belltower – Snapping The Globe

Halfway Thru Havana

Three o’clock and thirsty.

There was still plenty of daylight and most attractions in Cuba did not close for a little while. I needed a plan of action that might include a frosty beverage!

Grabbing a seat on a rustic bench, I took a second to regroup.

Iglesia del Santo Angel Custodio near the Revolution Museum caught my eye. I had just been near there and it meant a little backtracking, but there were many restaurants just around the corner and it would be nice to have a seat and something to drink.

Though the church was not open, I discovered that it sat on a pretty, yet tiny, colonial square, Plazuela de Santo Ángel. A lovely bronze statue of a woman holding court in front of the church captured my attention. She was dressed in vintage attire, holding a fan and appeared to have just left the church and was going to do her business in Old Havana.

Although there is a placard on the church wall which tells visitors about this woman, Cecilia Valdes, I had to wait until later to decipher who she was as it was written in Spanish. What I later learned was that this woman is the title heroine of a popular 19th century book which had a scene set at this location. The book has inspired operas, literary reiterations and a feature film and has been considered one of the most important novels detailing life in 19th century Cuba. You can also take note of the bust on the nearby wall of Cirilo Villaverde, the Cuban poet, novelist, journalist and freedom fighter. He is known especially for one great literary piece of work. Yes…the novel, Cecilia Valdes!

As I made my way away from the square, I was intrigued with the area. There were captivating outdoor cafes, fun souvenir shops and colorful fans hanging above the street. It was a beautiful afternoon and it was nice to take a seat under one of the large umbrellas and enjoy a refreshing cerveza!

Once again, I continued my explorations and there was a great detail to take in; small, beautifully crafted tiles on buildings, artists putting the finishing touches on their masterpieces, bits of grafitti, a statue of Carlos Manuel de Cespedes and city wall ruins in the Parque Cespedes La Maestranza and the Police Headquarters situated in a old fortress, were just a few of the treasures that I encountered along the way.

Music playing in the distance caught my ear and I followed the tune. Finding myself in the Plaza de la Catedral, a known locale of countless street performers, I stared up at the profound Havana Cathedral, also known as the Catedral de San Cristobal. One of the eleven cathedrals on the island, it serves as the seat of the Roman Catholic Archdiocese. Built between 1748 and 1777, it was consecrated in 1782.

The Baroque architectural style is quite commanding as you stand before the cathedral in the plaza and if your eye is quite discerning, you may notice that the two bell towers are of unequal size and height. Approaching the facade, I noticed that there were fossilized marine fauna and flora in the stone, quickly realizing that the Cathedral is constructed from coral. It is quite beautiful and I could not wait to see what its interior held, especially knowing that it was designed by Italian architect Francesco Borromini.

The interior is decorated in the neoclassical style and has a central nave, two side aisles, eight side chapels and is in the form of a Latin cross. Though my initial impression of the interior was that it was stunning, with its palatial columns and soaring vaulted ceilings, I realized that it was more of an understated beauty. I have seen my share of opulent religious building throughout the world and this one was not of that class. It was, however, welcoming and offered many sculptures, paintings and frescoes throughout its interior. Some of these paintings and frescoes are by masters Peter Paul Rubens and Bartolome Esteban Murillo. Other standouts are a statue of Apolinar Serrano, Spanish bishop of Havana, who is buried in the Cathedral, a sculpture of Saint Christopher, the Patron Saint of Havana, three fading frescoes by Giuseppe Perovani above the altar, a canvas of the Virgin of the Immaculate Conception, Patroness of the Cathedral, and on the altar, sculptures and goldsmith works made in Rome during the first half of the 19th century.

The Cathedral is dedicated to St. Christopher and between 1796 and 1898, the remains of Christopher Columbus were kept in the Altar of the Gospel before being taken to the Seville Cathedral in Spain after the Cuban War of Independence.

Finding the side door open, I ventured out and discovered access to the right belltower. I suspected that someone is usually stationed at the entrance to collect an admittance fee, however, no one was present. Making my way up each level of the campanile, I had bird’s eye views of each of the mighty carillons as well as panoramas of the plaza below and even a view across the river of the Christ of Havana. A small gate was unlocked and I discovered that it led onto a portion of the roof. Since there was no one to tell me that I was not allowed and no signs, I ventured to the area and was rewarded with close glimpses of the tiled roof and the spectacular flying buttresses.

After my visit to the Cathedral was complete, I headed back out into the Plaza de la Catedral. Musicians were performing at the El Patio restaurant and locals and visitors were dancing in the square. There were gaily dressed Cuban women, seated at tables and telling fortunes and a general sense of celebration. Walking down the Empedrado, I witnessed many artists along the thoroughfare and older women holding tight between their teeth, one of the things Cuba is known for. It seems that they have learned that tourists love the photo opportunity to pose with a cigar smoking old lady! Here, I also found La Bodeguita del Medio, the famous bar which lays claim to being the birthplace of the Mojito cocktail, prepared in the establishment since its opening in 1942. Though I would have loved to go inside, the line was fairly long and I really would have preferred to come back in the evening for a proper drink.

Cutting back across the Plaza de la Catedral, my next destination was the Plaza de Armas, Havana’s oldest square. Originally known as Plaza de Iglesia for a church that stood on the site, it was developed in the 1520s. Its current name was adopted in the late 16th century, when the governor used the site to conduct military exercises.

Today, the square is centered with a marble statue of Carlos Manuel de Cespedes and bounded by some important buildings which include the 18th century Palacio de Los Condes de Santovenia (now known as the Hotel Santa Isabel), El Templete, the Public Library, the Museum of Natural History, the Palacio del Segundo Cabo, the Palacio de Los Capitanes Generales and the Castillo de la Real Fuerza.

Hoping to be able to visit the Castillo de la Real Fuerza before closing time, I raced around the property to find the entrance. Luckily, I was allowed inside and began my exploration of the oldest Spanish stone fortress in the Western Hemisphere.

Constructed between 1555 and 1577, to safeguard against pirate attacks, it later became the official residence of the Governor of Havana and served as Cuba’s National Archive and National Library. After the Revolution, it housed government offices and a museum of arms. Today, the Castillo de la Real Fuerza, designated a UNESCO World Heritage Site in 1982, serves as a Museum of Ceramics and a Maritime Museum.

After making my way through the lower level and discovering the maritime artifacts located there, I ventured to the second level which houses the bulk of the Maritime Museum and includes the Naval Model-Making Salon and the Underwater Archeology Warehouse. The most spectacular part of the second level, however, is the watchtower which was added in 1634 and is now a symbol of the city. This watchtower is adorned with a bronze statuette, a replica of La Giraldilla of the Seville Cathedral and is used as a weather vane. Though I originally had no knowledge of this watchtower, it was the ladies keeping watch over the museum salons who wanted me to see what made the castle special, that unlocked the door and let me out on the balcony to see it up close!

Upon my departure from the castle, I headed back to the Plaza de Armas. As I entered the gates of El Templete, I was taken aback by the neoclassical architecture, not very common in Havana. The small Greco-Roman temple with Doric columns, dates back to 1827, and was erected in the place where it was believed that the Villa de San Cristobal de la Habana was founded in 1519. Though the workers were in the process of closing the premises for the day, they allowed me to take a quick peek to see the three valuable paintings by French painter Juan Bautista Vermey, which depict the first mass, the first council and the blessing of the Templete on its inauguration.

Inside the courtyard, you can spy the Column of Cajigal which honors the Spanish governor in charge of its construction, an image of the Virgin of Pilar, patroness of Spanish sailors (atop the column), and a marble bust of Governor Don Hernando de Soto, the first governor of the town of San Cristobal de La Habana. The ceiba tree, a sacred symbol in various religions, is one of many that has stood on the site. The latest has existed since 1960 and on November 16, residents come to the tree after midnight, circle it three times and throw a coin to its roots and make a wish.

Crossing the plaza, I stepped into the courtyard of the Palacio de Los Capitanes Generales, the former offical residence of the governors of Havana. Dating back to the late 1700’s, it is home to the Museum of the City of Havana and houses exhibitions of art and historical artifacts. Though I would have loved to see the interior and its original colonial decor, the palace was closing for the day.

Though I was disappointed in not having had the opportunity to visit the palace, I stepped back into the street, which I discovered was paved with wooden blocks. This was the first time I had ever seen this and believe me, it was pretty cool!

Walking past the plaza, I made my way past the Mezquita Addallah and Parque Guayasamin toward the beautiful Old Town Square. Though there are many squares and plazas throughout the city, this one was my favorite. Laid out in 1559, this square offers buildings in many different architectural styles, as well as a fountain and unique sculpture. It was here that I finally encountered the Town Dogs.

I learned about the Town Dogs during my tour that morning but even though I had kept a keen eye out, I had not encountered any of them. The Town Dogs are designated as such by the mayor, protected and cared for by the city, each being vaccinated and sterilized. They wear a tag bearing their names and addresses and are free to roam on their own. Lounging on the steps of the Camera Obscura, I found Nina and P. Oblivious to the fact that I was excited to see them, neither were extremely cooperative about giving me a photogenic look…probably because they also had had a long day and were as tired as I was!

Spying a restaurant balcony with seating across the square, I made a beeline in that general direction. The Don Eduardo Alegre Bar and Restaurant was the perfect way to relax and enjoy the amazing view below, the perfect place to enjoy a cold beer and the perfect way to end my day!

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Iglesia del Santo Angel Custodio

Address: Calle Compostela y Cuarteles Loma del Ángel, Havana Cuba
Hours: 0700-1900, daily
Admission: free

Catedral de San Cristobal

Address: Calle Empedrado 156 , La Habana Vieja, Havana, Cuba
Hours: Monday-Saturday, 0930-1700, Sunday 1030-1200, Sunday Mass at 0900.
Admission: free. Tower access, $1 CUC ($1 US)

Castello de la Real Fuerza

Address: Plaza de Armas e/Calle O’Reilly y Av. del Puerto Calle Desamparado/San Pedro, Havana Cuba
Hours: 0830-1830, daily
Admission: $1 CUC ($1 US)

Hoofing It Thru Havana

Especial del dia…pollo con queso en trigo.

As I sat in the sanwicheria, eating my chicken and cheese sandwich, I contemplated how to tackle parts of the city which I had not seen that day or on my previous day’s ventures.

Should I make my way to the waterside area bordering Avenue del Puerto for its many museums and churches, venture out to the Malecon’s architectural wonders and take in the fresh sea air or head south to the Almacenes San Jose Artisans’ Market to seek out some exclusive treasures?

Finally deciding to head north, I made my way along the narrow, dusty streets stopping to capture the captivating architecture and scenes of daily life on my camera. What fascinated me most, however, were the small markets and the carnicerias…not for what they offered or for their appearances, but how locals were required to stand outside in long lines to purchase products. I was a bit confused with the markets, especially, as people stood with their noses pressed against the windows while shopkeepers unlocked the door and allowed one person inside at irregular intervals. After speaking with my host, I learned that purchases are regulated by the government and it is sometimes difficult for locals to obtain necessities. Thankfully, drinks (beer, water and soda) and food were provided by my host and charged to my account, so I never had to figure out how to gain admission into these exchanges.

Continuing on, I decided to conquer the northern part of the city, starting with the Museum of the Revolution. After paying my admission and checking my backpack in the baggage room, I made my through the former Presidential Palace, which dates back to the initiation of its construction in 1913. The awe-inspiring building was decorated by Tiffany’s of New York, contains a jaw-dropping double staircase and many exquisite rooms including the Salón de los Espejos (Hall of Mirrors), which resembles the room in the Palace of Versailles, the Salón Dorado, used for banquets and decorated in Louis XVI style, the Despacho Presidencial, the President’s office where Fidel Castro was sworn in in 1959 and the chapel with its Tiffany chandelier.

*Salón de los Espejos* (*Hall of Mirrors*)

Though I was originally unaware of Cuba’s history, especially during the revolutionary period, the displays, though mostly captioned in Spanish, contain much documentation and photographic evidence of Batista’s overthrow and a somewhat skewed view of Castro’s seizure of power. There is a large array of artifacts, clothing (including blood-stained and bullet riddled uniforms), letters, documents, weapons and newspapers. If you look carefully or have a guide point it out to you, you can spy the bullet holes in the walls, near the staircase, from the students’ attempt at overthrowing the government in 1957.

In the rear of the building you can find the Granma, the vessel that brought Castro, Guevara and eighty-two others to Cuba in 1956 with the purpose of overthrowing the regime of Fulgencio Batista. Due to preservation purposes, be warned, the ship is partly obscured by the surrounding glass and continuously guarded. There are other vehicles associated with the revolution surrounding the pavilion, including planes, rockets and an old postal van that was used as a getaway car during the 1957 attack. In the courtyard and throughout the museum, there were many art pieces by Kamyl Bullaudy Rodriguez.

*Sculpture by Kamyl Bullaudy Rodriguez.*

In addition to seeing many other tourists within the museum, I was a bit taken aback to find many locals as well. I later learned, however, the museum was designed primarily to help Cubans understand their own history.

Exiting the museum, I stopped to take a look at the fragment of the former city wall and the SAU-100 tank used by Castro during the 1961 Bay of Pigs battle. Just beyond these landmarks, I made my way through the Plaza Trece de Marzo, passing the statue of patriot José Marti on horseback, a gift from U.S. donors through a fund initiated by the Bronx Museum of the Arts. The original bronze statue of Marti on horseback, by equine sculptor Anna Hyatt Huntington (from which this was modeled) can be seen in New York’s Central Park.

Walking a ways on the Paseo de Marti, again, I was in awe of the architectural gems. Although some were a shadow of their former selves, you could see the artistry that still prevails. This must have been a beautiful place to walk in its heyday and today is still a nice place to stroll with its colorfully, tiled walkways, large shade trees and dedicated effigies.

Crossing the traffic circle near the Spanish embassy, I walked up to the monument that we had passed earlier in the day during my tour…that of General Maximo Gomez, a commander in the wars for independence. The statue is well maintained and frequented by youngsters who used the wide open area to skate.

As the breeze from the Bay of Havana beckoned me toward the water, I found myself at the Castillo de San Salvador de la Punta, one of the four historic forts that defended Port Havana. Built more than 400 years ago, San Salvador de la Punta Castle is also one of the three fortresses that appear on the Cuban coat of arms.

Castle La Punta and Castillo de los Tres Reyes del Morro, the fort I had visited on my tour earlier during the day, were both built on either sides of the channel’s entry. For centuries, a chain barrier was stretched across the canal to prevent access into the port. If this did not deter marauders, pirates and anyone else with ill-intent, there were many large cannons pointed toward the water.

Today, the castle’s moat is no longer functional and the castle no longer serves in its original capacity. Renovated in 2002, to restore it to its original historic appearance, its interior houses the Castle Museum. There are several rooms that inform about the castle’s history and construction, displays of naval models, various objects from sunken Spanish fleets and information about underwater archeology and the slave trade. Intricate models of other castles in Spain, Italy and Cuba can be found on the lower level and many cannons and artillery can be found on the upper level. Don’t plan on asking for any assistance, the staff has other things to do during the mid-day hours! Can anyone say siesta?

After taking in the castle’s interior, make sure to walk around the promenade that surrounds the castle. Here, you can check out dedications to other castles, statues, cannons and fantastic views of the channel, Castillo de los Tres Reyes del Morro, La Cabana and the Malecón. Take a moment to cross back over the roadway to check out the Monument to the Eight Medical Students, a Greek-style temple, built in 1890, in memory of the students executed in the city in 1871, who were accused of violating the grave of a Spanish journalist and the Real Carcel de La Habana, the remains of a 19th century jail where political figures were incarcerated.

*Monument to the Eight Medical Students*

At the beginning of my afternoon, one of the options I considered was making my way along the waterway on the Avenue Del Puerto. I had already seen so much of Havana and there was still so much on my agenda, especially in this area. It was hard to believe I had already seen so many interesting places.

With the walkway bordering the channel nearby, I decided that that would be my general direction. Sunset was many hours away, leaving me with ample time to continue my explorations…what else would I find in this beautiful, old city?

To be continued…

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Museo de Revolucion

Address: Calle Refugio 1 entre Monserrate y Zulueta, Havana 10600 Cuba
Hours: 0930-1600, daily
Admission: Adult Nationals, $8 CUC ($8 US), Under 12 years, free. Adults, International, $10 CUC ($10 US) Guided tours, $2 ($2 US), only available in Spanish. Ticket office open from 0930-1600.

Plaza 13 de Marzo and Statue of José Marti

Address: Agramonte (y Genios), Havana, La Habana, Cuba
Hours: 24 hours, daily
Admission: free

Monument to General Maximo Gomez

Address: Av. del Puerto Calle Desamparado/San Pedro, Havana Cuba
Hours: 24 hours, daily
Admission: free

Castillo de San Salvador de la Punta

Address: Paseo de Marti Prado y Av. del Puerto, Havana Cuba
Hours: 0900-1700, Wednesday to Sunday
Admission: $6 CUC ($6 US)

Monument to the Eight Medical Students

Address: 4JWR+4W, Havana, Cuba
Hours: 24 hours, daily
Admission: free

The Symbol of the City

When you scan the skyline of Segovia, there are many steeples and belltowers.

One stands out above the rest.

The Gothic bell tower of the Cathedral of Segovia, the symbol of the city.

After my inspection of the cathedral, I had decided to skip the bell tower tour since I had a lot more to see within the city and didn’t want to have to return to the cathedral at a later time. Walking out of the cathedral and past the Plaza Mayor, I suddenly had a change of heart and ventured back.

Paying my admission, I hastily made my way to the Chapel of San Blas where the tour was to begin.

It was a few minutes after the hour and I ducked into the chapel, trying to join the group without disturbing the guide’s opening comments. After her introduction was complete, we were ushered to the corner of the chapel where the entrance to the bell tower staircase was hidden.

The original cathedral bell tower was constructed of American mahogany, but destroyed by fire in 1614. This ancient structure was the tallest in Spain, at a height of just over 354 feet. The tower was rebuilt with stone and began undergoing renovations in 2004, but it wasn’t until a full decade later that the tower was opened to tourists and visitors.

Beginning the tour, the guide led us up the winding, spiral staircase, until we reached our first stop, the Audiovisual Room. Taking a seat, we were immersed in a video with three dimensional recreations which explained the cathedral’s and tower’s history as well as information on the works of art and spaces within the temple. Before making our way to the stairway to begin the climb once again, we were able to take in the series of seventeenth century tapestries which tell the story of the general Pompey the Great, woven in Brussels.

A bit breathless, we reached the the next level of the bell tower, the Ringer’s House. Four rooms consisting of a living room, kitchen and two bedrooms, make up the former residence where the bell ringers and their families lived until 1950. Our guide broke down the daily lives of the bell ringer and what it entailed.

Climbing further still, we found ourselves in the Clock Room, where there are more of the tapestries from the life of Pompey the Great. Named for the clock located inside (similar to the one located in Puerta del Sol in Madrid), which was manufactured in 1882 in Strasbourg, you can understand how the bell ringer performs his job with access to the bells through strings connected to the bell tower from his house. We were also rewarded with a reproduction of the sounds of the bells that originally rang out.

Finally, after one last push up the remaining of the tower’s 308 stairs, we arrived at the bell tower. From this highest viewpoint in the city, we were rewarded with outstanding panoramic views of the Aqueduct, numerous Romansque churches and their own towers, the Alcazar, the city wall, the Jewish cemetery and the monasteries and convents as well as the nearby mountains and plateaus. More importantly, it is here that the bells that ruled the city’s life are located.

Staring at these carillons from the inside of the tower is certainly a unique perspective and some of the ten bells date back to the eighteenth century. Each of the bells can be identified by the placard located near the bell which apprises visitors of the year it was cast, its weight and diameter.

While the bells no longer resonate from this important tower, if you close your eyes and use your imagination, you might hear a slight whisper from the past, breaking the silence of the city’s skies.

Bong…

Visitors to Segovia will have many opportunities to see the city from different perspectives. Brave the climb and make sure that this is one of them!

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The Bell Tower of the Cathedral of Segovia

https://catedralsegovia.es/torre/
Address: Calle del Marques del Arco 1, Segovia, 40003
Tour Hours: Daily, November 1 to March 31, 1030, 1200, 1330 and 1630. April 1 to October 31, 1030, 1200, 1630, 1800 and 1930. Night tours, Friday, Saturday and Sunday, May to October, 2130.
Admission: 3€

No Bats In This Belfrey

There is a movie called In Bruges.

Ever hear of it?

I will admit, I have never seen it, but for some reason, I was always intrigued with the idea of visiting Bruges.

My stays in Belgium have always consisted of a short twenty-four hours in Brussels, leaving me to think that I never had enough time to travel to Bruges, after my oh-so-important nap…after flying all night. When my husband and I decided to take a trip to Brussels for a few days, he was informed that plan number one included a day trip to Bruges.

After an hour’s train ride, we arrived in Bruges and made our way toward the city’s center. I had done a bit of legwork and made a list of some things that would be of interest to both my husband and I.

Having a quick bite (Belgian waffles, of course!), we sat in the cozy little cafe and gaze out into the Market Square, centered with a statue paying tribute to Jan Breydel and Pieter de Coninck, leaders of the Bruges Matin, an uprising against the French in the 14th. The square is surrounded by beautiful and historic architecture including the Provincial Court building and the majestic Belfort.

The Belfort was where we were going to start our exploration, though knowing that 366 steps to the top was involved…I was a bit apprehensive. But dressed for the occasion in my most comfortable boots, I was ready to see what this historic landmark would offer.

The 13th century Belfort is one of the three historically important towers of Bruges (with the Church of Our Lady and St. Saviour’s Cathedral) and a UNESCO World Heritage Site. Standing 83 meters high, the tower formerly housed a treasury, the municipal archives and served as an observation post for spotting fires, invaders and other dangers.

As we entered the former market hall, we climbed the stairs to the second level where the ticket counter is located. After purchasing our tickets, we were required to wait at the turnstile until it was unlocked and let us through…this was after two other people left the tower. One in, one out. It is unimaginable how lengthy the lines must become during the busier summer months!

Beginning our climb, we took it slowly and were happy to have a break when we reached the former Treasury. Here, the privileges, city’s charters, city’s seal and its accounts and funds were stored in this vaulted room from the thirteenth century onward. These precious documents were stored in padlocked chests behind the heavy wrought iron doors.

The belfry was also a meeting location for the town aldermen and was the preferred location for proclamations. These announcements were read from the balcony of the hall tower.

Continuing our climb, we headed upward to the next part of the tower which offered an explanation of how time was measured, how this process evolved over time and its importance to the citizens of Bruges. In this medieval city, the sound of the bells ruled the lives of its citizens and were used as a way of organizing their daily routines. Combinations of the pitches of these bells let citizens know exactly what was the time of day and what events were to take place. For example, the work bell was rung for the start of the working day, the noon bell signaled time for a lunch break and the evening bell marked the hour when the city’s gates were closed. The ringing of the bells also marked certain occasions such as a call to battle, the outbreak of fire, proclamations, public executions or the beginning and end of market days. The tower guards, who were responsible for sounding the bells, often passed the time between the hours, practicing their trades. A job often held by cobblers, you can probably imagine many a shoe was created here.

Today, Bruges has a city carillonneur who plays the bells on Wednesdays, Saturdays and Sundays from 1100 to noon. If you are visiting during the summer months, keep your ears pealed for special carillon concerts.

Taking a deep breath, we ascended the stairs to reach the Drum Room which not only displayed some of the ten great bells that have graced the tower since 1280, but the largest, brought over from the Church of Our Lady. This great bell weighs approximately six tons and has a diameter of almost seven feet. The drum is the largest in existence and thought to weigh nine tons. It plays a melody every quarter of the hour and every half hour is marked with a short musical signal. Every two years, the music is changed. The clock, which can be spied from the square below, was made in 1748 and is operated by a three meter long pendulum.

Finally (and breathlessly), we reached the top of the tower in which the bells can be seen hanging from the rafters. This is the spot which you really appreciate the three hundred sixty-six steps that you just climbed! Unparalleled views of the city are like no other.

Heading back down was much easier than than the climb to the top, however, it was took a bit of maneuvering when encountering those heading upwards, as the circular stairways were quite narrow.

As we both exited the tower, I looked to my right at the line that had formed near the ticket counter. The light turned green, the turnstile unlocked and two other eager visitors moved through, ready to make the climb.

We walked out to the square and took a look upward, seeing from the exterior what we had just seen from the inside. This ancient tower that actually leans eighty-seven centimeters to the east and has played an important role in its citizens’ lives for centuries…

Now I really need to go and watch In Bruges to see it from another perspective!

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Bruges Belfort (Belfry and Carillon)

https://www.museabrugge.be/en/visit-our-museums/our-museums-and-monuments/belfort
Address: Markt 7 , Brugge
Hours: 0930-1800, daily. Closed January 1, December 25 and March 12. Closed at 1300 on May 21 and at 1600 on December 24 and 31.
Admission: Adults, €12,00, Seniors 65+, €10,00, Children (ages 0-5 years), €0,00, Youth (ages 5-25 years), €10,00