Mosteiro dos Jeronimos

© 2018 Snapping the Globe, L.L.C. All rights reserved.

During my last visit to Lisbon, I made the journey to the coastal area of Belém.  With so many things to see and do there, I was disappointed to realize that there wasn’t sufficient time in my short afternoon to visit all of the landmarks.  During this trip, we were fortunate to be there for the Festival of the Mask, which takes place on the grounds of the Mosteiro dos Jeronimos.

Staring at the beautiful building, I was mesmerized at its intricate facade and decided that this beautiful building would be first on the list of places to visit on my next trip.

One of the most decorative churches in Portugal, the monastery was built on the site of the church dedicated to Santa Maria de Belém on the harbor of Praia do Restelo.  Monks of the military-religious Order of Christ resided here at the time and provided assistance to seafarers in transit.

In 1495, Manuel I inaugurated the construction of the existing structure and the Hieronymites order of monks were chosen to reside in the complex, remaining there for over four centuries.  The building of the time was already in disrepair when Vasco da Gama and his men spent the night in prayer there before departing on their Orient expedition in 1497.

Construction of the monastery was initiated on January 6, 1501 and eventually took 100 years until its completion.  As an overabundance of taxes were collected, architects’ plans grew until it reached the size, scale and style that you see today.  The Manueline ornamentation in the cloisters incorporates maritime elements and objects discovered during naval expeditions, carved in limestone.  The main chapel, the choir and the two stories of the monastery were completed in 1550, however thirty years later, construction was halted as funds were redirected to the Escorialin in Spain as Portugal and Spain united.

After various parts of the monastery was completed in the 1600s (new portal, cloister door, house of the doorkeepers, staircase and a hall that was the entrance to the upper choir), the monastery became the burial place for the royal pantheon.

Additional adornments were completed in the 1700s, including important paintings by artist Henrique Ferreira.  After the earthquake of 1755, much of the artwork and treasures were transferred to the crown or lost and the structure was vacated.

During the late 1800s, restorations began on the property, including the cloisters.  The annex and facade of the church were altered dramatically and are what you see today.

The Monastery of Jerónimos is one of the most visited landmarks in Lisbon and tourists should be aware of long waits to enter…I had no idea.  Fortunately, as I took my place in line, I was informed by a passerby that I could enter the Archaeological Museum next door, purchase my ticket there and skip the line.  Of course, I was a bit skeptical…if I left my place in line and what I was told was inaccurate, it would be back to the end of the line again.  Thankfully, they were correct.  I waited for ten minutes, purchased my ticket and walked past everyone who had been in front of me and was still waiting in the warm afternoon temperatures.

The monastery is truly magnificent, with its carvings of saints over its entryways and fine stone details…make sure to stop by the South Entrance which is truly magnificent.  Once inside, the two level cloister is a sight to behold with pinnacles, gargoyles and other decorative features and long, architectural corridors.

The interior gardens offer a mixture of the Manuelino, European, Moorish and Eastern styles, symbols of the Portuguese empire and its power throughout the world.  Certainly a place to take your time, admire the architecture and spend a bit of time in reflection on one of the many alcoves on the upper level.  Pay particular attention to all of the different carvings on each of the columns…faces, rosettes, dates.

You will also encounter  some of the remains of important figures in Portuguese history, including presidents Teófilo Braga and Oscar Carmona, playwright, Almeida Garrett and modern poet Fernando Pessoa.

The Church of Santa Maria de Belém, in the monastery, does not need a ticket to enter and is truly the highlight of the monastery.  Access to the upper level choir loft is from the monastery, so be sure not to miss it.  Take in the view of the church from above before heading downstairs.  Of particular interest is the crucifix, the beautiful paintings and the carved choir seating all bathed in the subtle light streaming in from the rose window.

 

As I entered the church’s lower lever, my senses were truly overloaded as I was not sure where to set my gaze.  Entering from the side portal, I first encountered the tombs of Vasco da Gama and Luís de Camões which are located in the lower choir.  These magnificent tombs, designed by sculptor Costa Mota can be admired from all angles and both offer extreme detail.  The baptismal chapel is also located near the side doors as well as the exquisite Altar Dourado.  Along the north wall are beautiful confessionals and large stained glass windows decorate the space, allowing alluring filtered light to enter.

Tomb of Vasco da Gama
Tomb of Luís de Camões
Baptismal Chapel

Altar Dourado

As I walked around the church and marveled at the amazing details that decorated every niche, every column and every arch, I encountered the remains of Cardinal-King Dom Henrique and the children of Manuel I as well as the tomb of King Sebastião and the descendants of King João III.

Make sure to walk near the altar for a closer look at the beautifully painted walls and golden tabernacle.  The golden organ is also located at the front of the church.

Overall, my visited lasted just over an hour and I was touched by the artistry and grandeur of this amazing place.

When visiting Lisbon, make sure to head over to Belem to experience some of the most beautiful architecture in the city.  Worth any amount of time you may have to spend in line, Jerónimos Monastery is a masterpiece!

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Monsteiro dos Jerónimos

  • http://www.mosteirojeronimos.gov.pt/pt/index.php
  • Address:  Praça do Império 1400-206 Lisboa, Portugal
  • Hours:  October to April, 1000-1730, May to September, 1000-1830.   Closed Mondays, January 1, Easter Sunday, May 1, June 13 and 25 December.
  • Admission:  Individuals, 10€.  Combination ticket, Monastery and National Archaeological Museum, 12€.  50% discount for 65 years and older.  Family ticket, 50% discount for 2 adults, 2 children, ages 0-18.
  • Getting There:  #15 Tram from the city center runs to Belem
  • Additional Information:  Gift shop located within the monastery as well as an exhibit on the history and construction of the monastery.

The Forebearer

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There are dozens of churches in Lisbon.

But only one can claim to be the oldest.

The Cathedral of Lisbon.  Sé de Lisboa.

Once conquered by the Moors, Lisbon remained under Arab control for four centuries.  In 1147, when the city was reconquered by King Afonso Henriques and North European crusaders, a new cathedral was built on the site of the main mosque of Lisbon.

From its earliest years, the cathedral was entwined in Portugal’s history, bearing witness to the baptism, marriage and passing of Portugal’s nobility and elite.  Originally constructed in the Late Romanesque style, the cathedral was renovated many times over the years and survived earthquakes requiring repair and reconstruction resulting in contrasting architectural styles.  At the end of the 13th century, King Dinis of Portugal had a Gothic cloister built, the main chapel was converted in to a royal pantheon and the relics of St. Vincent of Saragossa, the patron saint of Lisbon were brought to the cathedral from southern Portugal.

Classified as a National Monument since 1910, the cathedral attracts thousands of visitors every year.

On this day, I was going to be one of them.

As I entered the fortress-like facade, with its two large clock towers and massive solid walls, I ran my hand over the large wooden doors passing through into the interior. The first thing I noticed, however, was how dark the cathedral appeared.  Though the second story of the ambulatory has a series of windows and the narrow windows of the lateral aisles allow light to enter, the church appeared to be much more gloomy than others I have visited.

Dodging other visitors, we made our way toward the front of the church admiring the rose window in the West facade and the interesting barrel vaulting of the nave.

Especially interesting were the chapels, one especially enclosed by a Romanesque gate.  Others include a funerary chapel, near the entrance of the cathedral, built by wealthy merchant Bartolomeu Joanes in the 14th century which still contains his tomb with his laying figure inside.

There are other tombs within the cathedral, including three in the Gothic style from the mid-14th century.  One belonging to Lopo Fernandes Pacheco, 7th Lord of Ferreira de Aves, a nobleman at the service of King Afonso IV, appears in a laying pose, holding a sword and is guarded by a dog.  His wife, Maria de Vilalobos, appears over her tomb reading a Book of Hours.  The third tomb contains the remains of an unidentified royal princes.  All are decorated with coats-of-arms.

At the end of the 13th century, King Dinis of Portugal ordered the construction of a Gothic-style cloister.  The cloister was damaged, along with many chapels and the royal pantheon during the earthquake of 1755.   Since renovated, the cloisters can be visited today, however, when we visited, it was Sunday and they had not yet opened for the afternoon.  I was truly disappointed as I understand, the tile work is simply amazing and it offers some of the most beautiful architecture in the city.  Additionally, we were not able to visit the Treasury as it is also closed on Sunday.

So, no cloisters and no treasury.  Since it was my first visit to the ancient city, there was much more to discover, including the castle, so there was no time to wait for the opening of either.

The cathedral, however, cannot be overlooked for its stunning beauty.  On my next trip to Lisbon, a return visit will be in order to see what the cloisters have to offer.  An update will surely be in order.

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Lisbon Cathedral

  • https://www.patriarcado-lisboa.pt/site/
  • Address:   Largo da Sé, 1100-585 Lisboa, Portugal
  • Hours:  Cathedral, 0700-1900, daily.  Cloister, 1000-1700, Monday through Saturday, Sunday 1400-1700.  May through September, until 1900.  Treasury, 1000-1700.  Closed on Sunday.
  • Mass Times:  1830, Tuesday to Saturday.  1130, Sunday and Holy Days.
  • Admission: Church, free.  Cloister and Treasury, €2.50, adults, €1.00, children.

 

Cathedral of the Madeleine

© 2018 Snapping the Globe, L.L.C. All rights reserved.

The Mormans…yes, when you think of Utah and religion, you think of the Mormans.

Salt Lake City may be the headquarters of The Church of Jesus Christ of Latterday Saints (LDS), but a couple of blocks away from the infamous Temple Square, there are Catholics.

Leave it to me to find a beautiful Cathedral in Utah…The Cathedral of the Madeleine.

Lawrence Scanlan, an Irish Catholic missionary priest, took on the task of running St. Mary Magdalene church in the Utah Territory in 1873.  It was the only church and Catholic institution in the territory and served approximately 800 members from the region’s mining camps.  Traveling by horseback, stagecoach or rail, he made monthly visits to say mass in various areas.

After being appointed Vicar Apostolic of Utah and Titular Bishop of Lavanden by Pope Leo XIII, he received his episcopal consecration in 1887.  Finally being named as the first Bishop of Salt Lake, he took to the task of initiating construction of the Cathedral in 1900.

Situated on its second site within the city, it lies only a couple of blocks from the monumental  complex of the Latter Day Saints and fills the skyline with its twin towers.  Before entering, make sure to take a walk around the church and try to spot all of the gargoyles!

Though I was awe-struck at the ornate interior when I entered, I learned that originally the church was not this way upon its completion.   In 1909, the church was mostly unadorned with plain green walls and white columns, yet was fitted with exquisite stained glass windows from Germany.  Additionally, plans for the exterior called for a plain sandstone building however, the exterior was built in the Neo-Romanesque style.  Eventually, after the dedication, renovations commenced to modify the interior, resulting in a Neo-Gothic style with a Spanish influence.  Colorful murals, including the Stations of the Cross, interior panels, statues of carved wood and ceiling frescoes were added along with ornate shrines.

Over the years, many renovations have been completed, including the addition of a new altar, movement of the bishop’s chair, the addition of a separate chapel for the Blessed Sacrament and a more ample baptismal font.  Though the baptismal font was dry, I was able to visit the new chapel in which the casket of the Lawrence Scanlan, was placed, as per his request. On top of the casket is a reliquary containing a small piece of Saint Mary Madeline making the Cathedral one of only two in the world to contain a first class relic of the saint that the Cathedral is named for.

Masses are said in both English and Spanish many times a week and it is my understanding that tickets for the choral concerts are a hot commodity.  The Cathedral, home to the only co-educational Catholic Choir School in the United States (established in 1996), has over 350 students from Pre-Kindergarten through Eighth Grade.  Performing over 9,000 hours every year in the Cathedral as well as concert series, the choristers take part in tours throughout the world in addition, to singing regularly with local arts organizations, including the Utah Symphony and The Morman Tabernacle Choir.

There are many religious experiences to be had in Salt Lake City…make The Cathedral of the Madeleine one of them.

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The Cathedral of the Madeleine

  • https://www.utcotm.org/
  • Address:  331 E S Temple, Salt Lake City, UT 84111
  • Hours:  0700-2100, daily
  • Mass Times:  Monday-Friday, 0800 and 1715.  Saturday, 0800, 1700 (English anticipated), 1900 (Spanish anticipated).  Sunday, 0830, 1100, 1500 (Spanish), 1800
  • Admission:  free
  • Getting There:

Your “Go-To” Gaudi

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Gaudí.

Ever hear of him?

You can’t go anywhere in Barcelona without hearing the name Gaudí.  However, if you are an architecture buff, you should be well-versed in his work.

The Catalonian architect, influenced by his passions in life…architecture, nature and religion…is most beloved in his home country.  Taking a look at any of his works, it is evident that his passions are always displayed in his one-of-a-kind style.  Many of his works are located in Barcelona…Casa Milà, Casa Battló, Casa Vincens, Palau Güell, Colonia Güell, Torre Bellesguard, Casa Calvet, Colegio Teresiano de Barcelona.  The ones that most tourists come to see, however, are the still-incomplete, Sagrada Familia and Parque Güell, a park filled with architectural elements surrounded by lush gardens.

Having been to many of his installations, I decided that one of them was worthy of another visit, especially on the beautiful, sunny afternoon.

Years ago, I visited Parque Güell and wandered around for hours without paying to enter.  Perusing the website, I noticed that admission was now being charged, seemingly to limit the large number of visitors to the park at one time.  Purchasing a timed admission, I jumped on the bus and headed toward the park.

Parque Güell was built between 1900 and 1914 and was conceived by Count Eusebi Güell and designed by Antoni Gaudí with the idea of it being a park within a natural park.  Within this park, they wanted to introduce a group of high-quality homes influenced by symbolism and modernism.  These homes were to be outfitted with the latest technological advancements and not only be comfortable, but display an artistic attitude.

Officially opened as a park in 1926, on Carmel Hill in the neighborhood of La Salut, the park incorporated a large country home, Larrard House, which Count Güell moved into, hoping to add prestige to the community.  Sixty triangular lots were available for the construction of the luxury homes, however, only two houses were ever built, neither by Gaudí.  One, by Francesc Berenguer, was intended as a show house, but upon its completion in 1904, no buyers came forward.  Gaudí purchased the home and lived there from 1906 until 1926.  Today, the house, La Torre Rosa, operates as a museum within the park and was declared a historical artistic monument of national interest.

Count Eusebi Güell’s Home

As I entered the park and wandered through the fantastical pavilions, I noticed that although there was ticket booth near the gates, no one was asking for tickets as I walked through the gates and through the park.  Getting ready to enter La Torre Rosa, I suddenly realized that the ticket I had purchased online was for the Monumental Zone, the area at the main entrance, the terrace and the parts containing the mosaics.  Realizing that my entrance time was valid for the Monumental Zone for only twenty more minutes, I explained my dilemma and asked if I could return to visit the museum.

Quickly making my way to the Monumental Zone area, I was able to enter on the terrace level, however, due to construction, the famous mosaic bench was partially closed.  Still, elbowing my way through the crowded area, I was able to sit for a few minutes and enjoy the beautiful architectural element.  The stairway with the Gaudí dragon fountain was also filled with visitors, each hoping to capture a picture with the iconic piece of sculpture.  The two buildings flanking the entrance, each with unusual pinnacles and fantastically shaped roofs give the impression of gingerbread houses and one offers a permanent exhibition of the Barcelona City History Museum which focuses on the building itself, the park and the city.

After completing my Monumental Zone visit, I returned to La Torre Rosa, enjoying the amazing building filled with Gaudí’s captivating furniture and a fascinating film on the conception of the park.

La Torre Rosa

Parque Güell is truly a place of tranquility, yet, fascination.  As you walk through the lush gardens, you can almost imagine yourself to be in a fantastical dream.  Take your time to enjoy each area of the park and if you see one of the many musical performers that spend time entertaining visitors, stop and relish in their music.  The acoustics in some of the spaces are amazing!  Also, don’t forget to make your way to the park’s highest point, marked with a large cross, for a phenomenal view of the city with both the Sagrada Familia and the Montjuic area visible in the distance.   Lastly, make sure to keep your eyes open for the amazing wildlife that makes the park their home.  Scour the trees for a variety of birds, most notably, non-native parrots and short-toed eagles, that reside in the area.

With so many of Gaudí’s works to see in Barcelona, it is extremely hard to choose which to visit first!  However, if you find yourself with clear, bright skies and are tired of being indoors, Parque Güell is your go-to!

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Parque Güell

  • https://www.parkguell.cat/
  • Address:  08024 Barcelona, Spain
  • Hours:  January 1-March 24 and October 28-December 31, 0830-1815, March 25-April 29, 0800-2030, April 30-August 26, 0800-2130, August 27-October 27, 0800-2030
  • Admission:  Online Prices, Adults, €7,50, Children 0-6 years, free, Children 7-12 years, €5,25, Over 65 years, €5,25.  Ticket office prices, Adults, €8,50, Children 0-6 years, free, Children 7-12 years, €6,00, Over 65 years, €6,00.
  • Getting There:  Park Güell is off Carrer d’Olot in Barcelona and has three entrances: one on Carrer de Larrard (main entrance), one at Carretera del Carmel, nº 23, where there is also the coach park for tourist coaches, and a third on Passatge de Sant Josep de la Muntanya, which you get to by going up an escalator.  By Metro:  You can take the Metro to Lesseps or Vallcarca stations and walk, approximately 20 minutes.  By Bus:  Lines H6, D40, 24 and 92.  From the bus stop on Travessera de Dalt (lines H6 and D40), it takes 10 minutes on foot, and we would recommend going either to the Carrer Sant Josep de la Muntanya, which has an escalator, or Carrer de Larrard entrance.  From the bus stop on Plaça Catalunya (line 24-Paral·lel/El Carmel) it points along Passeig de Gracia to Carretera Carmel-Park Güell stop, wich is one of the main entrances to the Park, near the top of the hill.  From the bus stop Trelawny-Passeig Marítim, the line 92 (Pg. Marítim – Av. Tibidabo) points along Sagrada Familia and Hospital de Sant Pau, and stops at Carretera del Carmel-Park Güell in front of one of the Park’s main entrance.  By Tourist Bus or Barcelona City Tour:  From the Bus Turístic (blue line) the stop is “Park Güell”.  From the Barcelona City Tour, the route is “East” (green colour) and the stop is also “Park Güell”.  In both cases, the stop is located on Avinguda de la Mare de Déu de Montserrat, it takes 10 minutes on foot, and we would recommend the entrance on Carretera del Carmel through Av. Pompeu Fabra.

The Garden of Amalia

© 2018 Snapping the Globe, L.L.C. All rights reserved.

Every beautiful day deserves a walk in a beautiful garden.

Blessed with agreeable weather year round, there’s always opportunity to visit many outdoors places in Athens.  One such place, is indeed, a beautiful garden.

The Athens National Gardens.

The National Garden was created between 1838 and 1840 by the first queen of Greece, Queen Amalia.

Queen Amalia, wife of king Otto, was rumored to have spent so much time (at least three hours a day) taking care of the garden, that the garden was originally named for her.  When you enter the garden from Vasilissis Amalias Avenue, you can see the impressively tall Washingtonia palm trees that the queen planted, one of the highlights of the garden.

After leaving the Temple of Olympian Zeus, I crossed the road and entered the garden from Leof. Vasilissis Olgas Street, walking along the fountains leading up to the impressive structure of the Zappeion.

The Zappeion’s construction was started in 1874 and designed by Danish architect Theophil Hansen.  Opened on October 20, 1888, it’s main purpose was to serve as  building for the Olympic games, first acting as a venue for the fencing competitions, during the 1896 Summer Olympics.  Later, the building was used as the Olympic Village (1906) and then served as the first host for the organizing committee (ATHOC) for the 2004 Olympic Games from 1998 to 1999.  It also served as the press center during the 2004 games.

Historically, the building has some significance besides it original purpose.  In 1938, the Athens Radio Station, the country’s first national broadcaster, began operating on the premises and later continued to house the National Radio Foundation until the inauguration of the House of Radio in 1970. In 1940, it was converted into a hospital and during the following year, it was commandeered by the German army to become a storehouse and barracks.   In 1979, documents were signed at the Zappeion formalizing Greece’s accession to the European Community.

Today the Zappeion is mainly used for official and private meetings and ceremonies as well as art exhibitions and occasional concerts.  It is not open for tours.

Just outside the Zappeion, be sure to look for the statue of Evangelos Zappas.  Buried underneath this statue is his head.  There are approximately 70 other statues and works of art in the gardens immediately surrounding the Zappeion, including statues of Lord Byron and the Zappas cousins, who funded the construction of the building.

After walking around the building and through its own park, I finally entered the Athen’s National Garden, a peaceful oasis within the hustle and bustle of the ancient city.

One of the first things I encountered were the massive palms planted by the Queen Amalia.  It was quite thrilling to walk between these imposing trees towering into the impossibly blue sky and think about how long ago they were planted and how they have endured.

Walking along, I encountered vine-covered walkways, which must be astonishing when in bloom and massive eucalyptus trees which provide shade during the intense heat experienced in Athens’s summer.  The garden is home to 7,000 trees, 40,000 bushes and other plants which include 519 species and varieties, with 102 of them being Greek.  There are Judas trees, oleanders, carob trees and foreign born Australian pines and Chinese trees-of-heaven.  You can also find Centenarian Holm oaks, cypress trees and Canary Island date palms as well as plants that were introduced into the garden at its inception.

There are six lakes within the premises, one with a picturesque bridge and hundreds of ducks and fish that reside there.  It is evident that these birds and amphibious creatures enjoy a well-provided-for lifestyle at the lake, as there were many small children,  bag of bread in hand, eagerly obliging their requests for a hand-out.  Children will also enjoy a small zoo-like collection of animals located within the park.

While exploring the gardens near the Vasilissis Sophias Avenue entrance make sure to look for the remains of the Roman floor.  Uncovered during nineteenth century excavations at a depth of one meter, the well-preserved floor belonged to a the courtyard of a Roman villa.

Another popular attraction is the sun dial located near the main entrance and the Washingtonia palms.  Once the primary method of telling time, visitors to the sight can be seen gazing at the sun dial and then checking their observations against their modern day timepieces for accuracy.

Other attractions within the gardens are a conservatory, where plants are cultivated before being planted in the garden, a children’s library and a small cafe where you can grab a drink or snack and refresh in the green surroundings. The entrance is located on Irodou Attikou Street.  There is also a library containing two reading rooms, a fairy tale room, a music room and a film room.  The library’s collections boasts 6,000 publications.

A walk in the Athens National Garden is truly a magical experience and one to include while exploring the city.  Adjacent to other important attractions, this oasis beckons and protects during the sweltering parts of the day.  Exercise here, meet others or just bask in its beauty.

I know…I did.

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Athens National Gardens

 

On Alert At The Arch

© 2018 Snapping the Globe, L.L.C. All rights reserved.

Snap.

Bending to the right, I adjusted my camera and focused in on Hadrian’s Arch, trying to get the best shot in the late afternoon sunshine.

Turning my body, I felt a tug on my backpack and turned to find a woman, her hands in my bag.

Confronting her, she backed away, feigning innocence in her native language. Thankfully, she was unable to get my wallet which was deep in the carryall that I don’t normally use when I travel.

Sadly, this is a common theme in Athens.  Pickpockets roam the city, looking for marks in crowded areas or at monuments not normally secured by gates and guards.

What was still more shocking was that others were nearby, probably watching her trying to help herself to my hard earned cash and no one said anything.

Since this is the first time I have had an encounter of this kind…ever…especially in this ancient city, I am trying to not let it deter my affection for Athens and the spectacular history it presents.

Pickpockets aside, the Arch of Hadrian is an astonishing triumphal arch located near Syntagma square and between the rock of the Acropolis and the Temple of Zeus and should not be overlooked on any trip to Athens.

The monument was started in 131 BC to celebrate the arrival of the Roman Emperor Hadrian and to express gratitude for his contributions to the city.  Though it is not known who built the arch, its location was chosen to mark the line between the ancient part of the Athens and Hadrian’s new city.

Built of marble from Mount Pentelikon, the arch, originally acting as one of the seven gates serving as a defense,  reaches a height of almost sixty feet and is forty-one feet wide by almost eight feet deep.  The lower area is an arched gate through which pedestrians could pass and there are two inscriptions carved into the structure.  The first reads, “This is Athens, the ancient city of Theseus” and the second on the opposite side, declares, “This is the city of Hadrian and not of Theseus”, informing of the two districts designated by Hadrian.

An important landmark in Athens, take a short walk from the central square and check it out while enroute to the other attractions in the area…the Temple of Zeus, the National Gardens and the Panathenaic Stadium.

Imagine what it was like to walk beneath this magical arch when it served as a tribute to Hadrian, a supporter of Greek culture and who did all that he could to raise Athens to a special place in the Roman Empire.

Just keep your eyes open!

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Hadrian’s Arch

  • Address:  Leoforos Vasilisis Amalias, Athina 105 57, Greece
  • Hours:  24 hours, daily
  • Admission:  free

The Temple That Almost Wasn’t

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So many ruins…so little time.

Having an interest in both history and architecture, Athens always gives me a thrill with so much to see and do in both departments.  With only a short time in the city each time I visit, however, I have to accept that I may only get to squeeze in one or two sites during my outings.

Usually, after arriving, I jump into the shower, grab some caffeine and hit the streets, but sadly, after a long and demanding flight, this girl had to catch some shut eye.  My grand plan to grab a tour to Cape Sounion and the Temple of Poseidon would have to wait.  Leaving later than I usually do from my hotel, time made the decision of where I would head…the Temple of Olympian Zeus, which was a short walk away.

Having been here before, I knew what to expect, but this time, I knew a bit more about the temple.

The first thing I know is that it is amazing that there are even ruins to still visit.  Not in the way you might think, however.

 

The construction of this temple was begun in the 6th century by Pisistratus, the son of Hippocrates, also known as the Tyrant of Athens, who desired to pay tribute to the Olympian Zeus (originating from his position as head of the Olympian gods).  Due to a lack of funding and the disestablishment of his son in 510 BC, construction ceased. Other attempts were made to finish the temple, by the Macedonians and Anthiochus, however, there was no completion until the Emperor Hadrian made the effort seven hundred years later.

When the building of the temple had finally concluded, it was renowned as the largest temple in Greece;  there were 104 Corinthian columns and a giant gold and ivory statue of Zeus, erected by Hadrian, with a similar one of himself next to it.  Today, all that remains of the entire structure are sixteen columns.  Though no one knows exactly why the temple was destroyed, there is speculation of its extirpation by an earthquake and pillaging from a barbarian invasion in the third century AD .  Materials from temple were then carted off to be used in various building projects throughout the city.

Today, you can still see the remaining columns standing on its original site in Athens  with one lying on the ground where it fell during a storm in 1852.  Two  other columns can be seen in the Temple of Jupiter in Rome on Capitoline Hill, where they were brought by the Roman General Sulla.

Although you must retain a short distance from the temple, you are close enough to discover its column’s massive girth and imagine what it must have been like during its glory.   You can almost imagine the colossal statues of Zeus and Hadrian holding court in the center of the temple.

Though the site is not extensive, take some time to enjoy the ruins and make sure not to miss the archaeological site on the edge of the property, highlighting some ancient structures uncovered there.  Not one of the sites that most people aspire to visit, you can often find it uncrowded and enjoyable and you are able to obtain nice photos, especially in the afternoon when the sun hits the columns, almost making them glow against the perpetually cerulean sky.  You can also combine your visit with a quick stop to Hadrian’s Arch located just outside the gates of the temple.

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Temple of Zeus

  • Address:  Temple of Olympian Zeus (Archaeological Area), Vasilissis Olgas & Vasilissis Amalias Avenue , 10557 Athens (Greece)
  • Hours:  Winter, 0830-1500, Summer, 0800-1930, daily.  January 6, 0730-1930, October 28, 0730-1930.  Closed March 25.
  • Admission:  General Entrance, €2.00.  Combined ticket, includes Archaeological areas of Athens (Acropolis, Acropolis Museum, Ancient Agora, Theater of Dionysus, Kerameikos, Temple of Olympian Zeus and Roman Agora, €12.00, reduced, €6.00.  Free entrance to Children under the age of 18 (with ID), Students of Greek of Universities (with ID), those serving armed forces (with ID).
  • Getting There: By Bus, 057, 103, 108, 111, 155, 200, 208, 209, 227, 237, 856, A3, A4, B3, B4.  Tram, 4.  By Foot, Follow Vasilissis Amalias Avenue from Syntagma Square for about 500 meters, where you will come to the Temple of Olympian Zeus on your left.
Entrance and ticket booth

 

 

 

 

Monuments, Museums and Masks

© 2018 Snapping the Globe, L.L.C. All rights reserved.

Beautiful Belém.

Not the city located in Brazil, but the alluring coastal district west of Lisbon.

Only getting to spend a short twenty-four hours in a city you’ve never been to can really boggle your mind when trying to decide which sights are more important than others.  There was so much to do and see within the city limits of Lisbon and then, there was Belém…what’s a girl to do?

Belém, long associated with seafaring and early Portuguese explorers, is known for the many historic monuments that commemorate this past history.  Though most recommend Belém for a full or half-day excursion, we decided to tackle it in a few hours for a quick overview.

There are many iconic and important attractions located in Belém and time was of the essence.  Jerónimos Monastery was high on my list, but since it was near the monastery’s closing time, we decided to have our Uber driver deposit us near the water’s edge.

Our first stop, the beautiful Torre de Belém.  Sitting in the middle of the water, on a small island, it is accessible by bridge.  Built in the 16th century, this fortified tower was once a part of the defense system at the mouth of the Tagus river and a ceremonial gateway to Lisbon.  A UNESCO World Heritage Site, it was commissioned by King John II and is composed of a bastion and a four story tower built in the Portuguese Manueline style.

As I took picture after picture, I realized that this beautiful structure reminded me of a sandcastle still standing even after the tide has surrounded it.  Though I would have liked to tour the tower, it was getting late, there was a line and my travel partners were not interested in waiting.  Reluctantly, I walked away to discover the other monuments in the area, knowing that I would have to make this a priority when I returned.

The next monument along the shore was the Monumento aos Combatentes do Ultramar.  Similar to the Vietnam Veterans Memorial in Washington, D.C., this monument pays tribute to those who fought in the Portuguese War in Africa, from 1961-1974.  Both striking and somber, the monument, designed by artists Carlos Guerrero and Batista Barros, is comprised of three distinctive sections…the flame, the monument and the memorial wall.  While the flame burns eternally, you can take note of over 9,000 names of the fallen inscribed alphabetically and by year on the marble wall behind it.  Standing in the shallow pool, are two large angled pillars jutting out above the flame.

A small chapel is located inside in the monument and there is a museum adjacent which focuses on Portuguese Overseas Wars, the modern Portuguese military and World War I objects.  There is also a tomb of an unknown soldier from this war, brought from Guinea-Bissau.

Walking back past the Torre de Belém, the Museu de Art Popular and the Belém Lighthouse, we headed toward Padrão dos Descobrimentos (Monument of the Discoveries).

The monument, erected in 1960, celebrates the Portuguese Age of Discovery during the 15th and 16th centuries when Porgual dominated the sea trade between the continents.  Observing a design originally conceived by Jose Angelo Cottineli Telmo and then Antonio Pardal Monteiro, the structure was adorned with thirty-four sculptures by Leopoldo de Almeida, including Vasco de Gama and Ferdinand Magellan.  The main statue of Henry the Navigator, as well as the others, represent those who have contributed to Portugal’s reputation in the age of discoveries;  poets, explorers, navigators, crusaders and mapmakers.

 

Though we did not enter the structure, we were informed that it is divided into three levels.  The ground floor covers the history of Lisbon, the second has two exhibition halls and four other rooms on the third floor.  The top of the monument is accessible and used as a watchtower.

As we stood before this prodigious structure, the sound of beating drums nearby caught our attention.  Walking across Avenue Brasilia toward the Jerónimos Monastery, we encountered a parade circling the Jardim de Belém.  Costumed groups, faces hidden by masks, marched to the music, dancing and occasionally stopping to pose with and sometimes frighten observers.  As intrigued and entertained as we were by the parade, we weren’t sure what it was all about.  After making a few inquiries, we were informed that this was the famous International Iberian Mask Festival, held every year in May!

The festival’s main idea is to bring together the entire peninsula and increase the awareness of its unique culture and traditions, especially with the incorporation of the pagan masks which are common in the Spanish and Portuguese cultures.  Besides the regional groups participating, this year’s parade included Boi Tinga from Brazil and The Mummers from Ireland.

After the parade was over, we followed the crowds into Jardim de Belém discovering dozens of stands showcasing local products such as wine, cheese, chocolates and handicrafts.  Grabbing a beer and a delicious prosciutto and cheese sandwich, we acquired seats at a picnic table and enjoyed our dinner in the late afternoon sunshine while local performers entertained us on the nearby stage.

Finally, our eyelids growing heavy from the late hour, it was time to grab a souvenir mask and finally an Uber and head home.

Belém…what a blast!

For more pictures, check out Facebook, Snapping the Globe and Instagram, @snappingtheglobe.

 

Torre Belém

  • http://www.torrebelem.gov.pt/en/
  • Address:  Av. Brasília, 1400-038 Lisboa, Portugal
  • Hours:  October-May, 1000-1730, May-September, 1000-1800.  Closed Mondays, January 1, Easter Sunday, May 1, June 13 and December 25.
  • Admission:  €6.00
  • Getting There:  City bus lines, 727, 28, 729, 714, 751.  Tram, 15.  Suburban train, Belém Station.  Ferry, Belém Ferry Station.

Monumento aos Combatentes do Ultramar and Museu do Combatente  

Padrão dos Descobrimentos (Monument of the Discoveries)

  • http://www.padraodosdescobrimentos.pt/en/
  • Address:  Av. Brasília 1400-038 Lisboa
  • Hours:  March-September, 1000-1900.  October-February, 1000-1800.  Closed Monday from October until March and December 25, January 1 and May 1.
  • Admission:  Adults, €5.00, Family (2 adults, 2 childrenm 12-18 yrs), €12.50, Seniors and children under 12 years, €2.50.
  • Getting There:  Train, Belem Station.  Tram, 15.  Bus, 728 – 714 – 727 – 729 – 751

 

 

As Easy As…Um, Dois, Três

© 2018 Snapping the Globe, L.L.C. All rights reserved.

Portugal’s capital has always taken a backseat to many other cities in Europe. Travel, however, has become more commonplace and a trip to Europe is becoming the norm for many.   Years ago, most people took a trip (or sometimes two) of a lifetime and visited as many of the main European cities as they could fit into their itineraries.

Now, savvy travelers want bragging rights…

“I’ve been there…have you?”

Portugal is quickly becoming the country that travelers want to brag about.  Plus, with its affordability, it is easily attainable.

If you’ve scheduled your trip to Portugal’s capital, then make sure to fit in all that you can while visiting.

Besides its many landmarks, all worth visiting, there are many other things throughout the city that tourists can not miss.

Here are three that I recommend.

Take a tram or a tuk tuk.  Some cities have modes of transportation that everyone relates to the city…think, London’s double-decker buses.  Lisbon has its trams.  The most popular is Tram 28 which takes tourists on a route from Martim Moniz to Campo Ourique, passing through the neighborhoods of Graça, Baixa and Bairro Alto, and near popular attractions, such as St. George’s Castle and Alfama.   Many of the trams used within the city were also used in World War II, so in addition to seeing what the city has to offer, you are riding on a piece of history.  Expect long waits and crowded cars due to the tram’s popularity, but enjoy the ride up the steep Alfama hill…your feet will thank you!

You will also notice many tuk tuks throughout the city.  A common and cheap mode of transportation in Asia, the tuk tuk was introduced to Portugal a few years ago.  Popular with tourists, for their availability and for their ease of travel through the narrow streets, you can find them outside of most attractions.  Beware, however…the price you pay in Asia is not what you pay in Lisbon.

Enjoy the view.  There are many overlooks throughout the city.  For the most breathtaking views, head over to the Elevador de Santa Justa, an historic attraction that  connects the lower streets of the Baixa with the higher Largo do Carmo. Built in the 19th century and the only remaining vertical lift, it provides an invaluable service by eliminating the steep climb up Carmo Hill.

Largo das Portas do Sol is an original Moorish gateway offering stunning angles over Alfama’s red rooftops and pastel colored houses bordering the Rio Tejo.

Located conveniently near the Cathedral de Se and Castelo Saõ Jorge is Miradouro de Santa Luzia.  A popular observation deck with a pergola that presents dramatic views of the city and the river.

Miradouro da Graça is situated on the hill of Santo André and overlooks many old neighborhoods like Mouraria, Alfama, the downtown area, Castelo Saõ Jorge, the river and 25th April Bridge.  Here, you can enjoy a drink in the esplanade facing Lisbon’s roofs and try to identify the many monuments and landmarks below.  If Tram 28 is too crowded, catch bus 712 (Marquês de Pombal) or 726 and disembark at Sapadores for a short walk.

Miradouro de São Pedro de Alcântara provides views over to the castle and a little market offering nice souvenirs and food and beer stalls. It is easy to access on foot from Bairro Alto or from Rossio below via the Ascensor da Gloria.

Have a treasure hunt.  So, not really in the sense you may be thinking.  Portuguese tiles, or azulegos, were introduced during Moorish times and adorn dozens of buildings throughout the city.  Be on the lookout for these vibrant decorations, especially in the neighborhoods of Alfama, Chiado and Cais do Sodré.  If you don’t feel like seeking these tiles out on your own and would like to inspect them at a closer distance, head out to the Museu Nacional Do Azulejo which is filled with tiles of all colors and sizes, some dating back to the 15th century.  If discovering how these tiles are made is what you are after, you can also learn about the process here.  If money is no object, you can book at stay at the Palácio Belmonte or Palácio Ramalhete, where you will find interior walls covered in these amazing pieces of art.

With so much to do in this Portuguese capitol, there’s probably not enough time to tackle them all.  So, you may have to return…so then you can say,

“I’ve been there twice…have you?”

For more pictures, check out Facebook, Snapping the Globe and Instagram, @snappingtheglobe.

 

Tram 28

Elevador Santa Justa 

  • http://www.carris.pt/en/elevators/
  • Address:  R. do Ouro, 1150-060 Lisboa, Portugal
  • Hours:  Lift, March-October, 0700-2300, daily.  November-February, 0700-2100, daily.  Viewpoint, March-October, 0900-2300, daily. November-February, 0900-2100, daily.
  • Admission:  Return ticket, €5.15,  With the 7 Colinas or Viva Viagem card, €1.45
  • Getting There:  Metro, Baixa/Chiado, blue and green lines

Museu Nacional Do Azulejo (Tile Museum)

 

 

 

 

 

 

 

 

The Castle of Saint George

© 2018 Snapping the Globe, L.L.C. All rights reserved.

When visiting Lisbon, its hard to miss the imposing structure that presides over the city on the highest hilltop.

Castelo de São Jorge….The Castle of Saint George.

One of the oldest edifices in Lisbon, the castle is also one of the most visited sites in the capital city.  Once housing Portuguese troops and Vasco da Gama during his stays in Lisbon after his returns from sea voyages, it later acted as the residence of the Moorish royals.  It was conquered in 1147 by Afonso Henriques, the first king of Portugal and was named after Saint George, the patron saint of England, due to the assistance received by Portugal from the English.  The castle retained its function as a residence of kings until King Manuel I ordered the construction of the Ribeira Palace, which became the new royal seat in the 16th century.

After the move, the castle was no longer utilized and fell into a long period of decay, with the earthquake of 1755 causing irreparable damage.  Today, after a complete restoration in 1938, what visitors to the site experience are the main walls of the fortifications, several rebuilt rooms and eleven towers, including the Tower of Ulysses, which houses the Camera Obscura, offering a 360 degree of the city, the Tower of the Keep, the Tower of Riches (or Trumbling Tower), Tower of the Palace, Tower of the Cistern and Tower of St. Lawrence.

After the long walk uphill toward the castle and waiting in line to purchase tickets just outside the castle walls, we entered and made our way to the outer fortifications which overlook the city.  Panoramic views are on display and for the first-timer to Lisbon, this is an outstanding way to garner an understanding of how the city is laid out.  I must admit, it took my breath away!

A restaurant is located here on the promenade and wine vendors offer Portuguese samplings to quench your thirst in the hot, sunny afternoons.

Making our way into the interior of the structure, we marveled at the towering walls and walked along the ramparts admiring both the views and the wind whipping the country’s flags.

Ruins of older structures and a cistern were visible in the courtyard as well as a small door on the northern wall called the Door of Treason which allowed secret messengers to enter or exit as needed.  Take a moment to have a seat in one of the garden areas and admire the many pieces of sculptures that adorn the premises.  The gardens of Castelo de St. Jorge is a place to be cherished as it is one of the only remaining green spaces in Lisbon where native species of the Portuguese forest hold court.  Here, visitors can observe trees such as cork oaks, carobs, strawberry, umbrella pines and various fruit trees.

While there are other, more beautiful and more preserved castles throughout the country, Castelo de St. Jorge is easy to reach and is rich in history.  More importantly, with its prominent location high above the city, it is the perfect place to start your exploration of the Portuguese capital.

For more pictures, check out Facebook, Snapping the Globe and Instagram, @snappingtheglobe.

 

Castelo de São Jorge

  • http://castelodesaojorge.pt/pt/
  • Address:  R. de Santa Cruz do Castelo, 1100-129 Lisboa, Portugal
  • Hours:  November 1-February 28, 0900-1800, daily.  March 1-October 31, 0900-2100, daily.  Closed December 24, 25, 31, January 1, May 1.
  • Admission:  Adults, 8.50€, Students under 25 years, 5€, Family (2 adults, 2 children) 20€, Seniors (over 65), 5€