Sanctuaries and Souvenirs

©2020 Snapping the Globe, L.L.C. All rights reserved.

The early bird gets the worm…or a great breakfast!

Although I had checked many things off of my list of things to do in Havana, there was still a great deal more to see! As I sat in the dining room, enjoying my eggs, fruit and toast, I checked my map and thought more about the some of the things that were suggested by my seatmate on the flight to Havana.

Deciding to start at the Basilica and Convent of San Francis of Assisi, I thought that I would finally see more of the religious institutions that dot the predominately Catholic country.

Getting anywhere was slow going as I was continually distracted by the unique architecture that existed on each block. Passing the Museo Casa de Mexico Benito Juarez, I made a note to return later if there was time and then made a quick stop to admire the statue of Simon Bolivar, the Venezuelan military and political leader who led Venezuela, Bolivia, Colombia, Ecuador, Peru and Panama to independence from the Spanish Empire.

Casa de Benito Juarez and Simon Bolivar Statue

Finally arriving in the Plaza de San Francisco de Asis, I first sought out two significant statues. The monument to the Polish composer, Frederic Chopin, sits on a bench, beckoning visitors to take a seat next to him and El Caballero, the bronze likeness of José María López Lledín, a man which much speculation once surrounded. An interesting story surrounds the latter. Originally from Spain, he was was said to have lost his family, arrested for a crime he did not commit and wandered the streets of Havana during the 1950s. He always carried a portfolio with his treasured pens, gifts and colored pieces of cards, which he bestowed on passersby. Over time, he became well known throughout the city and would often entertain with poetry recitals and storytelling. He died in 1985 and was buried in the Cemetery of Santiago de las Vegas. After the restoration of the plaza in the late 1990s, his remains were exhumed and placed in the Basilica Menor de San Francisco de Asis. His statue was erected in 2001 and was designed by sculptor José Villa Soberón, who also sculpted the John Lennon sculpture which can be found in the Parque Lennon in Vedado. His beard has been rubbed shiny and it is said that doing so gives good luck!

After a beard rubbing, I admired the lovely, wide open plaza and the beautiful buildings surrounding it, as well as the statue of Fray Junípero Serro with a Juaneño Indian boy, before entering the Basilica.

The original church that stood on this site was built by the Franciscans in 1591 but was damaged by severe storms in 1680 and 1692. A hurricane toppled its tower in 1694. Eventually, construction resulted in the church’s present Baroque stature in 1739, was named a basilica by the Pope and became the city’s premier house of worship. It eventually adjoined the adjacent Franciscan convent.

As I ventured inside, again I was a bit underwhelmed, as I had been with the Havana Cathedral. Its interior is in the shape of a Latin cross with domed ceilings, however, it lacked the grandeur that I thought would exist here. As I later learned, however, from 1762, the church no longer served the Catholic religion. From this time, the British had control over Havana and commandeered the basilica for Anglican services. Considered desecrated by the Protestants, Catholicism never existed within its walls again. Although the monks continued to occupy the convent, Queen Maria Cristina of Spain closed the building and transferred the members of the religious order. In 1907, the property was purchased by the government and sadly, became a warehouse.

Today, the church acts as one of Havana’s most outstanding concert halls and is home to the acclaimed all-female chamber orchestra, Camerata Romeu. As I wandered through the church, I was privy to some of the members performing during a rehearsal session.

Inside the crypt, the remains of many 17th and 18th century aristocrats can be found. The nave and the attached cloister also houses the Museum of Sacred Art which exhibits paintings by José Nicolás de la Escalera and Vicente Escobar, wooden images, early marriage registries and the armchairs and lectern used by Fidel Castro and Pope John Paul II during his 1998 visit. Though I enjoyed wandering through the church’s interior, it was the cloister with its fern-filled courtyards and countless rooms filled with religious artifacts that was most captivating.

The former church’s one hundred and thirty-seven foot tower, once the tallest in Havana (second tallest in Cuba), was previously crowned by a statue of St. Francis of Assisi, whose head was severed during a hurricane in 1846. Though the tower can be accessed by a somewhat rickety staircase (which I had planned to tackle for the beautiful views of the city), it was sadly not meant to be…the spire was closed due to maintenance.

Making my departure, I headed south on Oficios and immediately found myself staring at a train’s coach car, El Coche Mambi. Entering the car, I was greeted by an elderly woman, who explained (in Spanish) that visiting was by tour only. After paying her, she then led me through the car which was used by the Presidents on their tours of the country. Last used by Fidel Castro Ruz, the coach has been converted into a museum and preserved the same as when it was in use. Though my Spanish is basic, I mostly understood the history and what I was seeing as she led me through the coach and explained its contents. The president’s bedroom, the president’s wife’s bedroom, the kitchen, dining room and the president’s desk were quite interesting and beautifully displayed.

As I thanked the gracious senora for the short, yet insightful stopover, I ventured out, making my way to the waterside.

Headed toward the ferry terminal, I first encountered Our Lady of Kazan Orthodox Cathedral. Since I had deemed the day, “a church day”, I decided that my ferry to Regla could wait while I find if it was possible to see the church’s interior. Discovering unlocked doors, I peered inside, spying a woman performing some tasks. She did not seem disturbed by my presence, so I quietly entered and moved throughout the space, discovering each of the elements that make an orthodox church unique.

The church’s construction dates back to 2004 when Cuban leader Fidel Castro offered to build the cathedral as a monument to Russian and Cuban good-will. The cathedral was built in the Byzantine style with a central golden cupola surrounded by four smaller copper-colored ones. The pieces of the cupolas, as well as elements of decoration, including the floor covering and the church plate, were brought from Moscow and the interior has space for 500 congregants.

After my walk-thru was complete, I ventured back out into the sunshine, finally heading to the ferry terminal. My destination was the small town across the bay where the Iglesia de Nuestra Señora de Regla is located. Though I probably would have not done this without some coaxing, it was highly recommended by the tour guide that I sat beside on the airplane. After hearing how much I love visiting churches, he insisted that I take the ferry to see this church, which houses the black Madonna, a highly venerated statue of the Virgin Mary.

I was a bit nervous as I entered the ferry terminal. After having my bag searched, I unsuccessfully searched for a ticket counter. There were many people waiting and as a boat approached from the south, I assumed that this was the correct vessel. Lining up with both locals and tourists, I asked a gentleman if this was the boat to Regla and was told yes, only to glance up and discover that another boat had pulled up to the dock. Hmmm. I decided that I would go with my gut!

As I approached the lanchita on the right, I saw people paying the crew as they boarded. Thankfully, I had smaller change, even though I overpaid a bit…ticket price was only 10 centavos! Making my way across the boat to the open doorways, so that I could get some air while fighting for space among the masses, I again asked someone (who appeared to be a local) if I was on the boat to Regla. “Si Señora”, he replied and I breathed a sigh of relief.

As we pulled away from the dock, I realized that if I indeed was on the wrong boat, the other ferry crossed the bay to the Christ statue and that wouldn’t be such a bad thing. Our ferry motored off, getting further from the city and I spied the golden cupola of Our Lady of Kazan in the distance, reflecting the brilliant glow of the day. And…it looked like we were headed in the right direction!

Seven minutes later, we were pulling up to the dock in Regla and I decided to follow those who appeared to be tourists. From the looks of the area, it seemed like the church was the tourist destination of choice…maybe the only choice.

Iglesia de Nuestra Señora de Regla was a short walk and I was met by many vendors sitting on the stone gates which surrounded the church, hoping to sell me a candle or an offering to the Virgin. The church, with its long colorful history, is extremely important to the believers of the Virgin. The statue, which was believed to have been carved by St. Augustine “the African” in the 5th century, was brought from Spain in 453. After surviving a storm in the Strait of Gibraltar, it became known as the patron of sailors.

A small hut was built on the site, to house a copy of the image in 1687 by a pilgrim named Manuel Antonio, but was destroyed by a hurricane only five years later. A more durable chapel was built a few years later and in 1714, Nuestra Señora de Regla was proclaimed patron of the Bahía de la Habana. In 1957, the image was crowned by the Cuban Cardinal in the Havana Cathedral. On September 7, the saint is celebrated when thousands of pilgrims descend on Regla and the image is paraded through the streets.

The church’s vaulted ceiling makes a grand statement above the lightness of the church’s color scheme which is trimmed in blue, a salute to its association with the sea. There are beautiful paintings which depict life on the ocean, carved stations of the cross, saint’s statues and a golden side altar. As you enter the church, however, it is the altar, directly in your line of vision, that houses La Santísima Virgen de Regla. Though I had to wait a short time, I was finally able to approach the altar and take pictures of the Black Madonna…truly awe inspiring.

The ferry ride back to Old Havana was a quick affair and I toyed with the idea of immediately jumping on the other ferry. I wanted to revisit the Christ Statue and Castillo Des Los Tres Reyes Del Morro and I also wanted to tour La Cabana. There were other things in Old Havana that I wanted to discover first, however, so off I went by land, towards the Almacenes San José Artisan’s Market.

Since I had done a bit of browsing on Obispo street, but not yet made any significant purchases, I was eager to see what I might find in this highly recommended establishment. Built in 1885, the Havana’s oldest depository is the home to the largest artisan’s market in the city. A short walk from the harbor, it is easily accessible to cruise ship arrivals and offers everything from clothes to paintings to toys and tobacco accessories. The sheer size of it was quite overwhelming and I was not sure where to turn. As everyone tried to garner my attention, I decided that I would try to find shirts for my sons and a nativity set for my collection. In a predominately Catholic country, it would seem that finding a nativity set would be an easy feat, however, it took at least a half an hour of talking to people, who then went to talk to people, in order to find one! And since I was pretty particular about the type of t-shirts that I was searching for, it was a similar procedure. It was quite exhausting, but I met some interesting people, learned some interesting local news and walked away with the purchases I had planned and then a couple of unplanned ones too!

With my heavy package, I decided that I would begin heading back to my Airbnb to drop them and have a quick bite to eat. Crossing the street, however, I spotted the Church of St. Francisco of Paula. What caught my attention was the tall trio of stained glass windows on the rear of the church. I decided that I should take a quick look from the inside to see their sunlit beauty.

What originally served as an important hospital for women and children during the end of the 17th century, was built with an adjoining church devoted to St. Francis of Paola, one of the founders of the Roman Catholic Order of the Minims. The buildings were destroyed by a hurricane in 1730, but rebuilt in the Baroque style that is seen today. When the Havana Central Railroad attempts to demolish the church was met by opposition, work was completed to have it listed as a National Monument in 1944. Sadly, however, the railroad was able to destroy the hospital.

The church that can be visited today is similar in style to other Havana churches, those of Santo Domingo, Guanabacoa and San Francisco de Asis and has been extensively restored. The stained glass windows, that lured me inside, act as the altarpiece and this church has the only organ that has been preserved in Cuba with its original pipes and machinery. The ashes of the great Cuban violinist Claudio José Brindis de Salas (1852-1911), considered one of the best violinists of his time, are preserved in the church and although the the belfry still exists, its original three bells, destroyed during the hurricane of 1730, were never restored.

My stomach was starting to rumble and my feet were starting to ache, but there was one more church I wanted to see before I shifted gears. A couple of blocks from St. Francis of Paola church was the Iglesia y Convento de la Merced.

Having seen a few churches in the city, I had been a bit underwhelmed. This one, however, did not disappoint. One of the most beautiful churches in Havana, it was built between 1865 and 1867 in the Baroque style and is the type to make you gasp as you lay your eyes on the interior. Decorated by Cuban artists, it contains murals and frescoes throughout with highlights of light blue on the ceiling and an elegant black and white marble floor. Beautiful statuary and intricately carved stations of the cross grace its heart and it was hard not to take a seat on the old carved pews to rest and pray for a few moments. The most intriguing part of the church, however, was the chapel on the left side of the church with a full grotto installed behind the altar. Though the church is suffering from exposure to the damp air and is in need of restoration, it is truly one that I was glad that I did not miss.

Finally, it was time to continue my journey back to my temporary home. It had been a busy morning and I needed to refresh and refuel. After my lunch, it would be time to change channels from churches to the forts that lay across the channel.

From prayers to protection…all in a day in Havana!

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Casa Benito Juarez

  • Address: 116, Obrapia, La Habana, Cuba
  • Hours: Sunday and Tuesday only, 0930-1430.
  • Admission: Unknown

Statue of Simon Bolivar

  • Address: Mercaderes, Obrapia, La Habana, Cuba
  • Hours: 24 hours, daily
  • Admission: free

Convento and Basilica Menor of San Francis of Assisi

  • Address: Plaza de San Francisco La Habana Vieja, Havana Cuba
  • Hours: 0930-1800, daily
  • Admission: Church and Museum, $2 CUC (about $2 US), Tower $1 CUC (about $1 US), Children under 12 years, free

El Coche Mambi

  • Address: Oficios y Churruca, Havana, Cuba
  • Hours: Monday to Saturday, 0930-1600. Closed Sunday.
  • Admission: By tour only, $2 CUC (about $2 US)

Our Lady of Kazan Orthodox Cathedral

  • Address: Avenida del Puerto Esquina Calles Sol y Santa Clara – La Habana Vieja, Havana 10100 Cuba
  • Hours: No posted opening times
  • Admission: free

Terminal de Ferris (Ferry Terminal)

  • Address: Avenue Del Puerto, La Habana, Cuba
  • Hours: 0400-midnight, daily.
  • Admission: 10 centavos (about 10 cents US)
  • Capacity is 90 persons and boats depart every 15 minutes

Iglesia de Nuestra Senora de Regla

  • Address: Avenue Marti, Regla, Cuba
  • Hours: 0800-1700, daily
  • Admission: free, donations accepted

Almacenes San José Artisan’s Market

  • Address: Avenida del Puerto corner of Calle Cuba
  • Hours: Tuesday to Sunday, 1000-1800. Closed on Monday.
  • Admission: free

St. Francis of Paola

  • Address: 110 Leonor Pérez, Havana, Cuba
  • Hours: No posted opening times
  • Admission: free

Iglesia Y Convento de la Merced

  • Address: Calle de Cuba 806, Havana, Cuba
  • Hours: Hours listed are 0800-1200 and 1500-1700, Monday-Saturday and 0900-1300, Sunday, however, I ventured in after the noon hour, so church may or may not be closed. Mass times are 0900, Monday-Saturday and noon, Sunday
  • Admission: free

Halfway Thru Havana

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Three o’clock and thirsty.

There was still plenty of daylight and most attractions in Cuba did not close for a little while. I needed a plan of action that might include a frosty beverage!

Grabbing a seat on a rustic bench, I took a second to regroup.

Iglesia del Santo Angel Custodio near the Revolution Museum caught my eye. I had just been near there and it meant a little backtracking, but there were many restaurants just around the corner and it would be nice to have a seat and something to drink.

Though the church was not open, I discovered that it sat on a pretty, yet tiny, colonial square, Plazuela de Santo Ángel. A lovely bronze statue of a woman holding court in front of the church captured my attention. She was dressed in vintage attire, holding a fan and appeared to have just left the church and was going to do her business in Old Havana.

Although there is a placard on the church wall which tells visitors about this woman, Cecilia Valdes, I had to wait until later to decipher who she was as it was written in Spanish. What I later learned was that this woman is the title heroine of a popular 19th century book which had a scene set at this location. The book has inspired operas, literary reiterations and a feature film and has been considered one of the most important novels detailing life in 19th century Cuba. You can also take note of the bust on the nearby wall of Cirilo Villaverde, the Cuban poet, novelist, journalist and freedom fighter. He is known especially for one great literary piece of work. Yes…the novel, Cecilia Valdes!

 As I made my way away from the square, I was intrigued with the area. There were captivating outdoor cafes, fun souvenir shops and colorful fans hanging above the street. It was a beautiful afternoon and it was nice to take a seat under one of the large umbrellas and enjoy a refreshing cerveza!

Once again, I continued my explorations and there was a great detail to take in; small, beautifully crafted tiles on buildings, artists putting the finishing touches on their masterpieces, bits of grafitti, a statue of Carlos Manuel de Cespedes and city wall ruins in the Parque Cespedes La Maestranza and the Police Headquarters situated in a old fortress, were just a few of the treasures that I encountered along the way.

Music playing in the distance caught my ear and I followed the tune. Finding myself in the Plaza de la Catedral, a known locale of countless street performers, I stared up at the profound Havana Cathedral, also known as the Catedral de San Cristobal. One of the eleven cathedrals on the island, it serves as the seat of the Roman Catholic Archdiocese. Built between 1748 and 1777, it was consecrated in 1782.

The Baroque architectural style is quite commanding as you stand before the cathedral in the plaza and if your eye is quite discerning, you may notice that the two bell towers are of unequal size and height. Approaching the facade, I noticed that there were fossilized marine fauna and flora in the stone, quickly realizing that the Cathedral is constructed from coral. It is quite beautiful and I could not wait to see what its interior held, especially knowing that it was designed by Italian architect Francesco Borromini.

The interior is decorated in the neoclassical style and has a central nave, two side aisles, eight side chapels and is in the form of a Latin cross. Though my initial impression of the interior was that it was stunning, with its palatial columns and soaring vaulted ceilings, I realized that it was more of an understated beauty. I have seen my share of opulent religious building throughout the world and this one was not of that class. It was, however, welcoming and offered many sculptures, paintings and frescoes throughout its interior. Some of these paintings and frescoes are by masters Peter Paul Rubens and Bartolome Esteban Murillo. Other standouts are a statue of Apolinar Serrano, Spanish bishop of Havana, who is buried in the Cathedral, a sculpture of Saint Christopher, the Patron Saint of Havana, three fading frescoes by Giuseppe Perovani above the altar, a canvas of the Virgin of the Immaculate Conception, Patroness of the Cathedral, and on the altar, sculptures and goldsmith works made in Rome during the first half of the 19th century.

The Cathedral is dedicated to St. Christopher and between 1796 and 1898, the remains of Christopher Columbus were kept in the Altar of the Gospel before being taken to the Seville Cathedral in Spain after the Cuban War of Independence.

Finding the side door open, I ventured out and discovered access to the right belltower. I suspected that someone is usually stationed at the entrance to collect an admittance fee, however, no one was present. Making my way up each level of the campanile, I had bird’s eye views of each of the mighty carillons as well as panoramas of the plaza below and even a view across the river of the Christ of Havana. A small gate was unlocked and I discovered that it led onto a portion of the roof. Since there was no one to tell me that I was not allowed and no signs, I ventured to the area and was rewarded with close glimpses of the tiled roof and the spectacular flying buttresses.

After my visit to the Cathedral was complete, I headed back out into the Plaza de la Catedral. Musicians were performing at the El Patio restaurant and locals and visitors were dancing in the square. There were gaily dressed Cuban women, seated at tables and telling fortunes and a general sense of celebration. Walking down the Empedrado, I witnessed many artists along the thoroughfare and older women holding tight between their teeth, one of the things Cuba is known for. It seems that they have learned that tourists love the photo opportunity to pose with a cigar smoking old lady! Here, I also found La Bodeguita del Medio, the famous bar which lays claim to being the birthplace of the Mojito cocktail, prepared in the establishment since its opening in 1942. Though I would have loved to go inside, the line was fairly long and I really would have preferred to come back in the evening for a proper drink.

Cutting back across the Plaza de la Catedral, my next destination was the Plaza de Armas, Havana’s oldest square. Originally known as Plaza de Iglesia for a church that stood on the site, it was developed in the 1520s. Its current name was adopted in the late 16th century, when the governor used the site to conduct military exercises.

Today, the square is centered with a marble statue of Carlos Manuel de Cespedes and bounded by some important buildings which include the 18th century Palacio de Los Condes de Santovenia (now known as the Hotel Santa Isabel), El Templete, the Public Library, the Museum of Natural History, the Palacio del Segundo Cabo, the Palacio de Los Capitanes Generales and the Castillo de la Real Fuerza.

Museum of Natural History

Hoping to be able to visit the Castillo de la Real Fuerza before closing time, I raced around the property to find the entrance. Luckily, I was allowed inside and began my exploration of the oldest Spanish stone fortress in the Western Hemisphere.

Castillo de la Real Fuerza

Constructed between 1555 and 1577, to safeguard against pirate attacks, it later became the official residence of the Governor of Havana and served as Cuba’s National Archive and National Library. After the Revolution, it housed government offices and a museum of arms. Today, the Castillo de la Real Fuerza, designated a UNESCO World Heritage Site in 1982, serves as a Museum of Ceramics and a Maritime Museum.

After making my way through the lower level and discovering the maritime artifacts located there, I ventured to the second level which houses the bulk of the Maritime Museum and includes the Naval Model-Making Salon and the Underwater Archeology Warehouse. The most spectacular part of the second level, however, is the watchtower which was added in 1634 and is now a symbol of the city. This watchtower is adorned with a bronze statuette, a replica of La Giraldilla of the Seville Cathedral and is used as a weather vane. Though I originally had no knowledge of this watchtower, it was the ladies keeping watch over the museum salons who wanted me to see what made the castle special, that unlocked the door and let me out on the balcony to see it up close!

Upon my departure from the castle, I headed back to the Plaza de Armas. As I entered the gates of El Templete, I was taken aback by the neoclassical architecture, not very common in Havana. The small Greco-Roman temple with Doric columns, dates back to 1827, and was erected in the place where it was believed that the Villa de San Cristobal de la Habana was founded in 1519. Though the workers were in the process of closing the premises for the day, they allowed me to take a quick peek to see the three valuable paintings by French painter Juan Bautista Vermey, which depict the first mass, the first council and the blessing of the Templete on its inauguration.

El Templete

Inside the courtyard, you can spy the Column of Cajigal which honors the Spanish governor in charge of its construction, an image of the Virgin of Pilar, patroness of Spanish sailors (atop the column), and a marble bust of Governor Don Hernando de Soto, the first governor of the town of San Cristobal de La Habana. The ceiba tree, a sacred symbol in various religions, is one of many that has stood on the site. The latest has existed since 1960 and on November 16, residents come to the tree after midnight, circle it three times and throw a coin to its roots and make a wish.

El Templete

Crossing the plaza, I stepped into the courtyard of the Palacio de Los Capitanes Generales, the former offical residence of the governors of Havana. Dating back to the late 1700’s, it is home to the Museum of the City of Havana and houses exhibitions of art and historical artifacts. Though I would have loved to see the interior and its original colonial decor, the palace was closing for the day.

Palacio de Los Capitanes Generales

Though I was disappointed in not having had the opportunity to visit the palace, I stepped back into the street, which I discovered was paved with wooden blocks. This was the first time I had ever seen this and believe me, it was pretty cool!

Walking past the plaza, I made my way past the Mezquita Addallah and Parque Guayasamin toward the beautiful Old Town Square. Though there are many squares and plazas throughout the city, this one was my favorite. Laid out in 1559, this square offers buildings in many different architectural styles, as well as a fountain and unique sculpture. It was here that I finally encountered the Town Dogs.

Addallah Mosque
Parque Guayasamin

I learned about the Town Dogs during my tour that morning but even though I had kept a keen eye out, I had not encountered any of them. The Town Dogs are designated as such by the mayor, protected and cared for by the city, each being vaccinated and sterilized. They wear a tag bearing their names and addresses and are free to roam on their own. Lounging on the steps of the Camera Obscura, I found Nina and P. Oblivious to the fact that I was excited to see them, neither were extremely cooperative about giving me a photogenic look…probably because they also had had a long day and were as tired as I was!

Old Town Square

Spying a restaurant balcony with seating across the square, I made a beeline in that general direction. The Don Eduardo Alegre Bar and Restaurant was the perfect way to relax and enjoy the amazing view below, the perfect place to enjoy a cold beer and the perfect way to end my day!

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Iglesia del Santo Angel Custodio

  • Address: Calle Compostela y Cuarteles Loma del Ángel, Havana Cuba
  • Hours: 0700-1900, daily
  • Admission: free

Catedral de San Cristobal

  • Address: Calle Empedrado 156 , La Habana Vieja, Havana, Cuba
  • Hours: Monday-Saturday, 0930-1700, Sunday 1030-1200, Sunday Mass at 0900.
  • Admission: free. Tower access, $1 CUC ($1 US)

Castello de la Real Fuerza

  • Address: Plaza de Armas e/Calle O’Reilly y Av. del Puerto Calle Desamparado/San Pedro, Havana Cuba
  • Hours: 0830-1830, daily
  • Admission: $1 CUC ($1 US)

The Middle of the City

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There are five UNESCO World Heritage Sites in Ecuador.

The city of Quito received the prestigious honor in 1978.

Notorious for it equatorial crossing, Quito is known as the Middle of the World. It’s famous Old Town, which helped to earn its UNESCO World Heritage status, can be found in the middle of the city.

Founded in the 16th century on the ruins of an Inca city, the capital of Ecuador is one of the best preserved and least altered historic centers in Latin America. The city’s chief attraction is its Old Town, el Centro Historico, and its ample array of churches, monasteries and convents which date back to the beginnings of the colony. The Old Town spans a relatively small area, so it is quite easy to cover the distance in a day. Trying to decide what to see within that area is the most difficult part.

The best way to begin the exploration of Quito is in the Plaza de la Independencia, the city’s main square. Since the Basilica had taken up our entire morning, we would officially begin our tour the Old Town here.

Also known to the locals as Plaza Grande, the square is a part of the city’s rich history and a place where they go to chat, relax, play, eat and sometimes, get their shoes polished! It is surrounded by some of the most beautiful buildings in the city, including the Governor’s Palace (Palacio de Gobierno), the home and office of the Ecuadorian president, the Metropolitan Cathedral (Cathedral Metropolitana) and a centralized fountain surrounded by well manicured gardens.

Deciding to have a bite to eat before beginning our explorations we wandered into the Palacio Arzobispal (Archbishop’s Palace), a beautiful manor located along the north side of the plaza, which is the official residence of the Archbishop of Quito. In its three cobblestone courtyards, there is a multitude of shops and eateries. In this mall, we found Cafe del Fraile situated on the second floor, extending onto the ornate wooden balconies.

The food and service were equally as good as the scenery, both inside the restaurant and out. Seated on the balcony, we had an excellent view of the courtyard below and of some of the beautiful religious artwork that decorated it. So mesmerized by the theological pieces, I had to take a walk throughout all of the rooms, to make sure I didn’t miss anything!

After our meal was complete, we proceeded into the plaza. We found that the police had completely surrounded the square with tall wire fencing and would only let us out onto Venezuela Street. Not sure what was happening, our question was answered a short time later when a band of protesters came marching down the street, carrying signs and bullhorns. Deciding to cross over to the other side of the square on another street, we headed to the Church of La Compañía de Jesus (The Church of the Society of Jesus).

After paying our admission, I inquired as to whether photos were allowed. Not surprisingly, I was told no, as is the norm in many of the churches in Ecuador. Of course, after beginning our tour of the church, I was so enthralled with the sheer artistry of the interior, that I had to try and capture as much as I could without being seen.

Built over a span of 160 years, this church is known as the most beautiful church in the city and possibly all of Ecuador. Its gold leaf interior, elaborate design and traditional architecture are some of the most captivating I have ever witnessed.

Moving on, we headed to the El Museo Camilo Egas…well, not really headed. As we were walking by, we were invited in by the security guard. Not sure of what we were going in to see, we just decided to go with it.

This museum is dedicated to one of the great modern Ecuadorian artists of the twentieth century, Camilo Egas. This exhibition showed the different stages of his work during his lifetime (1898-1962) and is housed in a beautifully restored 17th century mansion.

As we walked along in the city, we enjoyed the handsome architecture…some buildings in better condition than others. The thing we enjoyed the most, however, was the people, most going about their daily activities and those practicing their traditional trades…the hatters, shoemakers and food vendors.

It was pretty easy to navigate the city using Google Maps on my Iphone, however, people often relate that making their way around the Old Town can be quite confusing. Noticing different types of signs, we learned that many streets have two different names…the official name on green plaques and the historical name painted on ceramic tiles. Most streets in the immediate Old Town area, however, have been laid in a grid-like fashion, from north to south, so getting around the center is fairly easy.

Heading in the direction of Panecillo Hill, we had decided to make our way to Calle La Ronda, the local nightlife area, when we were stopped by the police. Apparently we stuck out like the tourists that we were and they wanted to make sure that we were cautious if we were heading toward Calle La Ronda, an area sometimes known for pickpockets and thieves. A lively area in the evenings, we had thought to check it out during the day in the event that we decided to head there for dinner later that evening.

Though the walk was uneventful, heading down off of the overpass to access Calle de la Ronda, seemed a little sketchy. Once we were on the street, however, we found it to be quiet and lined with many historic buildings. It was interesting to find out that in the past, men would serenade the women on the balconies. If they sung well, they were invited to come in and meet the family and the woman. For those that could not carry a tune? They were only met with a bucket of water to their head!

Music still plays a big part on the mile-long stretch of the pedestrian street. During the evenings, especially on Friday and Saturday, the music is cranked up and you can find many restaurants cooking up Ecuadorian specialties and vendors selling handicrafts. We did head there later that evening, but found the loud music to be quite overwhelming and chose a quieter restaurant at the far end of the street.

Swinging by the Plaza Santo Domingo, I had hoped to be able to enter the church, however we found it to be closed. Inquiring with some of the vendors, I was told it would be open later in the day. Knowing our afternoon was coming to a close, I admired the uncrowded plaza which lent to some beautiful photos and we moved on. Later that evening, when we departed Calle La Ronda, we were able to observe the Church of Santo Domingo lit up beautifully and how crowded the square had become. If street performers is your thing, this is the place to go!

Continuing on our walk through Old Town, we decided to visit the Museo del Carmen Alto which is situated on the location where Saint Mariana of Jesus (Quito’s patron saint) lived and died. (Read more about it in a future post)

Nearing Plaza Independencia, we found that the police had removed the barricades and the square was back to its normal everyday routine. Though my husband was growing tired of visiting churches and desperately wanted to grab a seat and have a beer, I persuaded him to make one last push.

The Metropolitan Cathedral situated on the southern side of the plaza was a place that I had really wanted to visit and it did not disappoint. Though it is not as extravagant from the exterior, the interior has some amazing treasures. (You can read more about in in a future post)

So that was it! SO much to do in Quito’s old town and we had only made a dent. We were spending the next day traveling out to Otavalo and its sprawling market, so seeing the rest of Quito’s treasures would have to wait until a future visit.

When spending time in Quito, there is so much more to see…the Museo Alberto Mena Caamaño and its waxworks, the Casa de María Augusta Urrutia or the Casa de Sucre, to get a glimpse inside the best preserved Old Town houses and the Governor’s Palace (tours leave every 20 minutes starting at 0900). And for the church lovers like me, there are countless sanctuaries throughout the city, many within Old Town, including Plaza de San Francisco and its baroque church, Basilica of our Lady of the Merced, The Church of El Sagrario, Carmen Bajo, Church of San Agustin, Santa Catalina de Sienna Church and Convent, Church of San Blas, El Belén, The Guápulo Church and Convent.

I really must go back!

For more pictures, check out Facebook, Snapping the Globe and Instagram, @snappingtheglobe.

El Museo Camilo Egas

  • Address: Venezuela 1302, Quito, Pichincha
  • Hours: Monday-Friday, 0900-1700, Saturday-Sunday, 1000-1600
  • Admission: $1.00

Cafe Del Fraile

  • http://cafedelfraile.com/
  • Address: Chile Oe 4-22, Venezuela, Palacio, Arzobispal Mall, Quito, Pinchincha 170150
  • Hours: Monday-Saturday, 0900-1100, Sunday, 1000-0900

Plaza de la Independencia

  • Address: Garcia Moreno St. and Chile St., Venezuela, Quito, 170401, Ecuador
  • Hours: 24 hours, daily
  • Admission: free

Church of the Jesuits

Museo del Carmen Alto

  • http://www.museocarmenalto.gob.ec/
  • Address: Garcia Moreno y Rocafuerte, Junto al Arco de la Reina, Quito, Pinchincha 17015
  • Hours: Wednesday-Sunday, 0930-1730, daily
  • Admission: Adults, $3.00, Children, $1.00

Museo Catedral Primada de Quito

  • http://www.catedraldequito.org/
  • Address: Venezuela y Espejo 715, Quito 
  • Hours: Monday-Saturday, 0930-1700
  • Admission: National Tourists, Adults, $2.00, Children, Students, Seniors, People with Disabilities, $1.00. Visit to Domes (Church+Museum+Domes) $4.00. Foreign Tourists, Adults, $3.00, Children, Students, Seniors, People with Disabilities, $2.00. Visit to Domes (Church+Museum+Domes) $6.00.