treasures of the cathedral, the High Altar Screen.  Erected in 1520 by Bishop Fox of Winchester, the screen displays three lines of statues depicting St. Olaf (King Olaf II of Norway) who converted to Christianity and is know for pulling down the London Bridge to protect the city from an assault from the Danes.  Also featured are the figures of poet John Gower, King Henry I, Thomas Becket, St. Peter, St. Paul, Cardinal Beaufort, Bishop Fox and many others.  There are also carvings of the Lamb of God, a pelican (badge of Bishop Fox), a row of angels and hunting scenes.

Be sure to inspect the tomb of Bishop Lancelot Andrewes located on the south aisle.  A high ranking bishop, during the reigns of Queen Elizabeth I and James I of England, Andrewes was a key translator of the King James version of the Bible and assisted at King James’s coronation.  During the latter part of his life, he became Dean of Winchester remaining in the position until his death at the age of 71 in 1626.

As you continue down the south aisle, you will notice the beautiful organ, built 1897 by T.C. Lewis.  The instrument is located in the angle where the south transept joins the south quire aisle and has remained mostly unaltered since its construction.  It is still used throughout the week, with four sung services.  Though I was not privileged to hear the organ played during my visit, I was lucky enough to be graced by the sounds of a pianist and vocalist who were giving a weekly concert in the church.

The last major attraction in the church is the Memorial Window of Shakespeare with a remarkable alabaster statue, created in 1912 by Henry McCarthy, of the great writer in repose, quill in hand.  Shakespeare was a parishioner who worshiped at the cathedral when he lived near the Globe Theater.  William’s brother Edmund was buried on the church grounds in 1607, however, the exact location of his tomb is unknown.

Before leaving the church, make sure to take a quick walk around the grounds of the church.  While taking a look at the stunning Gothic architecture, also look for shrapnel damage which is still visible from the bombs dropped in the area between October 1940 to June 1941.  Also, take a look at the archaeological remains located in the far side of the entry hall.

Southwark Cathedral is probably overlooked and definitely overshadowed by churches that are more well known in London.  However, if you have a love of Gothic architecture and Shakespeare, it is a must!

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Southwark Cathedral

  • https://cathedral.southwark.anglican.org/
  • Address:  London Bridge, London SE1 9DA, UK
  • Hours: Sunday, 1230-1500 and 1600-1800, Monday thru Friday, 0900-1700, Saturday, 0930-1545 and 1700-1800
  • Admission:  Free.  Photography permit, £1.00, includes a souvenir map highlighting important memorials, stained glass windows and history of the Cathedral.  Drop-in tours led by Cathedral guides take place on Wednesdays at 1400, Fridays at 1100 and Sundays at 1300, dependent on services and events.  Tours last 45 minutes and cost is £4.50 per person, free for children under 16.
  • Getting There:  Tube stop, London Bridge (5 minutes walk), Cannon Street Station (10 minutes walk), Blackfriar’s Station (15 minute walk).

 

Gateway To The World

© 2018 Snapping the Globe, L.L.C. All rights reserved.

There are many cities in the Netherlands that are worthy of being considered a great day trip!

Having been to many of these cities, Alkmaar, Zaandam, Delft, the Hague, Haarlem, Leiden, Volendam, Utrecht, Enkuizen, Gouda and Muiden, somehow, Rotterdam had escaped my attention.

Maybe I thought that it was just too far.  Or maybe…I just thought it wouldn’t be as interesting of a city because I had always heard of it described as a “new” city.

Rotterdam dates back to 1270, when a dam was constructed in the Rotte river. Seventy years later, Rotterdam was granted city rights by the Count of Holland and with it strategic location by the North Sea and rivers, Rhine, Meuse and Scheldt, it allowed access into the heart of Western Europe, giving it the title, Gateway To The World.  The second largest city in the Netherlands, it was almost completely destroyed during World War II when it was subject to extensive bombing by the Germans.  As the city recognized the challenge of rebuilding, a wide array of architectural styles resulted, including sky-scrapers, an uncommon feature in other Dutch cities.

Arriving into Rotterdam Central Station, I stepped out into the cold morning after a longer than necessary train ride (I mistakenly took the Sprinter train instead of the Intercity direct, an extra 25 minutes).  Walking through the modern station, I first stopped at the Information Center to purchase a map of the city and ask for any advice on seeing what Rotterdam had to offer.

Deciding to abandon plans to take public transportation, as it would prohibit me from seeing all of the little things, I set out to walk the city with a few landmarks in mind.

The first thing I noticed about Rotterdam is while there are new buildings and skyscrapers, there are also still some older buildings scattered throughout the city, sometimes sandwiched between newer construction.  I thought that this gave an interesting quality to the city…a sort of ying-yang.  The second thing I noticed was that sculpture is EVERYWHERE!  Following the canal that led away from the train station, I began to see interesting pieces of artwork lining the banks.  Each piece was identified by a metal plaque on the walkway advising observers of the name of the artwork, the artist’s name and location and year constructed.  Making for a nice leisurely walk, I stopped at each of the sculptures as I made my way south on Westersingel to Eendrachtsplein, where I found the current location of the controversial sculpture by Paul McCarthy, Santa Claus.  A shocking statue, it depicts the beloved Santa not holding a Christmas tree but a sex toy.  While some people have defended it proclaiming that it reflects the fetishization of Christmas and the prevalent sexuality in consumer society, others declared it vulgar and offensive.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Continuing my jaunt toward Westzeedijk, I headed west.  Walking through the grounds of the Museum Boijmans Van Beuningen, I encountered the Greek Orthodox Church and a monument to G.J. De Jongh, the former Director of the Municipal Works of Rotterdam (1879-1910), responsible for urban and port growth.  Also in this area is the Kunsthal and Natural History Museums.

Further on, I gazed upward at the Euromast, the observation tower constructed between 1958 and 1960 and designed by Hugh Maaskant.  Though I would have like to visit the observation platform to see the city from the tallest building in Rotterdam, time was limited and I was headed to the oldest part of the city, Delfshaven.

Delfshaven, once belonging to the city and municipality of Delft, was annexed by Rotterdam in 1886.  Having escaped wartime bombing, the small historic center has been carefully preserved and features local museums, a brewery and countless eating establishments.  Here you can also find old bridges, a windmill and the Pilgrim Father’s Church.

The Pilgrim Father’s Church, dating back to 1417, when the Roman Catholic Church of St. Anthony was consecrated on the site, later fell into Protestant hands in 1574.  When a group of English dissenters fled to the Netherlands in 1608, they later decided to make the journey to America so that they might worship in their own way.  On July 21, 1620, they knelt in prayer on the quay near the church before boarding the ship, the Speedwell.

The present facade, with its bell-shaped gable was built when the church was heightened in 1761 and the church was acquired by the Foundation of Old Churches in Holland in 1992 and restored in 1998.  Today, the church is rented for concerts, lectures, weddings,, exhibitions and is open every other Friday and every Saturday from 1200 until 1600.  Sadly, I was there on a Sunday and was only able to see the church from the outside, missing the stained glass windows depicting the six days of Creation and the oldest bell, cast in 1464, cracked and on display in the church.  I did however, get to admire the old buildings and boats that lined the canals.

Having not purchased a ticket for the mass transit, I wasn’t sure if I could purchase one on the tram, so began the long walk back in the direction that I had come.  Finally arriving at the Maritime Museum, I skirted the harbor looking for a good vantage point to observe the Erasmus Bridge.

The Erasmus Bridge (Erasmusbrug) was completed in 1996 and is the largest and heaviest bascule bridge in Western Europe, connecting the north and south parts of the city.  Named after Desiderius Erasmus (Erasmus of Rotterdam), a prominent Christian renaissance humanist, the cable-stayed bridge section with its single asymmetrical pale blue pylon with a prominent horizontal base has earned the bridge the nickname, The Swan.

Gazing upon the bridge in the waning sunlight, I was also able to admire De Boeg, the war memorial which commemorates the 3,500 crew members of Dutch merchant ships that lost their lives in World War II.  The monument symbolizes a bow in the concrete waves with a bronze addition added in 1965 depicting a helmsman, three sailors and a drowned one.  Engraved is the text, “They kept course”.

Finally, heading back toward the train station, I made three quick detours to see some fantastic landmarks, Kijk Kubus (Cube Houses), innovative housing designed by Piet Blom, Grote of St. Laurenskerk (Church of St. Lawrence), the only remnant of the medieval city of Rotterdam, and Stadhuis Rotterdam (City Hall), the Beaux Art style building (with Byzantine, Roman and Art Deco influences) that was one of the few buildings to survive the bombardment of World War II.

After five hours of intense sightseeing and walking throughout the old-yet-new city of Rotterdam, my feet were aching, yet satisfied.  I had seen all that the city had to offer and was confident that future travels would be easier, allowing me to explore the city in depth.

It was time head back to Amsterdam and this time, I caught the Intercity Direct!  Definitely the way to go!  Heck, I didn’t really even have time to catch a nap!

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Kunsthal Museum

  • https://www.kunsthal.nl/en/#tijdlijn-2018-02
  • Address:  Westzeedijk 341, 3015 AA Rotterdam, Netherlands
  • Hours: Tuesday thru Saturday, 1000-1700, Sunday, 1100-1700
  • Admission:  Adults, 14€, Students under 17 years, free

Natural History Museum

  • http://www.hetnatuurhistorisch.nl/
  • Address:  Westzeedijk 345, 3015AA Rotterdam, Netherlands
  • Hours:  Tuesday thru Sunday, 1100-1700
  • Admission:  Adults, 7€, children 5 to 15 years, 65+, students, 3.50€

Euromast

  • https://euromast.nl/
  • Address:
  • Hours:  Open 365 days a year, April thru September, open from 0930, October thru March, open from 1000.  Deli open until 1800.  Platforms open until 2200.  Euroscoop open until 2145.  Brasserie open until 2300.  Kitchen open until 2215.
  • Admission:  Adults 9.75€, 65+ years, 8.76€, Children, 4-11 years, 6.25€,

Pilgrim Father’s Church

De Boeg

Kijk Kubus

  • http://www.kubuswoning.nl/introkubus2.html
  • Address:  Overblaak 70, 3011 MH Rotterdam, Netherlands
  • Hours:  Daily, 100-1700
  • Admission:  Adults, 2.50€, Students and 65+ years, 2.00€, Children 4-12 years, 1.50€

Grote of Sint-Laurenskerk

Stadhuis

  • https://www.rotterdam.nl/locaties/stadhuis/
  • Address:  Grotekerkplein 27, 3011 GC Rotterdam, Netherlands
  • You cannot visit City Hall on your own, but you can ask the local tourist office about guided tours of City Hall.

 

 

 

By Land and By Sea

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Two forts, one city.

My favorite thing about San Juan is its two forts, Castillo San Felipe del Morro and San Cristobal.  Having visited both two times before, you would think that I would look to find something else.  Well, there are lots of other things in Old Town, but I never tire of these old structures…truly a photographers dream!

Castillo San Felipe del Morro and San Cristóbal, are two forts that were built to protect the city, the former from attacks from the sea and the latter, attacks from land.

Exiting our cruise ship, the first thing on my agenda was San Cristóbal.  Near the port, I knew that it was a short walk that would take me through Plaza de Colón and to the gates of the fort.  Starting early, to make the most of our short time in San Juan, I could beat the crowds, photograph to my hearts content, still stroll the city and also see El Morro.

 

Castillo San Cristóbal, a San Juan Historic Site, stands guard at the eastern gate, the land entrance, to the walled city of Old San Juan.  After 149 years of construction, the fort was completed in 1783, although modifications were made throughout next century.  The fortification covered about 27 acres of land, sitting on a hill originally known as the Cerro de la Horca, and basically wrapped around the city of San Juan allowing entry through its heavily guarded double gates.

Although the largest fortification built by the Spanish in the New World stood ready to defend the city against land attacks, not much action was seen.  A land attack by the British in 1797 (under the command of Sir Ralph Abercrombe) did not make it as far as the fort and until 1898, the only dilemma was a 24 hour mutiny by soldiers living inside the fort against the Spanish crown.  Finally, in 1898, the first shots of the Spanish-American War were fired when Puerto Rico was under military attack from U.S. Navy warships.  Though the Spanish military attempted to retaliate, its old cannons and the fort could not withstand the assault, surrendering within 24 hours.  Only six months later, Puerto Rico became a territory of the United States.

After Puerto Rico’s acquisition, the United States maintained an active military base at the fort with the additions of concrete pillboxes and an underground bunker control center during World War II.  In 1961, once the U.S. Army vacated the premises, the U.S. National Park Service gained control and San Cristobal and El Morro were designated as museums and both were also declared as World Heritage Sites by the United Nations.

Over the years, with the city’s growth, part of San Cristóbal and a large segment of the city wall was was demolished to allow for flow of traffic in and out of the city.

The fort has two entrances, one off of Norzagaray Street and one off of Munoz Rivera Avenue.  Since I was coming from the cruise ship terminal, I entered from the latter, however, the former is much more dramatic and one used by those coming from El Morro along the route near the water.  If you choose to enter from Munoz Rivera, make sure to exit from other entrance to admire its sweeping ramp and grand appearance.

There are many things to see within the fort that can be observed with or without a guide.  Three popular tours offered include, The Tunnels Tour which offer treks through the tunnels of the fort and include historical information about these hidden defenses, The Outworks Tour, which brings you to the outworks to see the land defenses and the The Lantern Light Tour, offered twice a week, which informs of soldier’s lives within the fort.  In addition, every hour on the hour, free 20-30 minute Daily Orientation Talks are led by park rangers which explain life in the fort.

Since I had opted not to participate in one of the daily walks or tours, I was on my own with my map, looking forward to seeing all of the things that make San Cristóbal special.

Beginning with the short movie that is run continuously throughout the day, on the hour and the half hour (Spanish on the quarter and three quarters of the hour), I learned about the battles and the construction of the forts.  Some of the relics from the forts times of battle are also on display in the Visitor Center.

Continuing through the long tunnel, I then found myself in the heart of the fort.  There are so many passageways to explore, it is quite a bit difficult to determine, at times, which way to go.  Some of the main items you want to make sure you see are:

Tunnel Systems:  There are many tunnels to explore throughout the fort, one in particular, leading to the dungeon.

Cisterns:  These extremely large cisterns were used for the transport of water during the times of the Spanish Colony and also used as bomb shelters during World War II.

Santa Barbara Chapel:  Located in the central plaza, the chapel was built for the fort’s occupants to offer prayers and worship.  Santa Barbara is the patron saint of persons in danger of fire and explosions and for this reason, the chapel was especially important to the cannoneers working with their dangerous weapons.

Military Uniforms:  A display of uniforms of the soldiers gives insight into how uncomfortable these men must have been in the Caribbean heat.  Made of wool and/or cotton, they were layered and included coats and tights.

Living Quarters:  Beds, uniforms and dining tables are displayed to show how the troops’ quarters looked when the fort was in use.  Make sure to check out the window shutters with graffiti etched into it…ships, dates and Spanish words.

Cannon Balls:  There are many piles of cannonballs, weighing approximately 200 pounds each, on the upper level of the fort.

Flags:  Check out the flags blowing in the breeze, the United States flag, the Puerto Rican flag and the Cross of Burgundy flag.  The latter is a white flag with a red X and was t he Spanish military flag used from the 16th to 18th centuries to identify warships, forts and regiments of troops loyal to the king of Spain.

Sentry Boxes (Garitas):  Located around the outer walls of the fort, the garitas offered a vantage point to watchmen who were guarding the shore.  One particular garita, Garita del Diablo, located by itself close to the water in one of the oldest parts of the fort, is of particular interest to tourists.  Legend tells that guards on duty in this garita, would disappear, taken away by the devel.  Though stories must have run rampant during this time, it was more likely that the guards took advantage of the garitas remote location to escape.  Though this sentry box is inaccessible to tourists, it can still be seen.  There are many other garitas that can be entered and used for photo opportunities.

Outworks:  To the east of the fort is a large stretch of lawn along with some buildings.  This is the Outworks of the fort.  Take a walk around the area to the the layers of defense (moats and walls) from a different perspective.

With so much to enjoy here, take your time to see all parts of San Cristobal.  In addition to the photo opportunities it provides within its walls, its city and coastal views are incredible!  I could see both the Carnival Sunshine and Royal Caribbean’s ships docked as well as other beautiful buildings throughout the city.  Make sure to stand along the water side and take in the panoramic views of the coast from Old San Juan to Condado and beyond…truly spectacular!

After leaving San Cristóbal, it is approximately a one mile picturesque walk to Castillo San Felipe del Morro along Calle Norzagaray.  Since I wanted to stroll through the center of town, doing some shopping along the way, I used Calle Fortaleza then, Calle Clara Lair to the Old City Gate.  Walking along the outer walls on the  Paseo de Morro, I walked along the water, looking out to El Canuelo, another smaller fortification on Goat Island, and made my way through the grounds of Castillo San Felipe del Morro to the front entrance.

Castillo San Felipe del Morro, or El Morro, as it is affectionately known, sits high atop a bluff overlooking the entrance to San Juan Bay.  One of the largest fortifications built by the Spanish in the Caribbean, it took over 250 years to complete (1787) and was built to protect San Juan from invaders by sea.

After crossing the bridge to the fort, I showed my receipt from San Cristóbal and began my own tour of El Morro.

Castillo San Felipe del Morro, named in honor of King Philip II of Spain, lies on the northwestern-most point of the islet of Old San Juan.  Construction of the citadel and its surrounding walls began in 1539, on orders of King Charles V of Spain, seeking a way to defend the port of San Juan by controlling entry to the harbor.  The final design, drawn up in 1587, was based on Spanish military fortification principles of that time and similar structures can be seen throughout the Caribbean and Latin America in Cuba, Dominican Republic, Mexico, Panama, Guatemala and Honduras.

El Morro’s six levels rise from the sea to a height of 145 feet and offer an imposing sight to those arriving by sea.  Nevertheless, El Morro suffered many attacks over the years, from the English in both 1595 and 1598 and from the Dutch in 1625.  During the Spanish-American War, U.S. Navy ships fired upon El Morro, destroying the lighthouse.  As mentioned above, the war ended with the Treaty of Paris, in which Spain ceded ownership of islands of Puerto Rico to the United States.

After the U.S. acquired Puerto Rico, many government buildings, including El Morro, became part of a large U.S. Army post, Fort Brooke.  The large green space in front of El Morro was filled with a hospital, officer’s quarters, officer’s club and sports facilities.  The U.S. Army also added a massive concrete bunker to the top of El Morro to serve as a Harbor Defense Fire Control Station, during World War II, to watch for German submarines.

In 1961, the fort became part of the National Park Service when the United States Army officially retired from the fort.  Declared a World Heritage Site by the United Nations, the esplanade was cleared and restored giving citizens and visitors a wide open space to enjoy the sunny Caribbean days.  Today you can see many people flying kites in the afternoon trade winds, a beautiful site with the castillo in the background.

While walking through the ancient fortification, make sure to take in the case mates, where countless arms were fired and the chapel, where no doubt many a soldier prayed for redemption and safety.  As with San Cristóbal, check out the sentry boxes, or garitas scattered throughout the structures upper levels.

My favorite part, however, is the restored lighthouse.  Sitting 180 feet above sea level, the lighthouse was completed in 1908.  On the upper levels you can also see the same three flags flown on San Cristóbal…the U.S. flag, the Puerto Rican flag and the Cross of Burgundy flag.

Looking out at the massive grounds, the property spreads out along 70 acres, including the killing grounds and the esplanade.  Nearby, you can see the nearby Cemetery of Santa Maria Magdalena de Pazzi.

An interesting fact about El Morro was that it was used as a film set in 1996 for the movie, Amistad, directed by Steven Spielberg, representing a fort in Sierra Leone, where slaves were auctioned in 1839.  Interesting indeed, since slave labor was used to build El Morro.

Castillo San Felipe del Morro is a most amazing structure and if you arrive or depart on a cruise ship, you are in for a treat!  In the afternoon sunlight, you glide right by the Old City Gate, Paseo de Morro and the regal El Morro perched high on its promontory.  One of the most beautiful sights of Puerto Rico!

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Castillo San Cristobal

  • https://www.nps.gov/saju/index.htm
  • San Juan, 00901, Puerto Rico
  • Hours:  Open daily, 0900-1800, closed Thanksgiving Day, Christmas Day and New Year’s Day
  • Admission:  Adult, $7.00, Children under 15 years, free.  Admission covers entrance to both forts.
  • Tunnels Tour:  English, 1030, Wednesday, 1030 and 1430, Saturdays.  Spanish, 1430, Wednesday and 1030 and 1230, Sundays.   Approximately 1 hour, maximum group size, 15 people.  Sign up at the front desk prior to the tour.
  • Outworks Tour:  Spanish, Saturdays, 1430, English, Sundays, 1430.
  • Lantern Light Tour:  Spanish, Sundays, 1800-1900, English, Tuesdays, 1800-1900.  Ranger led.

 

Castillo San Felipe del Morro

  • https://www.nps.gov/saju/index.htm
  • Address:  501 Calle Norzagaray, San Juan, 00901, Puerto Rico
  • Hours:  Open daily, 0900-1800, closed Thanksgiving Day, Christmas Day and New Year’s Day
  • Admission:  Adult, $7.00, Children under 15 years, free.  Admission covers entrance to both forts.
  • Tours:  El Morro, Keystone to Protection of the Spanish Empire Tour, English, Saturdays, 1030 English and Sundays, 1430.  Spanish, Saturdays, 1430 and Sundays, 1030.  Short informational talks are available every day in the main plaza of Castillo San Felipe del Morro

Make sure to wear comfortable shoes when visiting either of the forts as some of the flooring can be uneven, slippery and offer lots of stairways and bring lots of water, especially on hot days as the heat is intensified by the stone.

 

The Red Gate

© 2018 Snapping the Globe, L.L.C. All rights reserved.

Everyone likes to make an entrance.

In 1634, construction began on strong city walls which were to protect the city of San Juan from enemy attacks.  Completion of the twenty foot thick masonry walls took 148 years and six gates (puertas) were constructed to allow access through the walls into the city.  Each of the gates was protected by a sentry box (garita) to shelter the guards and the entryways were secured at night with no access until morning.

The San Juan Gate (Puerta de San Juan) was the formal entrance to the city and was the point of entry where Spanish dignitaries arrived.  After access was granted, these dignitaries, made their way up the cobblestone streets, to Catedral San Juan Bautista (also known as San Juan Cathedral), to thank God for their safe voyage.

The other five gates spaced throughout the three-mile wall were used to transport materials and supplies and also to allow for everyday traffic.  Today, only Puerta de San Juan, and inestimable landmark, is accessible to tourists and is a must-see in the historic city.  Located southwest of Castillo San Felipe del Morro, the gate is continually open and after passing through, panoramic views of San Juan Bay, the busiest ocean port in the Caribbean, Isla de Cabras (Goat Island) and a small Spanish fort, El Canuelo, across the channel can be appreciated.  The path, through the gate, leads to Paseo del Morro, the National Recreation Trail which skirts the coast, following the city walls (La Muralla) from the gate to the notable citadel.

As you approach the gate, you will notice an inscription, Benedictus qui venit in nomine Domini.  The verse comes from The Sanctus, “Holy”, a Latin hymn from Catholic liturgy and means, “Blessed is he who comes in the name of the Lord”.

As I made my way through the gate, I made a stop to inspect the sentry box on the coastal side of the wall.  Following Paseo del Morro’s flawlessly paved path, I marveled at the waves sometimes pounding the shore on one side and the ancient wall on the other, repeatedly marked with garitas.  At the end of my one and a half mile trek, I suddenly realized that the path ended.  Many people will tell you that you should retrace your steps back to the San Juan Gate, however, along with a German family, I found an entrance to the grounds of El Morro fort, a remarkable structure that was next on my list.

And the story of the fortified city continues…

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San Juan Gate

  • https://sanjuanpuertorico.com/la-puerta-de-san-juan-san-juan-gate/
  • Address:   Cll Caleta De San Juan, San Juan, 00901, Puerto Rico
  • Hours:  Open 24 hours
  • Admission:  Free
  • Getting There:  From the Cathedral, follow Caleta de San Juan westward.

 

 

 

 

When In Rome

© 2017 Snapping the Globe, L.L.C. All rights reserved.

If I’ve said it once, I’ll say it again, there’s never a shortage of things to see and experience in Rome.  One of my favorite places in Europe, it’s a fabulous walking city with something to see and do at every turn.

One of the most popular attractions in the Eternal City is the Spanish Steps.

In the 17th century, the 135-step staircase was designed by little-known architect and sculptor, Francesco de Sanctis.  The steps, built during a two year span, from 1723 to 1725, were intended to connect the newly built Trinita dei Monti church, owned by the French, and the Piazza di Spagna, home of the Spanish Embassy, signifying the newly-established peace between France and Spain.

The staircase, flanked by two of Rome’s most unusual monuments, the Fontana della Barcaccia and the Sallustian Obelisk, is also a neighbor to the home where Romantic writer, John Keats died of tuberculosis, now a popular museum.

Over the years, the steps have attracted many types of visitors.  Artists, painters and poets frequented the steps, inspired by its beauty.  The artists presence attracted many beautiful women, hoping to be chosen to serve as models.  The models presence, in turn, attracted rich Romans and travelers and eventually a great number of famous hotels, restaurants and stores were opened in the area, including the likes of Gucci and Chanel.  Today, the steps attract people of many different backgrounds and has become a celebrated meeting place.

On this occasion, I arrived to an extremely crowded Piazza di Spagna.  Years ago, it seemed that you could visit the area during the off-season months and find the place less crowded than during the summer tourist season.  Nowadays, I don’t think that the Italian capital has an off-season.  Throngs of tour groups filled the square and most spaces on the steps were filled with people enjoying the warmth of the sunlit afternoon.

At the base of the steps, I set my eyes upon the Fontana della Barcaccia (Fountain of the Old Boat), an early Baroque fountain, designed by Pietro Bernini and commissioned by Pope Urban VIII.  Legend states that a fishing boat was carried to this spot during a massive flood of the Tiber River in the 16th century.  The fountain was designed to look like the stranded vessel, a half-sunk galleon spilling water over its sides.  Although it may be tempting during the hottest summer months, do not attempt to wade in the basin and only drink from the spouts in the side of the boat, not the basin or you may find yourself having a visit with a member of the Polizia di Quartiere or the polizziotti (police).

Making my way past the gathered visitors, I climbed steadily up the right side of the steps, passing the Keats-Shelley Memorial House which houses the most extensive collection of memorabilia of mostly English artists, including Keats, Shelley, Wordsworth, Oscar Wilde.

Dodging dozens of seated visitors, I made my way upward among the mix of curves, straight flights, vistas and terraces, occasionally stopping to gaze upward at the twin towers of the Church of Trinità dei Monti and then down at the Roman Baroque yellow and ochre colored buildings of the Piazza di Spagna.

At the top of the Spanish Steps is the Sallustian Obelisk, sculpted to look like one of the many obelisks that Roman emperors borrowed from Egypt and put into place in 1789.  Take some time to inspect the obelisk, complete with copied hieroglyphics from the authentic and famous Roman Flaminio Obelisk.

While standing at the base of the obelisk, I marveled at the beauty of the staircase cascading below me and the hundreds of people milling about.

Some interesting facts about the steps:

  • Picnicking is strictly forbidden as the steps would be overridden, making any movement to the top impossible.
  • Although refurbished recently, look to see if you can spot the areas where several of the 200 year-old steps were chipped and scuffed.  In 2007, a drunkard attempted to drive a car down the Spanish Steps.  Thankfully, only a few steps were harmed.  Incidents such as this and the fact that the steps is a large gathering place have given many pause about lingering too long in the area.
  • It’s almost impossible to have the landmark to yourself, unless you wake up pretty early or stay up pretty late.  Busiest around sunset, friends, lovers and tourists congregate to celebrate the end of the day.
  • During certain times of the year, seasonal decorations are placed on the stairway.  In the spring, it is decorated with pink azaleas for a month, celebrating Rome’s founding and during Christmas, a 19th century crib is displayed on the first level of the steps.

With one last glance at the piazza and steps below, I ascended to the stairway’s crowning glory, the Church of the Santissima Trinitá dei Monti.

The most famous of French churches is not on French soil…it sits at the top of the Spanish Steps!  By one of the many quirks of Roman history, this church is maintained by France, is a century and a half older than the steps and is mostly famous for its location rather than what it houses.

Built between 1502-and 1519, the church was designed by Giacomo della Porta and given Gothic elements to laud the great French Gothic cathedrals.  Officially titled Santissima Trinita di Monte Pincio (Most Holy Trinity of Mount Pinicio), the church was named for the hill on which it sits.  Since its restoration in 1823, every cardinal has been a French national and mass continues to be said in French.

While walking through the cathedral, it is interesting to note each of the six bays with side aisles which have been divided to form self-contained chapels, including the Borghese Chapel, built when in 1574 when it was decided that the church should be lengthened.  The chapel bears the family crests, a Baroque sculpture of the Pieta and is the burial site of many illustrious members of the family.

Other extraordinary works of art include the Deposition fresco by Daniele da Volterra and the fresco cycles by the Zuccari brothers of Old and New Testament scenes which were created over a twenty-five year span.  Connecting the church to the monastery is a perspective gallery by Andrea Pozzo and a pipe organ designed by a majestic French master.

After leaving the church, I was determined to head toward the recently refurbished Fontana di Trevi (Trevi Fountain), but there was a brief detour that I was determined to make.

The Monster House, located a short distance from Trinitá dei Monti at Via Gregoriana 28, is actually the 16th century Zuccari Palace, which boasts the faces and gaping mouths of monsters swallowing the doors and windows on its facade.  Originally the house of Baroque painter Federico Zuccari, built in 1590, it served as a studio for himself and his children and drew inspiration from the Gardens of Bomarzo.  Over the years, it also served as a residence for the Queen of Poland, was a center of high society in Rome and an inn for foreign artists.  Today, the building houses the Max Planck Institute for Art History, however, it is not open to the public.  You can, however, grab a couple of photos from across the street.

Making my way down Via Gregoriana, I finally headed to the Trevi Fountain to see it once again devoid of the scaffolding that had marred its beautiful veneer the last time I had walked past.

With origins dating back to Roman times, the fountain was originally the terminating point of the Aqua Virgo aqueduct commissioned by Augustus, which provided water for the thermal baths.  Taking three centuries to complete, under the orders of Pope Clement XII, the fountain’s design is often associated with Bernini, although most of the work was complete by Nicola Salvi.

Like the Spanish Steps, the well-known Trevi Fountain has become a place where tourists and locals meet and hang out, grabbing a nearby gelato while admiring the roaring water cascading from the monument.

Constructed of travertine and carrara marble, the fountain is 85.28 feet high by 160.72 feet wide.  2,824,800 cubic feet of water spill from the fountain daily and its presence can be detected many streets away from its roaring sound.

In the center of the fountain is a chariot in the shape of a shell, led by seahorses with Triton as their guide.  In the forefront stands Oceanus and on the sides are the statues of Abundance and Salubrity.  Natural and artificial forms are represented throughout as rocks and petrified vegetation that run along the foundation of the palace and around the borders of the pool, representing the sea.

Always busy, polizziotti have a constant presence and its quite disconcerting to be among the hundreds of selfie takers.  However, whipping out your own phone and snapping away is a must!

And, while you are at it, make sure to throw a coin from your right hand over your left shoulder and make a wish!  It will ensure that you will return to Rome one day!

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The Spanish Steps (Scalina Spagna)

Trinitá dei Monti

  • http://trinitadeimonti.net/en/homepage/
  • Address:  Piazza della Trinità dei Monti, 3, 00187 Roma RM, Italy
  • Admission:  free
  • Hours:  Tuesday to Thursday, 0730–1900, Friday, 1200-1900, Saturday and Sunday, 1000-1700.  Closed on Mondays.  No visits are allowed during church celebrations.
  • French Masses:  Tuesday, Thursday and Friday, 1830, Saturday, 1200, Sunday, 0930.
  • Italian Masses:  Wednesday, 0630, Sunday, 1100
  • Eucharistic Adoration:  Tuesday-Thursday, 0730-0830
  • Metro stop:  Spagna

The Monster House

Trevi Fountain (Fontana di Trevi)

 

 

 

 

 

Down Boma Road

© 2017 Snapping the Globe, L.L.C. All rights reserved.

Tanzania has a fascinating history.

In 1899, the Germans began constructing a boma or strong fortification in Arusha.  The Maasai people were conscripted to complete this task while the new colonists surveyed the work site on horseback. Those not working as as swiftly as deemed necessary welcomed whippings and severe punishment.  Resentment ensued and after a Maasai tossed his master into the river, many Maasai went into hiding, fearing the consequences.  A local Maasai chief was sent to find them and act as mediator.  He explained that they could return to work with no ramifications.  As the approximately 400 Maasai marched back into town, down Boma Road, they were all gunned down.  A bloody beginning for the German edifice.

The boma was completed in 1900 and became a barracks for 150 Nubian soldiers.  Later, the fortification was made the regional government offices until 1934, when it was turned into the Arusha Museum of Natural History.

Today, the boma still stands strong on Boma Road as the Museum of Natural History.  Those wishing to enlighten themselves on Tanzania’s natural wonders can also educate themselves on Tanzania’s turbulent history.

Though the museum is not teeming with high tech displays, it is extremely informative and can be navigated with the help of a guide (if so desired). Take the time to read the displays and investigate the numerous artifacts available…you won’t be disappointed.

The museum divided into three different areas.  The wing dedicated to the evolution of humans is quite fascinating as much of what the world knows about the topic comes from fossils unearthed in Tanzania, including the findings from the Olduvai Gorge and the Laetoli footprints. On display are many incredible early hominid fossils, including Australopithecines, Homo erectus, and Homo habilis skulls, and stone hand axes from Olduvai Gorge.  Illustrations, facts and Neanderthal displays highlight the building.  In addition, there are many displays of insects and amazing photos of plants and animals by photographer Dick Persson.

The second building is dedicated to the history of the German colonial regime in Northern Tanzania.  There are many photos and displays pertaining to this period and to Tanzania’s struggle for independence.

The third building offers more animal pictures and facts about the origin of man.  Here, you can see taxidermists at work as well as a vast array of their endeavors on the walls.  We loved seeing these up close as a precursor to our expedition.

On the side and rear of the property you can find a couple of indigenous snakes  and many native plants and trees in the botanical garden.

Be sure to check out the artists and shops at the far end of the grounds.  There are many items for sale and you can watch the artisans at work.  Paintings, clothing items, carvings, jewelry are all available in a no hassle atmosphere.  Take your time walking around and watch them create their wares.  If you so desire, you can even take a painting lesson!  Now that would be an impressive souvenir!

The museum is situated at the end of the Boma road neighboring the Arusha International Conference Center, the Arusha Municipal Council, and the Arusha Regional Offices and is easy to find navigating from the clock tower.  Definitely an enlightening visit!

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Arusha Natural History Museum

  • http://eol.habari.co.tz/museum.htm
  • Address: Located at the end of the Boma road neighboring the Arusha International Conference Center, the Arusha Municipal Council, and the Arusha Regional Offices.
  • Hours:  0900-1800
  • Admission:  $5.00

 

Where the Deer and the Tourists Play

© 2017 Snapping the Globe, L.L.C. All rights reserved.

The Acropolis…check.

Tulum…check.

Ta Prohm…check.

The Coliseum…check.

Petra…check.

Over the years, my eyes have gazed upon some pretty impressive ruins.  Withstanding the test of time (well almost) these magnificent and sometimes mysterious remains mesmerize and captivate.

Honestly, I can’t resist visiting any ruin…big or small…ancient or not so old.  The lure of its history and remaining architecture always draws me in, so when I noticed the words “ruin” on my map of St. John, I knew that I had to find time to see what was there.

Cinnamon Bay Plantation ruins lie just across North Shore Road, directly opposite the appropriately named Cinnamon Bay.  Parking in the Cinnamon Bay Beach parking lot, cross the road to the beginning of the Cinnamon Bay loop trail and begin your exploration of the historic plantation’s sugar factory’s remains.

An important part of St. John’s history dates back to 1717, when the Danes settled on the island.  Founded by Daniel Jensen, the plantation processed sugar cane from the fields into sugar, molasses and rum.  While wandering through the Bay, Calabash and Genip trees, you can observe the horse mill where the juice was extracted from the cut cane stalks, the boiling house, where rows of copper kettles continually condensed the syrup to crystal form and the store rooms or “bagasse sheds” where fresh sugar was dried.  One of the most impressive structures on the premises is the towering chimney…the rum still.

Further along the Loop Trail lay the crypts of a Danish family that perished on the island as well as the remains of the Great House.

The trail is well laid out, evenly leveled, well maintained and a welcomed respite from the hot, Caribbean sun, with its dense tree covering providing maximum shade.  Take some time to wander throughout the interior of the buildings and be on the lookout for the curious deer that meander through the property.

After you are done, cross the road and check out Cinnamon Bay Beach, Resort and Campground where you can rent a cottage, an eco-tent, campsite, kayak, paddleboard or just have a snack or cold beverage at Raintree Cafe.  You can also visit the souvenir shop for a special memento of your visit…but alas…no 1717 rum!

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Cinnamon Bay Plantation Ruins 

Cinnamon Bay Beach and Resort