history – Page 2 – Snapping The Globe

Adventures in New Mexico Part 5-Keeping Our Eyes on the Skies!

Travel in New Mexico can be tedious to say the least.

Long stretches of highway with nothing but desert on either side can make one go almost mad! But, a good travel companion and a decent music playlist can alleviate the monotony and when you’ve got something fun to break up the trip, it makes it all the better!

On our fifth day in New Mexico, we were heading south. Our destination was Carlsbad Caverns but there was a place along the way that we just had to visit…Roswell. If you believe that we are not alone in this universe, then Roswell is a must see destination!

Leaving Santa Fe a little after seven allowed us to arrive mid morning with a plan of touring the International UFO Museum and Research Center and having lunch. Having to get to Carlsbad, an additional hour and a half from Roswell, around dinner time was the plan so with a departure from Roswell around 2:30ish, we would have plenty of time to see what else the state’s fifth largest city would offer.

As expected, the three hour drive was a little tedious but we were soon pulling up next to the green Welcome to Roswell sign signaling our arrival at the UFO Capital of the World. Driving down the small town’s main street area, we soon found the museum and something out of this world…almost as if they had expected us, there was a parking space right in front of the UFO museum!

For those not aware of Roswell’s UFO affiliations, it began in 1947, when rancher W.W. “Mack” Brazel discovered metal debris near a giant trench spanning hundreds of feet. After reporting the find, the military descended upon the area, closing it to the public and later stated that the incident was merely the “crashing of a military balloon” despite an Army press release initially stating that a “flying disc” had been recovered. The statement was quickly retracted leading to speculation of a military cover-up.

During the 1970s, the incident was reintroduced to the public when retired lieutenant colonel Jesse Marcel, admitted to Ufologist Stanton Friedman that he believed the debris he retrieved was extraterrestrial. This admission sparked considerable conspiracy theories claiming that multiple spacecraft had crash-landed on the Brazel ranch and their alien occupants were recovered by the military.

Though nothing has ever been proven or disproven, the events have forever marked Roswell as a UFO hotspot and the incident continues to spark interest, especially with the recent admission by the government of their cognizance of aircraft and military interactions with spacecraft. The Roswell incident has been described as “the world’s most famous, most exhaustively investigated and most thoroughly debunked UFO claim.

The museum contains a vast collection of written, audio and visual information relating to the 1947 Roswell Incident and other unexplained phenomena associated with UFO research. Located in a former movie theater, the large open space’s exhibits routed us through the timeline of the incident with models scattered throughout. Our favorite? The giant metal disk fronted with three silver aliens in the center of the museum! There was much to absorb during our visit and we had to be content with relying on the short movie at the onset to acclimate us with the storyline and skim through the remainder of the information, however, we learned enough to make our visit worthwhile.

*International UFO Museum and Research Center*

After our visit was complete, we decided to keep our primo parking space and walk throughout the small downtown area. Now lunchtime, we were seeking out a place to eat and discovered that everything and every place of business in Roswell seemed to capitalize on the UFO phenomenon including a spaceship themed McDonalds!

Little silver aliens greeted us as we made our way inside the disc-shaped restaurant, but standard McDonald’s culinary fare prevailed. I think we had expected Alien Big Macs and Flying Saucer Fries, but the regularly titled sustenance did the trick. While the dark nighttime skies were many hours away, it would have been fun to see this unique McDonald’s lit up with red neon highlighting the spaceship!

After our lunch was complete we continued to investigate the downtown area, reveling in the giant alien next door holding the Dunkin Donuts sign, the alien waving a Domino’s Pizza flag and all of the murals and UFO paraphernalia throughout the city. Everyone was in on the action!

And of course we needed souvenirs! There was definitely no short supply of stores hawking everything from t-shirts to coozies to stickers to…everything you can thing of relating to aliens! While we visited many shops, including Invasion Station, we found some of the best prices at Walmart, no doubt not wanting to be left out of the mix.

*Fun attractions in souvenir stores and on Main Street*

We decided to take a peek into the Roswell Visitor’s Center adjacent to Pioneer Square, to obtain any pertinent information that we may had missed. Located across from the beautiful architecture of the Chavez Country Magistrate Court, we learned of the UFO Fest held every summer which includes immersive experiences, live music, local food, photo ops and many other family friendly events throughout the city. The best part of our visit, however, was the photo opportunity the Visitor Center offers. A set with two small aliens and a BELIEVE sign beckons visitors for a portrait, which the staff takes and emails to you for free.

Finally, we stopped in to Spaceport Roswell, a virtual reality experience. Given VR headsets, we were ushered into a small spaceship-themed room where we donned the headsets and watched a version of the Roswell Incident story unfold in almost-life-like reality. A fun way to end our time in Roswell, we enjoyed the experience and headed back to our parking space readying ourselves the completion of our day’s journey.

Pulling out of Roswell, I must admit…I almost wished that we would have had the time built into our schedule to spend the night in this fabled town so that we could do a bit of UFO watching. It would have definitely been the perfect place to have a Close Encounter of the First Kind! Casting our eyes above the long highway and seeing nothing but sun and sand, we began our drive to Carlsbad, ready for the next adventure.

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International UFO Museum and Research Center

https://www.roswellufomuseum.com/
Address: 114 N Main Street, Roswell, New Mexico 88203
Hours: 0900-1700, daily
Admission: Adults, $7.00, Children (ages 5-15), $5.00, Children (under 5), free, Seniors, Military, First Responders, $5.00

McDonalds

https://www.mcdonalds.com/us/en-us/location/nm/roswell/1804-s-main-st/8084.html
Address: 720 N. Main Street, Roswell, New Mexico 88201
Hours: Monday-Friday, 0500-2300, Saturday and Sunday, 0500-midnight

Spaceport Roswell

https://spaceportroswellnm.com/
Address: 121 E. 2nd Street, Roswell, New Mexico 88201
Hours: Monday-Thursday, 0900-1700, Friday-Sunday, 0900-1800
Admission: Adults, $14.50, Children (ages 12 and under), $9.50, Seniors (65+) and Veterans, $12.50

Adventures in New Mexico Part 3-The Cat’s Meow

What’s the saying…when something is very appealing?

It’s the Cat’s Meow!

With all there is experience in New Mexico, I can say that phrase it is most appropriate.

After the long drive to Chaco Canyon, you would thing that we would have wanted to sleep in on the next morning. No way! There was too much to see and do and then, we needed to get to Santa Fe!

Rising early, we packed up, check out and headed to Petroglyph National Monument, one of the largest petroglyph sites in North America. Since there are four different trail systems, we chose the trail that appeared to offer the most petroglyph viewing, Piedras Marcadas Canyon. Parking in the adjacent lot, we grabbed out water and headed out onto the trail.

*Petroglyph National Monument, Piedras Marcadas Canyon Trail*

The path was easy and flat, marked with guide lines on either side, to keep hikers off of the fragile desert growth. Before long, we found ourselves alongside the rocky hills that arose from the desert floor. It took a few moments to decipher what we were supposed to be looking for but we soon began to spot the images carved into the rocks.

The petroglyphs we spied were created by the ancestors of modern Pueblo people as far back as the year 1300, by carefully removing the desert varnish with hand-held stone tools to expose the lighter color of the basalt’s interior. Centuries of weathering cause the older petroglyphs to oxidize and darken. As we now knew what to look for, it soon became easier to spot the various human figures, animals and geometric designs along the one and a half mile route.

*Roadrunner petroglyph and real roadrunner perched on the rocks*

All in all, we spent about an hour and a half out and about before completing the circuit. Deciding that there was not enough time to do another trail, we moved on.

Next up was Old Town Albuquerque.

The downtown area is comprised of approximately 150 individually owned and operated businesses, situated around the main plaza, the square and birthplace of the city in 1706. This plaza reminded me so much of the ones found in many Latin American countries with numerous people lounging on the benches around the gazebo. With so many shops, restaurants and galleries in the immediate area, we took our time doing a little shopping, grabbing a bite to eat and taking lots of photos.

One of the places I wanted to see most was San Felipe de Neri Catholic Church, one of the oldest surviving buildings in the city and the only building in Old Town dating back to the Spanish colonial period. The current church replaced the original which collapsed during the winter of 1972. I would imagine the interior exhibited European qualities, but sadly it nor the museum were not open during our visit.

San Felipe de Neri Catholic Church

Keeping an eye on the clock as we were heading to Santa Fe, we found one more place of interest, the Breaking Bad Store ABQ. Although I had no knowledge of the television series, I thought that maybe there would be some interesting souvenirs for my sons. What we discovered, however, was that this was not only a store, but a small museum of sorts dedicated to the series Breaking Bad and its follow up, Better Call Saul. While most of it didn’t resound with me, it meant a lot for my son to see mementos and set props from the show. Recently, when my husband and I finally watched all five seasons of the series, it was fun to pull out the photos and understand what all of it meant. My favorite photo? Me dressed in the Los Pollos Hermanos uniform posed behind the restaurant counter!

With our time in Albuquerque coming to a close, we headed out to the highway, making our way to Santa Fe.

When my son had mentioned to his friends that we would be visiting New Mexico, the unanimous suggestion was to visit a place with a very strange name…Meow Wolf.

Meow Wolf, a relatively new experience in Santa Fe (established in 2016) is one of three similar interactive experiences located in the United States. Along with the other two, in Denver and Las Vegas, the explorable art encounter beckons visitors to explore rooms of immersive art. Santa Fe’s version, entitled House of Eternal Return offers 70 rooms which I could only describe as a mix between an art exhibit, escape room, a fun house and a maze.

As we parked, we glimpsed what we thought we might experience with its giant metal spider, robot and of course, wolf, in the parking lot! Although we had not purchased tickets prior to our arrival, we learned that we were lucky since it was a weekday that we were able to gain entry, not usual on busy weekends.

We began our explorations in the front part of the House, trying to read every piece of paper and attempting to decipher clues. There was a strangely dressed man standing in the stairway talking about missing children and we deduced that children from the storyline were missing. We also heard other speaking about finding hamsters. We did discover a few hidden in various places, but then we never quite understood what to do with this information.

Finally, we just decided to have fun and explore all the nooks and crannies. Once we relaxed about the whole affair, it was a great deal of fun just enjoying the unique and unusual artistry.

It was great fun to discover hidden passageways in refrigerators, fireplaces closets and clothes dryers. After exploring both floors of the house, we discovered in the living room a fish tank on a shelf and then a tunnel through the fireplace which led to a life size fish tank which we could walk through! This led to other parts of the exhibit where we encountered a giant neon dinosaur skeleton whose bones made music when you hit upon them, a forest with giant mushrooms and creatures that appeared to be out of the book Where the Wild Things Are, the crazy clown room decorated with recycled bottle caps, cans, compact discs and clown videos, a Chinatown alleyway and the “black and white room” complete with a monster under the sink! There was abstract art and abstract rooms, interactive games hidden away in dark corners and an EDM music room. There was a band playing in the back and walkways overlooking their stage. Everything was dark and bright at the same time and neon and black lighting was everywhere!

It is one of the hardest things to explain and one of the most unique places I have ever visited! I will definitely have to visit the ones in Denver and Las Vegas which are differently themed.

We realized that if this was our introduction to Santa Fe, we were in for a treat! Meow Wolf was definitely the Cat’s Meow or maybe you could say, the “Wolf’s Meow”!

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Petroglyph National Monument

https://www.nps.gov/petr/index.htm
Address: Visitor’s Center, 6510 Western Trail, Albuquerque, NM 87120. Boca Negra Canyon, Atrisco Drive, NW, Albuquerque, NM 87120, Rinconada Canyon, 7601 St. Josephs Avenue, Albuquerque, NM 87120, 87114 Unnamed Cul de Sac, Albuquerque, NM 87120, Piedras Marcadas,
Address: Visitor’s Center, 6510 Western Trail, Albuquerque, NM 87120. Boca Negra Canyon, Atrisco Drive, NW, Albuquerque, NM 87120. Rinconada Canyon, 7601 St. Josephs Avenue, Albuquerque, NM 87120. Piedras Marcadas Canyon, 87114 Unnamed Cul de Sac, Albuquerque, NM 87120. Volcanoes Day Use Area, Western Trail NW, Albuquerque, NM 87120.
Hours: Boca Negra Canyon, 0830-1630. Rinconada Canyon 0800-1700. Piedras Marcadas Canyon, Sunrise to Sunset. Volcanoes Day Use Area, 0900-1700.
Admission: free

Old Town Albuquerque

https://www.albuquerqueoldtown.com/
Address: Old Town Road NW, Albuquerque, NM 87104
Hours: Most businesses open Monday-Saturday, 1000-2000, Sunday, 1100-1900. Most restaurants seat until 2100.
Admission: free

San Felipe de Neri Catholic Church

https://sanfelipedeneri.org/
Address: 2005 North Plaza NW, Albuquerque, NM 87104
Hours: 0900-1600, daily (unverified). Gift shop and museum, open from 1000-1630. Museum may not be open due to lack of docents.
Admission: free

The Breaking Bad Store ABQ

https://www.breakingbadstoreabq.com/
Address: 2047 South Plaza Street Northwest, Albuquerque, NM 87104
Hours: 1000-1700, daily. Closed on Thanksgiving, Christmas Day, New Years Day.
Admission: free

Meow Wolf Santa Fe

https://meowwolf.com/visit/santa-fe
Address: 1352 Rufina Circle, Santa Fe, NM 87507
Hours: Sunday, Monday and Thursday, 100-2000, Friday and Saturday, 1000-2200. Closed Tuesdays and Wednesdays.
Admission: Adults (ages 14 and up), $35, Children (ages 4-13), $20, Children (under 3), free, Seniors (ages 65 and up), $25, Military, $25.

The Golden House

It is well documented that most Roman emperors enjoyed flaunting their wealth, however, there was one that took his lavish lifestyle in the Eternal City to another realm.

Nero.

Deciding that he would build a palace to outdo all palaces, the Domus Aurea, he set forth with these plans in 64AD, after a major fire had swept through the city, destroying much of the area of the Oppian Hill. With this part of the city leveled, making room for his palatial plans, this led to speculation that Nero himself had started the fire.

Not to be deterred by rumors, he set forth with the construction of a complex, located near the Forum. The massive compound sat on 80 hectares, contained 150 rooms, gardens, a lake, fields, vineyards, pasture and forests with domesticated and wild animals. The rooms were lavishly decorated with gold, gems, precious marble and mother of Pearl, unlike any other built during the era. Records indicate that the house shone like gold with the light reflecting on these lavish decorations…hence the nickname, Golden House. And in the case that anyone’s memory lapsed and forgot who they were visiting, a 35-meter-high statue of Nero was situated at the entrance!

Some time ago, I had read about the Domus Aurea. Not open to the public during this timeframe, I had marked it as a point of interest on my Google map and filed it away hopefully for a future visit. Last spring, while perusing the internet, I came across an article advertising tours of the Domus Aurea. Tickets were limited and groups were small, so I excitedly booked a time slot in the afternoon.

Upon my arrival, what I first notice was that I was entering the gates of not only the Domus Aurea, but a park. A park filled with people sitting on benches, children skateboarding on the paved walkways and lovers relaxing on the grass in the shade of the massive trees. Deciding that it would be nice to walk through after my tour was complete, I continued to follow my directions, soon discovering a gate marked Domus Aurea, only to discover that it was not my intended destination.

*Parco del Colle Oppio and entrance to Domus Aurea grounds*

Virtual reality tours, which show the true nature of how Nero lived, are conducted on the weekends, when restoration work is not being conducted and embark from this location, however, being a weekday, I was directed to another building a little further.

After checking in, more people arrived and we were ushered into the building’s atrium with suggestions that we don outerwear for the cooler temperatures inside.

*Main entrance and walkway to Domus Aurea underground*

Not sure what exactly I was there to experience on my tour, I followed the guide down a long walkway, descending perhaps fifty feet or more to where the remains of Nero’s complex now lies, having been plundered, buried, and built upon by his successors.

Arriving in an impressively excavated, dimly lit, octagonal room, I marveled at the spotlighted statue occupying the center of the room and the astrological symbols being projected onto the vaulted ceiling. Indeed, it was much cooler, and I zipped up my jacket as I made my way around the rotunda, examining the adjacent rooms.

Our guide explained that this was the first time that these rooms have been made available as part of a temporary exhibition. This exhibition conjures up the Domus Aurea’s rediscovery by torchlight, in the 15th century, by those, including the painter Raphael, inspiring his future works.

I admired the best-preserved frescoes of the Domus Aurea in the Room of Achilles on Skyros which portrays a scene inspired by the story of Troy. Other rooms contained projections of the grotesques (a style of decorative painting or sculpture consisting of the interweaving of human and animal forms with flowers and foliage), architectural depictions of the palace designs and statues, including a reproduction of the Laocoon.

*Left photo, reproduction of the Laocoon*

We were also allowed into the dilapidated (due to weather and dampness) Room of Hector and Andromache, the first room to be discovered in the complex. The room was long and extremely tall; however, some remnants of its original artistry can still be detected.

Having examined all aspects of this beautifully restored piece of the palace, I made my way back up the inclined walkway and out into the warm, late afternoon sunshine.

Winding around the back of the building I had just exited, I followed the pathways, through the Parco del Colle Oppio, searching for the Baths of Trajan, which had been built on top of Nero’s palace, about 40 to 50 years later.

After Nero’s suicide in 68 A.D., his successors, Ortho and possibly Titus, added to the completion of the Domus Aurea, but later successors sought to erase Nero’s memory. Parts of the palace and grounds were filled with earth and built over, the Baths of Titus, the Flavian Amphitheater, the Temple of Venus and Roma and the Baths of Trajan were all built on the site.

The Baths of Trajan, built by architect, Apollo of Damascus, were created for the emperor Trajan and as a recreational and social center for both male and female Roman citizens in the early 5th century. There were the first “great baths” in Rome and at the time, the largest existing thermal building in the world. Not in use for very long, it was deserted and left for ruin.

The remains of these ruins are scattered through the northwest side of the Parco del Colle Oppio…amidst area’s playgrounds. Children were running throughout the area with parents watching, exercising or visiting with others. It was interesting to see these citizens using these hallowed grounds as a recreational site, which it once was in a different capacity, all the while knowing what lies beneath them and around them…the Domus Aurea.

*Baths of Trajan and middle right, Cisterna delle Sette Sale (across from rear entrance)*

*Rear entrance along Via delle Terme di Traiano*

*Front entrance, right across from Colosseum*

What an interesting way to grow up among some of Rome’s most historical sites!

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Domus Aurea

https://www.coopculture.it/en/poi/domus-aurea/
Address: Via della Domus Aurea, 00184 Roma RM, Italy
Hours: Thursday, 1600-1900, Friday, Saturday and Sunday, 0900-1700, Monday, Tuesday, Wednesday, closed.
Admission: 23 euro

Baths of Trajan

Address: Parco del Colle Oppio, Via della Domus Aurea, 1 00184 Roma RM, Italy
Hours: Dawn to dusk, daily.
Admission: free

The Island Church

On an island, just across the Grand Canal, stands a bright white Palladian church, Chiesa di San Giorgio Maggiore.

Many times after visiting St. Mark’s square, I have stood on the banks of the waterway and stared at the church…it seemed untouchable.

Really not understanding the water taxi system, which seemed to be the way to reach this island, I was never comfortable trying to figure out how to get there, possibly making a mistake and ending up somewhere I didn’t plan. I always thought…next time. And next time never came…until I was visiting Venice with my husband one weekend.

Since two brains are better than one, together we deciphered the water taxi schedule and jumped on the one which we thought would get us there. It was a spontaneous decision and yes, it worked out…we made it across to the island!

As we pulled up to the dock, it suddenly dawned on me that we didn’t even know if the church was open to visitors…but at least we had made it there and figured that we could at least walk to the end of the island to see the lighthouse if it wasn’t.

First, we stood in the large plaza before the church and took in the basilica’s beautiful marble façade and the views of the city across the Venetian waters. Standing on the island, which was once called Insula Memmia (after the Memmo family who owned it) the church that once occupied the island, was consecrated to St. George. The San Giorgio Monastery was established in 982, when the entire island was donated for the monastery and it was built next to the church. In 1576, construction of the current church was begun.

Luckily, we found the church open for tourists and we began our explorations of the 16th century basilica.

Constructed by architect Andrea Palladio, the church’s spacious interior contains the usual things you might find in a basilica…chapels, tombs, altar, dome…but it is the artwork that takes center stage…both old and new.

Within the church’s three floors, paintings by Tintoretto were displayed including The Last Supper, The Entombment of Christ and The Fall of Manna as well as a significant masterpiece by Sebastiano Ricci, Madonna Enthroned With Saints. There were some modern pieces by Swiss artist Not Vital, Tintoretto (2020-2 silver boxes) found on the Main Altar, Pope Francesco (2020-2 silver boxes) found in the Main Chorus and the most impressive piece, House to Watch the Sunset (2021), found in the Transept, which is a large pyramid of stairs. This piece was created for the occasion of the 17th International Architecture Biennale.

*House to Watch the Sunset by Not Vital*

*Pope Francesco Silver Boxes by Not Vital in Main Chorus (far bottom right)*

Following the signs to the campanile, we paid our entrance fee and made our way to the top of the tower via the rapid ascent elevator. One of the finest examples of Venetian Gothic architecture, the bell tower was built in the 14th century by Pietro Lombardo and completed by Pietro Bellotto. From this vantage point, we had some of the most breathtaking views of the Venetian lagoon, the city and some of the nearby islands. We were also able to look down upon the cloisters of the monastery as well as gaze upward at the tower’s carillons. While the campanile of San Giorgio Maggiore is a little shorter than the Campanile di San Marco, one reason to make the trip to the island and make your way to the top, is that you don’t have to navigate its height via stairs, as you would at San Marco. I also think that the views from this perspective are more beautiful!

Exiting the church, we walked toward the harbor for an up close and personal look at the Lighthouse of San Giorgio Maggiore. While it is not one of the largest lighthouses I have ever seen, it is quite impressive with its clean masonry.

Finally, we headed back to the vaporetto dock and waited for the next boat. As it was the middle of August, it was extremely hot. The small enclosure, which offers protection from the cold and the rain, is not the best place to wait while the hot summer sun is bearing down. Dashing out back to the plaza in front of the church, we took more pictures and enjoyed the cool breeze coming off of the water until Vaporetto 2 was in sight.

Back to San Marco plaza, we headed, now feeling secure about our boat ride and how to navigate the Vaporetto system. This bit of confidence would serve us well for the rest of our trip as we navigated the city.
Another check on the Venetian bucket list…I no longer have to only wistfully stare at the beautiful church across the canal…I visited it!

There are many churches in the Venetian Islands, but this one is worth the trip!

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Chiesa di San Giorgio Maggio

http://www.abbaziasangiorgio.it/
Address: Isola di S. Giorgio Maggiore, 30133, Venezia VE, Italy
Hours: April to October, 0900-1800, daily. November to March, 0830 to 1800.
Admission: Church entrance, free. €6 for tower access
Getting There: Vaporetto (water taxi) 2 or N. You will need two one-way tickets or a 24 hour pass to visit the island. If your visit is about an hour, your 75 minute ticket may still be valid for the return.

The Long Awaited Ride

My first trip to Venice was over twenty years ago. After making a list of all the things I wanted to do and see during my visit, I remember what topped the list…a gondola ride.

When I arrived, I was mesmerized by the canals, the architecture, the shops, the museums, the squares, the food…basically everything around me! There was a picture on every corner and I desperately wanted to share the experience with my family, but not just through pictures.

That gondola ride?

It dawned on me how special it could be and it was something that I wanted to also share with my family…one day. So, I waited.

And waited.

And waited some more.

More than twenty years passed and the only gondola ride I ever took was on a traghetto, one of large gondolas that are used by locals and tourists to cross the Grand Canal, especially where there are none of the four bridges to cross its width. While it satisfied my desire to mark that item off of my bucket list, it didn’t cost much (about fifty cents at that time) and it was fun, I still desired that opportunity to have someone significant to share a real gondola ride with.

My husband’s and my anniversary and my birthday (which are a day apart) was coming up and we decided to take a weekend trip to Venice. After some exploration of the city, we found ourselves near the location of the Traghetto San Toma. We needed to cross the Grand Canal, so we dug out the 2 euros and waited to take our place on board. It was a quick crossing, but it gave my husband a taste of what was to come.

The day wore on as we traversed the city and I kept an eye out for the perfect place and time to hire a gondola…not just a traghetto. Having just returned on the water taxi from Isola di San Giorgio Maggiore, we were trying to decide what our next move was. Crossing a small bridge, I noticed a sign advertising the price of the gondola ride at this location.

It was time!

After making an arrangement with the gondolier, we stepped gingerly into the beautifully carved black vessel, took our seats and were off, the gondolier poling us expertly away from the dock.

Gliding through the still waters of the small canal, we admired the passing architecture and listened as our gondolier, Giovanni, regaled us with the story of how the profession had been handed down to him from his father…he was the fourth generation of gondolieri!

It was interesting to learn how under a Venetian law, one must have been born in Venice to become a gondolier. Gondoliers go through rigorous training and must pass rowing and swimming tests as well as spend 12-18 months at an “arte del gondiliere” school where they take courses in a foreign language, Venetian history and culture, geography and rowing. Prospective gondolieri complete 400 hours of training before taking their exams and then they are able to register as a substitute gondolier, work the traghetti and join the exclusive 1000 year old Gondoliers Guild. Only 425 gondolier licenses are awarded by the city and each license is linked to a particular gondola station, so the gondoliers work in the same location.

With such a personable and informative gondolier, we were lucky that we had found that particular station!

The gondola that was our transportation for a half an hour was much like the rest that cruised the Venetian canals… wooden and ebony colored as it has been the since a law was passed in the 17th century. Before this time, the hand-made, flat-bottomed boats were painted in bright, bold colors until a Venetian doge ordered them all to be painted black. Each is 35-feet long and weighs more than 1100 pounds, but the most interesting thing I learned was that the port side of the gondola is nine inches wider than the starboard side so that the gondolier can stand there for balance.

As other gondolas passed in close proximity, I noticed that some wore red striped shirts and some wore blue, a uniform completed with dark blue or black trousers and black shoes. Giovanni explained that the Guild regulates the uniform of the gondolieri and that the emblem of the Gondoliers is embroidered on the shirts and jackets. While he didn’t wear a straw hat with a ribbon, I noticed others that did, discovering that they were optional.

While all of this was fascinating, it was just nice to relax and enjoy the moment, one that had been years in the making. The best part was that not only was I getting the ride that I had waited so long for with my husband, it was on our twenty-ninth wedding anniversary!

Now that was worth waiting for!

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Gondola Rides in Venice

https://www.introducingvenice.com/gondola-rides
Address: Locations throughout the city
€80 (about US$ 81.30). The price goes up to €100 (about US$ 101.60) from 7 pm onwards. If you want the gondolier to sing or to play an instrument during the ride, you will have to pay extra.

The Frari

If you ever wonder how many churches are in Venice and the islands, I have the answer for you.

About 137.

Sometimes, I go out in search of churches while visiting European cities, sometimes I just stumble upon them, as was the case while my husband and I were spending the weekend in Venice. With that many churches in such a relatively small expanse, its not hard to find one!

We had just arrived and were having lunch in the Campo dei Frari when I noticed the cross on the adjacent building. After a few pictures on the bridge, I edged toward the building and discovered the door open. Okay, my poor husband probably wanted to see the Bridge of Sighs and the Grand Canal, but surely we had a couple of minutes to see what was inside this church.

After paying our admittance, we quickly skimmed over the brochure and map handed to us and made our way throughout the interior.

What we learned was that this was no ordinary neighborhood church. The Gothic styled Basilica di Santa Maria Gloriosa dei Frari (or The Frari) is the largest church in the city and dedicated to the Assumption of Mary. This church’s beginnings go back to 1231 when land was donated with the intent of establishing a Franciscan monastery, however, grander ambitions prevailed. A three nave church was begun in 1250, however, it took eighty-eight years for its completion. Almost immediately, another church was begun…the current church, which still stands today. Taking over a century to build, the architectural footprint was reversed and a campanile was added; the second tallest in the city. The chapel of San Pietro was built from 1432-1434, the façade completed in 1440 and the main altar consecrated in 1469. Finally, the church was consecrated on May 27, 1492 with the name of Santa Maria Gloriosa.

While we found the exterior to be rather plain, the interior was filled with many grand wall monuments dedicated to distinguished Venetians buried in the church, including a number of Doges and the painter, Titian. The three naves were separated by twelve massive columns and spanned with wooden beams. It was slow work trying to take it all in and making our way throughout the church to see all that it had to offer.

After inspecting each of the monuments, which were placed where side chapels would ordinarily be located, we examined each of the important works of art that the church is known for; the masterpiece, Assumption of the Virgin on the high altar and altarpieces by Titian, the Madonna and Child with Saints (also known as the Frari Triptych) by Giovanni Bellini in its original frame and the altarpiece Madonna di Ca’ Pesaro, by Tiziano, Madonna with the Franciscan Saints by Bernardino Licinio, Donatello Sculpture in the Chapel of St. John the Baptist, Madonna with Franciscan Saints by Bernardina Licinio, Madonna and Child with Saints and Doge, by Paolo Venezia, Madonna Con Bambino E Santi by Jacopo from Faenza and the 13th century Crucifix on the left of the high altar. My favorite, however, was the Choir of the Monks (Coro dei Frati) in its original condition with 124 wooden stalls inlaid with views of Venice, created by Marco Cozzi, which sports the only rood screen (which separates the nave from the choir) still in place in Venice.

*Assumption of the Virgin on the High Altar*

*Madonna and Child with Saints (also known as the Frari Triptych)*

*Madonna with Franciscan Saints by Bernardino Licinio*

*Donatello Sculpture* in the Chapel of St. John the Baptist

*St. Mark and Saints in the Corners Chapel*

*Altar of Saint Peter (top left)*, *Monument Dedicated to the Doge Giovanni Pesaro (middle bottom)*

We also made our way outside on the right of the church and discovered the cloister. As much as I love spending time in ancient cloisters, I was disappointed as this one seemed to be quite neglected. While there were a few elaborately carved marble statues in the courtyard and on the balconies surrounding it, the beauty of these was overshadowed by the large amount of weeds growing through cracks in the flagstone.

While the monument to Antonio Canova (1827) would be something to take in, at this point in time, it was walled off for renovations. The pyramidal structure is dedicated to the neo-classical sculptor, built by his students and intended to house the heart of the sculptor Tiziano. The heart, however, was never interred here, brought to Passagno, his birth place. As most people are confused with the shape of the monument, it is clear if those understand that Canova was a Freemason and that the pyramid is the symbol of the Great Architect of the Universe.

Finally, we headed toward the exit. In most churches, one would expect to see a pipe organ in the loft above, however, the loft was absent and a beautiful sculptural work decorated the wall around the main doorway. Definitely a way to continue to engage visitors upon their exit!

Stepping out into the sunshine, it was clear we were in Venice with a canal and bridge spread out before us. While it was time to head to some of the city’s more famous sights, I was glad that we had made the time to visit this ancient church!

For more pictures, check out Facebook, Snapping the Globe and Instagram, @snappingtheglobe.

Santa Maria Gloriosa dei Frari

https://www.basilicadeifrari.it/
Address: Campo dei Frari, San Polo 3072, 30125 Venezia, Italia
Hours: June 1-September 30, Monday-Thursday, 0900-1930. Friday, 0900-2300. Saturday 900-1800. Sunday, 1300-1800.
Admission: Adults, €5,00. Student (under 30 with ID card). €2,00, Senior (over 65 years), €3,00. Children (ages 0-11 years), residents of Venice, disabled travelers and assistants, authorized tour guides and leaders, free.
Getting There: From the train station and from Piazzale Roma (bus terminal) On foot: about 15 minutes, follow signs towards Frari-Rialto. By vaporetto: take Linea 1 or Linea 2, San Marco bound, get off at San Tomà stop. From Saint Mark’s square On foot: about 25 minutes, follow signs towards Ferrovia-Piazzale Roma. By vaporetto: Linea 1 or Linea 2, Ferrovia bound – get off at San Tomà stop.

No…The Other One

One of the most famous churches can be found in Barcelona.

The Sagrada Familia.

So when I was asked what I was going to do on my layover in Barcelona and I said, “Go to the cathedral,” everyone naturally assumed I was headed to the monumental landmark.

“Oh, the Sagrada Familia,” they said.

“No, the cathedral,” I replied watching the perplexed look cross their faces.

“Yes, the Sagrada Familia, the famous church,” they countered.

“No, the other one. The cathedral.” (And actually, the Sagrada Familia is a basilica and the Barcelona Cathedral, is well…a cathedral, but I can’t fault everyone for not knowing the difference).

Having always been fascinated by the architecture in the Gothic Quarter, it was a wonder that I had never visited the cathedral, one of the most visible and outstanding examples of the architectural style. Visiting Barcelona a short time after Covid protocols were put in place, I had learned that reservations were required for entry and of course, I didn’t have one on that trip. This time, I was prepared. I had purchased my timed entry before leaving New York, allowing for a short nap before heading to the Gothic Quarter.

The Barcelona Cathedral was constructed from the thirteenth to fifteen centuries (with the bulk of the work done within the fourteenth) on the foundations of a primitive basilica that was later named a cathedral. Because of the span of time taken for the completion, the distinct periods are characterized throughout its layout. The façade, which you see today, was initiated with the church’s construction, however, was not built until 1897 until 1890 and was completed in 1913.

Also known as The Cathedral of the Holy Cross and Saint Eulalia, it was named for the patron saint of Barcelona, whose remains are entombed in the cathedral’s crypt, however, this is not the only thing to see in the spectacular place of worship.

Making my entrance, I had planned a visit of approximately one and a half hours plus some additional time for the Diocesan Museum. What I did not realize was how poorly I had planned. Moving throughout the cathedral, passing my eyes over its vast interior, it dawned on me that it would take me twice that time…maybe more.

First moving through the cathedral floor, I was entranced by the ornate side chapels and the vaulted ceiling, but I quickly reached the elevators leading to the roof within the Chapel of the Innocent Saints. Spotting a short line, I decided to take advantage of the limited wait and head to the cathedral’s highest point. After a short ride, I exited the elevator and made my way up stairways and across catwalks, spying the intricacies of the cathedral’s roof, bell towers, lateral pinnacles, the cimborio crowned by the Holy Cross as well as phenomenal views of the city. Under the azure sky of the winter afternoon, I couldn’t imagine a better place to be to take in the day!

Heading down back into the cathedral, I continued my explorations, finding myself passing through the external doors of the Pieta and of Saint Eulalia, I discovered the cloister…a place of pure peace, similar, in some ways, to other cloisters I have visited…yet it offered up a surprise. The rectangular space was made up of four galleries, separated by sculpted pillars, showing scenes from the Old Testament and from a legend about the Holy Cross. Other scenes from the New Testament were spotted on the keystones. There were distinct chapels in each gallery, but it was the center of the cloister that commanded my attention. Filled with a garden of palm trees, magnolias and orange trees, there was a vast pond centered with a fountain, dating back to the mid-15th century. Still, while the pond and the beautiful greenery took my breath away, it was the residents of this cloister that made me laugh with delight. No, not nuns…geese! The large pond is the home for thirteen white geese, who despite their natural inclination to honk (and holler), stay fairly silent, almost as if they have taken a vow of silence!

Making my way back into the main part of the church, I continued my explorations of the side chapels, finally discovering one that the cathedral is well known for, The Chapel of the Holy Sacrament and of the Holy Christ of Lepanto. Constructed in 1407, it was the Chapterhouse of the Cathedral until 1676, when Saint Olegarius was canonized and the room became his mausoleum. The former Chapter Hall is not a large one and dimly lit, but highlighted on the main altar, is the burial chamber of Saint Olegarius, the bishop of Barcelona and above that, the 16th century Holy Christ of Lepanto. Quite beautiful!

*Chapel of the Holy Sacrament and of the Holy Christ of Lepanto*

The current Chapter Hall, located near the Cloister and now a museum space, displays 15th century paintings, an 11th century baptism font and the 14th century monstrance (the receptacle in which the host is held and displayed), made up from the campaign throne of King Martin the Humane. Definitely worth a look!

Eventually, I made my way back to the cathedral’s main floor and the high altar. The high altar, the main focus in the church, almost seems lost in the vastness of the space. With its towering vaulted ceilings, and the fact that it sits above the Chapel of Saint Eulalia with the staircase leading to it in front of the altar, makes me wonder if those attending mass can even see the priest performing his ritualistic duties. Nonetheless, I think it would be an amazing experience to attend mass here.

Making my way down the stairs to the Chapel of Saint Eulalia, I peered through the wrought iron gate at the burial chamber of the saint. Designed by masters from Pisa and Siena between 1327 and 1339, the reliefs narrate the story of the saint and the sepulcher is crowned by five images, four angels with candlesticks and the image of the Virgin. Beyond the Gothic chamber is the original sepulcher of Saint Eulalia, found by the bishop of Frodoino in 878 in the cemetery of Santa Maria del Mar, and a piece of broken marble with the original inscription commemorating her. Though the crypt is not consistently illuminated, there is a coin slot that accepts payment (.50€) and will highlight the space for a few moments.

Finally, I turned toward the rear of the cathedral. In the center of the cathedral floor, between the high altar and the entrance was the Choir With the Golden Fleece Choir Stalls. Construction on this most significant work in the cathedral was begun in 1390 and designed in the Catalan Gothic Style with the canopies and pinnacles being added at the end of the 15th century. What I loved the most, however, was the colorful commemorative shields painted by Juan de Borgoña that relate to the order of the Golden Fleece who were summoned to meet in Barcelona in 1519 by their master, Emperor Charles V…thus their name. Another remarkable aspect of this space is the wooden pulpit carved by sculptor Pedro Çanglada in 1403.

Taking one last look around and at also at my watch, I realized that if I was going to visit the adjacent Diocesan museum, I had better make hast. Exiting the cathedral, I stood on the front steps and gazed up at the exterior. It really is a phenomenal piece of Gothic architecture!

It was an extremely short walk to the museum building next door, however, I had one more exterior feature that I wanted to see…the Door of Saint Ivo. Located under the bell towers, this portal was the main entrance for over five hundred years and is named for Saint Ivo, the patron saint of lawyers.

Finally, making my entrance into the museum, I began my explorations of of the artistic works that have been donated to the church. Housed in the building known as the Casa de la Pia Almoina (House of the Blessed Charity) or La Canonja (the Canonry) as it once housed the canons of St. Augustin, this structure is a part of a group of medieval buildings that are integrated into the city’s 4th century (A.D.) Roman wall.

*Exterior of the Diocesan Museum and adjacent sculpture*

The collection spans three floors and contains about 3,000 items including paintings, sculptures, ceramics and religious clothing which date from the late Roman era to the twentieth century.

After working my way through each of the floors of the museum, I noticed some of the workers tidying up and realized that it was the end of the day…time for me to go.

So, the next day, another co-worker whom I hadn’t really spoken to much on the way to Barcelona asked me how I spent my layover.

“I went to the Barcelona Cathedral. It was amazing!”

“Oh, you’re a fan of Gaudi! Did you love the Sagrada Familia?”

Sigh…

For more pictures, check out Facebook, Snapping the Globe and Instagram, @snappingtheglobe.

The Barcelona Cathedral

https://catedralbcn.org/en/
Address:Pla de la Seu, s/n, 08002 Barcelona, Spain
Hours: Monday to Friday, 0930-1830, Saturday, 0930-1730, Sunday, 1400-1700
Mass schedule: Weekdays (in the Chapel of the Holy Sacrament), 0900 (Catalan), 1100 (Catalan), 1200 (Spanish), 1915 (Catalan). Sundays and Holidays (on the High Altar), 0900 (Catalan), 1000 (Catalan), 1200 (Spanish), 1300 (Catalan), 1800 (Spanish), 1915 (Catalan). Saturdays and Holiday Eves (in the Chapel of the Holy Sacrament), 0900 (Catalan), 1100 (Catalan), 1200 (Spanish), (High Altar), 1800 (Spanish), 1915 (Catalan).
Admission: Cathedral, 9€ per person Cathedral and Diocesan Museum, 15€ per person
Getting There: Metro, Jaume I station or Urquinaona station

The Good, the Bad and the Ugly, Day Nine in Croatia

“Don’t cry because it’s over. Smile because it happened.” – Dr. Seuss

Our last morning. It was a day of mixed emotions…sad to be packing up and leaving the beautiful country of Croatia, but also glad to have had the wonderful experiences during our vacation…the good (the weather, the amazing apartments, new friends), the bad (not making it to Mostar, “vampire” flyovers) and the ugly (putting the rental car in a precarious position)!

There were so many things that we had been able to enjoy and see during our stay and it wasn’t quite over, I would soon discover. While we had seen most of what makes Dubrovnik special, it still had one more surprise up its sleeve on this day.

As we locked up our Airbnb and headed to the Stradun and past the Dominican Monastery, we booked our Uber to the airport. Following the pickup directions, we soon learned that there was yet another gate to the old town that we had yet to find…Vrata od Ploča.

Vrata od Ploča (the gate from Ploče) is the eastern entrance to Dubrovnik’s old town, built in 1450. Exiting through it, passing the inner door topped with a figure of St. Vlaho, we walked over a stone bridge which spanned a moat and a wooden lifting bridge and received stunning views of the harbor, thanks to our efforts.

A large flock of pigeons sat on the nearby walls and under the trees, eyeing us warily as we walked by. Suddenly, without warning, they took us by surprise as they all took flight in one great motion. Flapping their wings, it was if they were both saying goodbye and showing us that it was time for us to fly home too.

After our short ride to Čilipi International Airport, we too were soaring above the Croatian coastline. Spotting Dubronik almost immediately and then the Pakleni and Elafiti Islands, as well as Split, we happily reflected on the good memories we had shared…and even the bad and the ugly ones…because, it takes all kinds to make a trip what it is, in the end!

For more pictures, check out Facebook, Snapping the Globe and Instagram, @snappingtheglobe.

Vrata od Ploča

Address: Ul. Vrata od Ploča, 20000, Dubrovnik, Croatia
Hours: 24 hours, daily
Admission: free

Back to Dubrovnik, Day Seven in Croatia

All good things must come to an end, but better things may be in store.

Our time exploring other parts of Croatia was complete, but we were leaving beautiful little Hvar Town, heading back to the beautiful city of Dubrovnik and now we knew what to expect. There were many things we wanted to do and see, including our new friend, Ivusa.

The ferry ride was a bit longer this time, but included a stop to pick up and deposit other passengers in Korčula. Since I was able to grab a spot on the back deck as we made our way to the dock, I had prime viewing of the beautiful old city. Why didn’t we spend a few days here? Definitely next time!

Four hours later, after our departure from Hvar, we were disembarking in Dubrovnik and catching a taxi to the Old Town. Our Airbnb, this time, was within the Old Town city walls…in fact, it was adjacent to Stradun, the city’s main pedestrian street, so a bit more convenient in that we didn’t have to climb twenty-two billion stairs!

After depositing our luggage in our room, we were off!

The Dominican Monastery, just around the corner, was first on our list. Dating back to the 14th century, the monastery is one of the most important architectural landmarks in the city and contains a great number of paintings, artifacts, jewelry and other items from Dubrovnik’s history. Its bell towers are prominent when walking the walls of the city, however, these not quite being as old as the monastery itself. Begun in the 16th century, they were only completed in the 18th.

Within the monastery, is the Gothic church of Saint Dominic, usually richly decorated and filled with treasures including the large golden crucifix above the main altar from the 14th century. Under construction at the time, we had to use our imaginations in order to “see” what it usually presents. The monastery museum was also quite intriguing with its vast jewelry collection and paintings from the Dubrovnik art school from the 15th and 16th centuries.

*Treasures from the Dominican Monastery Museum*

Making our way through the abbey, we noted the Capital Hall, where the monastic community held its meetings, and the porches of the cloister which were added in the 15th century. Within the cloister is a rich green oasis complete with a stone well crown and I would imagine this was a favorite place for the residents to relax and enjoy nature’s beauty.

After our visit was complete, we walked a short distance, past the clock tower, to the Church of St. Blaise. The steps of this church is both a meeting place, due to its central location near the clock tower, and a resting place, perfect for people watching. We also noticed that many from the community congregate here, including the children, who play games on the steps and in Luza Square in front of the church.

The interior of this church did not disappoint my “church fascination” with its beautifully decorated golden altar, taking my breath away when I entered. Named after the patron saint of Dubrovnik, the church was built in 1715, by Venetian architect and sculptor Marino Gropelli on the foundations of a past Romanesque medieval church. This saint is featured on the main altar in gilt silver, crafted in the 15th century by an unknown master. In the saint’s left hand is a scale model of the Romanesque church which was destroyed by the earthquake of 1667 and he is flanked by two kneeling angels. This statue was the only one which survived the fire of 1706.

In front of the church is another of Dubrovnik’s landmarks, Orlando’s column. Unfortunately, this was under renovation and closed off by metal fencing. This tall and slender stone flag column is decorated with a depiction of a medieval knight, Orlando, who according to legend, helped the people of old Dubrovnik defeat invaders in the middle ages. A monument to freedom, it details the help aquired to remain a free trade city-state and acts as a flag holder which displays the Libertas (freedom) flag as well as the St. Blaise festival flag. An interesting note about the statue; the knight’s forearm is 51.25 centimeters long, the standard Dubrovnik measurement for fabric, where local merchants were measuring, cutting and selling fabric.

*Orlando’s Column courtesy of justdubrovnik.com*

A little further down the Stradun, we headed into the Franciscan Church. Much as I wanted to visit the Monastery and Museum, I decided to wait until the next morning as I thought that seeing another monastery was probably not what my husband had in mind. The church was a good compromise as the afternoon was nearing its end and he was anxious to start happy hour and revisit Lady Pipi restaurant which was near this location.

A large complex, consisting of the church, monastery, library, and pharmacy, belonging to the Order of the Friars Minor, was built in 1317, but with its construction taking centuries to complete. The original church was destroyed in the earthquake of 1667 and much of the complex was rebuilt several times with the only remaining element being the decorated portal which overlooks the main street.

The Baroque interior was stunning as we entered through the main doors with its diagonally patterned tile floor and and large, gilded chandelier. The main altar contained a statue of Christ between four twisted marble columns and the five side altars were sculpted by Venetian Giuseppe Sardi between 1684 and 1696. An important side note, we learned, is that poet Ivan Gundulić is buried in the church.

Continuing our explorations, we decided to see more of what lay beyond the gates. A short walk past the Pile Gate, through which we had entered earlier on our return, brought us past the Amerling Fountain, the overlook for the Beach Sulic, which we would later realize was the place Cersei Lannister on Game of Thrones would stand, the Imperial Hilton Hotel and almost to the Church of St. Elizabeth, a small chapel. Heading back to the Old Town, we wandered through its streets and alleyways appreciating the architecture and its beauty.

At this point, my husband was truly at the end of his touring mode…but I spotted the Church of the Holy Annunciation. Promising only a quick peek, I ducked in and inspected the Serbian Orthodox church which was constructed in 1887. Though I was only inside for a few moments, I learned later that this impressive church has a huge collection of icons dating back to the 15th and 16th centuries within its museum and an impressive library containing over 12,000 volumes, including a gospel in Russian printed in Moscow in 1805.

Finally, it was time for the long walk up the stairs for our grilled seafood platter “A La Pipi”!

“It’s about time!” said my husband. Long days definitely lead to good things!

For more pictures, check out Facebook, Snapping the Globe and Instagram, @snappingtheglobe.

Krilo Ferry

https://www.krilo.hr › en

Martecchini Airbnb Apartment

https://www.airbnb.com/rooms/50272540?guests=1&adults=1&s=67&unique_share_id=c510d4a5-f5a8-4855-9be3-9af683ff60c8
Address: Kovačka ulica 2, Dubrovnik, Dubrovačko-neretvanska županija 20000, Croatia

Dominican Monastery

https://www.dubrovnikcity.com/dubrovnik/attractions/dominican_monastery.htm
Address: Ul. Svetog Dominika 4, 20000, Dubrovnik, Croatia
Hours: 0900-1800, daily
Admission: Adults, 30KN, Children, 20KN

Franciscan Church

Address: 4 Poljana Paska Milicevica, Dubrovnik, HR 20000
Hours: 0900-1800, daily
Admission: free

Church of the Holy Annunciation

Address: Od Pucha 8, Dubrovnik 20000 Croatia
Hours: 0900-1600, daily
Admission: free

Keep On Keeping On (To Kotor), Day Two in Croatia

Now we were gun shy. Or maybe you could say…car shy after our misfortunes driving in Dubrovnik. Who gets stuck on a bike path with a rental car?

Us…

Neither one of us wanted to touch that rental car with a ten-foot pole, much less drive it…and to another country at that. But, we had made a plan and we were determined to stick to it. Getting to the Airbnb, upon our arrival in Croatia, had proven to be a disaster. We had almost wrecked the rental car, gotten it stuck in a precarious position and now we were going to drive to Montenegro. Hmmm…okay. What else could go wrong?

Lots of things!

“Okay. I’ll open the gate. You step on the gas and shoot up that hill until you reach the top. I’ll meet you there,” I told my husband. This was the plan before the plan.

Huffing and puffing, I met my husband in the small parking lot at the top of the hill. He looked a bit nervous, as was I, but I pulled up my big girl panties and opened up Google maps and gave him the first instructions to Kotor, Montenegro.

Confident in the first twenty minutes of the drive, as it led us back to the airport, we had only about an hour and twenty to go from there. First, however, we had to cross the border into Montenegro. Since we had been informed by our car rental agency that a Green Pass (50 euro extra) was required to cross into other countries, we had that as well as our passports ready for inspection.

The border behind us, it was all smooth sailing until we reached the town Strp. We slowed down as we noticed a line of cars stopped on the highway. Waiting patiently and moving slowly forward, we suddenly realized that we were only moving as the police were directing people to turn around. The road was closed! Not sure what was happening or if it was going to be resolved at any time, we turned and headed back the way we had come. Stopping at a small restaurant, we decided that we would eat lunch and regroup. Alas, this would not go as planned either.

The restaurant was not serving food, so we just ordered sodas. When we decided to pay, we realized that we had missed something very critical…Montenegro uses the euro, which we did not have, and this restaurant would not take credit cards. Deep breath. With instructions from the waitress, I walked along the water to the nearest ATM, about ten minutes away, leaving my husband as collateral!

What we discovered on this little detour, however, was that I had noticed cars waiting to board a ferry in Kamenari. While we were having our drinks, I did a little internet searching and found out that we could take this car ferry across the Bay of Kotor and drive to the Old Town from the other side, so all was not lost!

Deciding to give it one more try, we headed to the ferry and got in line with the other cars. I jumped out and purchased tickets and then we were on the ferry making our way to Kotor after all!

*Waterfront near Kamenari and ferry across Bay of Kotor.*

While it took a little longer than we expected, we made it to Kotor and found a parking spot in one of lots that wasn’t very far from the Sea Gate of the Old Town.

What can I say about Kotor?

As we made our way inside through the Square of the Arms and past the Clock Tower, we secured a table for a quick lunch and noticed how immaculate and beautiful it was. There was piped in music. Not a speck of trash or a trash can in sight. What I felt like was that I was really in a new country at Epcot…it did not seem real! However, Kotor is not a new country…in fact, it was built between the 12th and 14th century and has been designated a UNESCO World Heritage Site. It is one of the most beautiful and well-preserved medieval fortified towns in the Mediterranean.

Since we were so delayed, we realized that we had to make quick work of discovering what lay within this ancient walls.

While enjoying our lunch, we reveled in the sound of the bells at the nearby Saint Tryphon Cathedral, one of two cathedrals within the town. Beginning our exploration at this beautiful place of worship was a given as it lay only a few hundred feet from where we dined.

The Cathedral, dedicated to its protector of Kotor, Saint Tryphon, was consecrated on June 19, 1166. The Romanesque church has been restored from damages from past earthquakes, the most recent being 1979 Montenegro earthquake. The church contains numerous artifacts, including a valuable treasury containing a silver hand a cross decorated with ornaments and figures in relief. The main altar offers a depiction of Saint Tryphon, as well as a relief of saints in gold and silver. The relics of Saint Tryphon are kept in the cathedral and it is well known that while they were destined to be housed in Dubrovnik, however, while enroute from Constantinople, they did not get any further than Kotor.

After paying our entry into the cathedral (thank goodness we had those euros!), we made our way through the cathedral, both downstairs and upstairs, examining all that made it special, finally ending up on the balcony overlooking the phenomenal view of the Square of Tripuna.

*View from upper window in* *Saint Tryphon Cathedral*

*Upper balcony of* *Saint Tryphon Cathedral*

*Upper balcony and towers of* *Saint Tryphon Cathedral*

*Upper floor of Saint Tryphon Cathedral*

Winding our way through the narrow lanes and alleyways, where only foot traffic is allowed, we next found our way to the Orthodox Church of Saint Luke, situated on the Piazza Greca. With traits of both Roman and Byzantine architecture, the church was once used as a Catholic school but was then given to the Orthodox denomination to demonstrate the harmonious co-existence of the Catholic and Orthodox people. Because of this significance, the church has two altars, one Catholic and one Orthodox.

Nearby, was the Orthodox Church of St. Nicholas, located on St. Luke’s Square with its spectacular patterned tile. Built in the early twentieth century, in the Pseudo-Byzantine style on the foundations of an older building destroyed by fire in the nineteenth century, it consists of one-nave with a large cupola that towers over the nearby rooftops.

As we approached, we admired the two bell towers and the black domes topped by golden crosses, gifts from Russia and a beautiful mosaic situated above the entryway. Inside, the diagonal patterned floor led our eyes to the altar, framed with a wall of icons and religious paintings, the most important by Czech painter Frantisek Ziegler (1908).

Continuing our explorations, we visited the small Church of St. Michael’s. Tired of churches at this point, my husband opted to hang out in the square near the huge three-hundred year old poplar tree that occupies it, while I went in to get my church fix. While I had read that the ancient church, built between the thirteenth and fourteenth centuries, had been repurposed as a lapidary, I found the opposite. Standing in the spot where previously stood a 9th century pre-Romanesque church, the interior displays many frescoes, dating back to the 9th and 11th centuries and best preserved in the apse. Artifacts exhibited in the church include ancient tombstones, capitals and coats of arms of Kotor providors. The most impressive sculpture is one from the 1st century AD, made of white marble and depicts the Roman emperor Domitian. It is one of only three surviving sculptures, depicting the emperor, in the world…there is a bust in the Louvre and a statue in the Vatican museum.

Realizing that I needed to find something more to my husband’s liking, we headed toward the Kampana Tower and the outer walls of the city. As we walked along the ramparts, we had outstanding views of the blue-green waters of the Škurda River at its base. The walls were built between the 9th and 19th century, although the rampart ring was closed in the 13th and 14th century. The walls stretch for over four kilometers, range from two to fifteen meters in thickness and reach a height of up to twenty meters.

*Kampana Tower and views along the outer walls of the city.*

We had views of a crumbling church tower and wall as well as the rear view of St. Nicholas’ black dome and towers. We also had a stunning perspective of Mount Lovćen. On this mountain, we could see the tiny figures of hikers making their way up the fortress trail. With about fifteen-hundred steps and over an hour to complete, we didn’t have the time or the proper shoes to make this climb. Apparently though, the views of Old Town, the Bay of Kotor and a visit to Our Lady of the Remedy, the fortress of San Giovanni and the Kastel Sv. Ivan are worth the hike.

As we made our way down off of the wall, we passed the Church of St. Mary Collegiate, walked through Milk Square and took a path around the back of Old Town. Ducking quickly into the tiny Montenegrin Orthodox Church for a quick look-see, we then found our way to the Gurdić Bastion (parts of which date from the 13th century) on the south end of town. The drawbridge stretches out over the Gurdić Spring.

Walking along the roadway, we headed back toward the Sea Gate. Entering the Old Town once again, we opted for a little shopping and some gelato before it was time to make our way back to Dubrovnik. As we were in the front of the Old Town, we learned that a bike race was finishing up. Could this be why the road was closed earlier? Not wanting to risk finding the road closed again, however, we decided to go back the way we had come…by ferry.

Aside from a little longer wait at the border, we made it back to Dubrovnik without incident, even making it down the hill into our Airbnb parking expeditiously! While I was happy to have had the time we did in Kotor, I wish that we had had more, even having had the time to spend the night.

Oh well, we will have to make another trip to Montenegro!

For more pictures, check out Facebook, Snapping the Globe and Instagram, @snappingtheglobe.

Old Town, Kotor, Montenegro

http://Stari grad, Kotor, Kotor Municipality 85330 Montenegro
Address: Stari grad, Kotor, Kotor Municipality 85330 Montenegro
Hours: 24 hours daily
Admission: free

Cathedral of Saint Tryphon

Address: Trg Sv. Tripuna 336, Kotor, Kotor Municipality 85330 Montenegro
Hours: 0900-1800, daily
Admission: 3 euros per person

Church of St. Luke

Address: Trg Sv. Luke, Kotor, 85330, Montenegro
Hours: 0800-2000, daily
Admission: free

Church of St. Nicholas

Address: Trg Sv. Nikole Stari grad bb, Municipality Kotor 85330, Montenegro
Hours: 0800-2100, daily
Admission: free

Saint Michael’s Church

Address: Square of Our Lady of the Angels, 85339 Starigrad Kotor, Montenegro
Hours: unknown
Admission: 2 euro

Montenegrin Orthodox Church

Address: unknown
Hours: unknown
Admission: free

Airbnb-Mery Room 1

https://www.airbnb.com/rooms/42226101?source_impression_id=p3_1651936434_2otNyd3LEIY%2BmrVg