Around the Hoorn

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So often have I visited Amsterdam over the years, that sometimes I need a bit of variety. Looking for a nice little day trip to get me away from the city I stumbled upon an article about the town of Hoorn, a city in the northern part of The Netherlands.  The article had stated that Hoorn was one of the “Best Day Trips From Amsterdam”, so I thought, why not? Though it was early Fall, the sun was forecasted to be shining and it was going to be rather warm…the perfect day for some sightseeing!

Taking the train from Amsterdam’s Central Station, I thought I was doing the right thing when I arrived at the station and nabbed an earlier departure.  I relaxed in my seat and readied for my hour-long trip. The train’s whistle sounded and the train began its departure from the city, while I began to watch my progress on Google maps. But wait! I was suddenly confused to see that the train heading northwesterly towards Alkmaar.  It dawned on me that I made a major mistake by taking the earlier departure…this train was a local, not the express, so there I was, sightseeing in the Netherlands countryside for an extra half hour…a mistake I was sure to not make on my return!

A bit beyond my anticipated arrival, we finally pulled into the Hoorn station and I made my way past canals, flowers and quaint homes, much like I have seen in other parts of the country. I had planned a route that would take me though the center of the city and its churches, to the waterfront and to two of the city’s ancient gates.

Architecture of Hoorn
Architecture of Hoorn
Architecture of Hoorn
Architecture of Hoorn
Architecture of Hoorn
Architecture of Hoorn
Architecture of Hoorn
Architecture of Hoorn

The Grote Kerk, of which origins date back to medieval times, was my first stop, but unfortunately, I found it to be under construction and not open to the public.  This structure is the third to be built on the site and dates back to 1883.  While I was not allowed inside, I was able to admire its tower with its unadorned needle spire and clock from afar. I then continued on to the main square, hoping to visit the Roman Catholic church of Saint Cyriacus and Francis, popularly called the Dome Church.

Grote Kerk
Grote Kerk

Geez, were all of the churches undergoing construction???!!!  Here, I found the façade of the Dome Church blocked with scaffolding, however, undeterred, I found the entrance and took a peek inside. 

The Dome Church

The Dome Church, built in 1882, is still in use today and known for its amazing dome, stained glass and renowned artwork.  A small chapel greeted me as I entered, however, the interior was partitioned off by a glass wall.  While I would have loved to walk through towards the main altar so that I could appreciate the dome, the glass doors were locked.  Still, I was grateful that I could see some of its interior from afar.

Upon my departure, I headed toward the main part of town, passing through the Kaasmarkt (main square) and the statue of Jan Pietersz Coen. Though the city’s streets were on the quiet side, I was not surprised to see a few other tourists congregating around this statue and dining in the outdoor restaurants that lined the square.

Statue of Jan Pietersz Coen
Kaasmarkt

Making my way towards the waterfront and marina, I found a paved pathway, which was perfect for exercise and just enjoying the beauty of the lake, Markermeer.  As I followed the coast towards the small lighthouse at the end of the path, I took in the various artwork that lined the walkway.  Designed by various artists, they comprised both modern and rustic elements.  My favorite?  “The Empty Coat” by Marion Jebbink.

The Empty Coat” by Marion Jebbink

Eventually, my walk ended at the lighthouse, a small, basic wood-beam structure.  It was not very picturesque, but it had given my walk a purpose and I had some good views of the Heritage Sailing Center and the Museum of the 20th Century. 

Museum of the 20th Century
Heritage Sailing Center

Heading back to where I had come, I then skirted the marina on the far side, making my way to the Hoofdtoren.

Views from the waterfront
Boats and houses along the Grashaven

The Hoofdtoren is a tower named after the nearby jetty Houten Hoofd and was constructed in 1532.  While it acted as one of the last defenses of the city and located at the port, it now acts as a popular restaurant.  Adjacent to the tower, on the quay wall, is a statue of the Ship Boys of Bontekoe from the book of the same name and it is a nice place to take in the beautiful old boats that fill the harbor.

Hoofdtoren
Hoofdtoren
Hoofdtoren
Boats in the Vluchthaven
Boats in the Vluchthaven
Boats along the Binnenhaven

A little further up the Oude Doelenkade, I crossed the Hoge Bruge, the iron drawbridge that crosses the Oude Haven and headed toward the Oosterkerk.  Built in 1616, the church was originally a Roman Catholic temple used by fisherman and boat captains.  After the Reformation, it became a Dutch Reformed Church and was known for its beautiful stained-glass windows but also for its organ, built in 1764 by Johann Heinrich Hartmann Batz…the only one that he built in North Holland.  Today, decommissioned, the historic structure is a cultural center which hosts activities such as concerts, meetings, weddings and memorials.  

Hoge Bruge
Hoge Bruge
Oosterkerk
Oosterkerk
Oosterkerk

Sadly, it wasn’t really my day for churches…I found this one locked up as well…

Kleine Oostbrug

Finally, crossing the Kleine Oostbrug, I made it to the edge of the city center and the Oosterpoort, the city’s only remaining gate, built in 1578.  Located on the Draafsingel, a remnant of the original defensive canal, the Oosterpoort bridge runs under the gate, giving pedestrians and cyclists a pathway across the waterway.  While it serves a practical purpose, it definitely gives visitors a look into the city’s history and a place for stunning photos. 

Oosterpoort
Oosterpoort bridge
Oosterpoort
Oosterpoort

As the day was coming to a close, I wound my way back through the city, crossing the pedestrian bridge, Kippebruggetje, enroute to the train station.  I had enjoyed my outing in the beautiful little city of Hoorn, but shadows were now creeping in, signaling the day’s end.  I wanted to make sure that I caught my train back to Amsterdam.

Kippebruggetje

This time…the right train!

Welcome to Verona

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No matter where you go in Italy, you will find celebrated cities filled with stunning architecture, monumental landmarks and bustling piazzas. Some cities are mere blips on the map and others more well known.

Having stayed in Venice so often and walked its alleys, crossed its bridges and traversed its canals, I felt as though it was time to venture out further and see those nearby cities, a brief train ride away.

On a recent trip, we had arrived in Venice much earlier than usual. Deciding to take advantage of this early morning accession, I checked the train schedules and decided to make the hour long journey to Verona.

Having studied the city’s map, I learned that there was so much to this city than its ties to Shakespeare’s Romeo and Juliet and I decided that I was going to navigate its streets and landmarks on foot, so that I could take in every detail.

Arriving at the city’s main train station, Porta Nuova, I set out to make my way to Verona’s historical center. Following my GPS’s directions, the first thing I encountered was Porta Nuova… Yes, I had just departed the train station, Porta Nuova, but there was another.

Built between 1532 and 1540, the city gate of Porta Nuova was built under the direction of architect Michele Sanmicheli, replacing the ancient Porta di Santa Croce, with the sideways of the gate being added by the Austrians in 1854.

The gate was constructed to encourage access to the city and I thought it befitting that it was the first thing I encountered when seeking out the historical section of Verona. Only one of two remaining gates in the city, it offered entrance from the south and was an important element of the city’s fortifications.

While, the gates’ arched doorways were barred off, I was able to look inside, through the openings and inspect the surrounding premises. The facade’s details have been restored and the structure is topped with the Italian flags.

The stop at Porta Nuova was not one I had planned, but rather merely encountered on my route to other attractions in the city center. However, it was a beautifully restored and maintained architectural piece of Verona’s past and I was glad that it was there to welcome me as it had done to countless others over the centuries.

If there was more like this to come…I couldn’t wait to see what else was in store!

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Porta Nuova

  • Address: Corso Porta Nuova, 1, 37122 Verona VR, Italy
  • Hours: 24 hours, daily
  • Admission: free

Strike Out

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Italian train strikes…I hate them.

It always seems that they happen when I have plans to visit other towns in Italy. While they usually give plenty of notice, for some reason, I usually miss that information until I arrive at the train station and realize that something is amiss.

Last October, exactly that happened. Skipping my nap, I readied myself for my day trip to Vigevano, the city known for its shoemaking history. With my list of places I wanted to visit in hand, I arrived at Porta Genova train station, purchased my ticket and walked out to the platform to await my ride. My train was supposed to leave at 12:40, but the time had come and gone. As I began to study the departure board, a man began speaking to me in Italian. My confused look must have clued him in that I did not speak his language, so instead, he said, “Signora, no trains, no trains!”

WHAT? NO TRAINS?

Refusing to believe his revelation, I continued to wait, eventually realizing that not one train had traveled through the station. Trying to look up any bit of information on the internet, I had no success, even with attempting to find an alternate route, other than driving or walking.

Defeated, I realized that I needed to find an alternate plan for the day. “Okay, think…”, I said to myself. Realizing that I was near the Navigli Canal area, I decided to head that way.

It was a beautiful, fall afternoon, perfect for strolling along the waterway, so I attempted to enjoy my plan modifications…with a scoop of gelato to cheer me up! Having been in this area before, I decided to seek out more about what makes it special.

Until the nineteenth century, the Navigli canals were the port area of Milan allowing the reach of Lake Maggiore, Lake Como and Ticino. Consisting of two major canals, Naviglio Grande and Naviglio Pavese, these canals were used to import the marble needed to construct the Duomo church.

Navigli Grande

Today, there are alternate methods of reaching other Italian cities and for receiving goods and merchandise, but the Navigli canals still play an important part in the Milanese daily life. An exciting place where locals and tourists alike meet to enjoy the lovely evenings while the evening light reflects on the waterways, many restaurants and bars are available to choose from. The last Sunday of the month also draws crowds for the Vintage Market, which hosts exhibitors from all over Lombardy selling an odd assortment of goods.

It wasn’t Sunday and it wasn’t quite happy hour yet, so I opted to analyze every shop, alleyway and piece of architecture along the way. Not long after I began my explorations, I stumbled upon something interesting. What appeared to be an awning covering a small stream, I learned was the Vicolo Lavandai, the former laundromat, dating back to the last century. One would expect that it was the meeting place of women, however, it is interesting to note that in fact, it was the men who did the washing here. The small stream was fed by the Naviglio Grande and on wooden boards, also known as brellins, they scrubbed their clothing items. These men created their own trade association in 1700, the Confraternita dei Lavandai which had St. Anthony of Padua as its patron saint and it was to him that they dedicated the church of Santa Maria delle Grazie al Naviglio.

Vicolo Lavandai

This church was where I headed next, a short distance down the canal.

Santa Maria delle Grazie al Naviglio, had its humble beginnings on the left bank of the Naviglio Grande in the sixteenth century with a chapel built to house an image of the Madonna. The chapel was eventually demolished and a larger Baroque church was built in its place, being devastated by fire in 1719 and then restored. At the end of the 19th century, the church, deemed to small for the growing parish, was demolished and replaced with a larger one in 1909…the current church.

The exterior was a bit confusing for me as it did not look like many of the Italian churches I had visited. In fact, it did not really appear to be a church at all remaining largely unfinished. I entered the portal set in its rough brick façade and took a look around, still not convinced that it was a church that I was setting foot in.

Santa Maria delle Grazie al Naviglio

Glancing around, I noticed that the church’s neo-Romanesque interior contained three naves covered by a barrel vault. As I made my way down the main aisle, I admired the afternoon light filtering in through the stained glass windows established throughout the church. Two bronze pulpits and two additional altars flanked the main altar. These altars were crowned by stained glass windows depicting the Cross and the Madonna. The altar on the left was formerly the main altar and contained a statue of the Pietà which was originally housed in the previous church. The right altar is dedicated to Saint Anthony of Padua, the protector of the nearby laundrymen. The highlight, however, was the neo-Gothic high altar which showcased a beautiful temple containing a bas-relief of God the Father Blessing.

Bronze pulpits
Altars dedicated to Saint Anthony of Padua and the Pieta
Santa Maria delle Grazie al Naviglio
Santa Maria delle Grazie al Naviglio
Santa Maria delle Grazie al Naviglio

Making my way through the church’s interior, I was continually drawn to the rich stained glass windows and the church’s clean lines. Stopping in the baptistery, I admired the stunning fresco of Jesus’ baptism by John the Baptist.

Baptistery

The cafes were starting to attract a few patrons interested in cappuccinos and stronger concoctions. As tempting as a nice, chilled Nastro Azzurro sounded at that moment, I decided to make my way to one other place.

Passing the Church of San Gottardo al Corso and Porta Ticinese, the former city gate of Milan, I snapped a few photographs of each, but with neither being my intended destination, I continued on.

Church of San Gottardo al Corso
Porta Ticinese

Finally, I made it to the place that had been on my list of things to see in Milan for some time…Basilica di Sant’ Eustorgio or more specifically, the Museum of Sant’Eustorgio and the Portineri Chapel.

Basilica di Sant’ Eustorgio
Basilica di Sant’ Eustorgio

 Walking through the cloister, I made my way to the entrance to the museum. Here, I paid my entrance and began my self-guided tour through the museum. After St. Ambrogio, the 4th century Saint Eustorgio is one of the most noteworthy medieval structures in the city and stands on the ruins of an Early Christian Necropolis. It houses the famous Portinari chapel as well as numerous artworks of different nature.

Remains of Early Christian Neocropolis

Moving from the southern portico of the first cloister to the remains of the early Christian necropolis, I admired the frescoes that decorated the walls of this area. Heading then to the former chapter house of the primitive Dominican monastery and then the monumental sacristy, I inspected the large collection of relics, liturgical objects, vessels and reliquaries that were exhibited in the walnut cabinets. While the collection is vast, many which were referred to in the archives, have been lost over the years.

Monumental Sacristy
Monumental Sacristy

Continuing on to the sunlit Solarian Chapel with its black and white floors, I stopped for a moment to appreciate its simplistic style. Turning and navigating the hall on the left, I then found myself in the famous Portinari Chapel.

Solarian Chapel
Portinari Chapel
Portinari Chapel

Commenced in 1460 and completed in 1468, this jewel of the church, created in the Renaissance style, is absolutely breathtaking. With walls decorated with frescos by Vincenzo Foppa and a multi-hued dome, it contains the relic head of St. Peter of Verona, to whom the chapel is consecrated. Originally slated to function as both a family chapel and mortuary, the marble sepulchre of Peter of Verona was moved from the basilica into the chapel in 1736. A marble altar was erected in front of it, on which was place a silver shrine containing the saint’s head. In the 1880’s the sepulchre was placed off center in the chapel to be better illuminated and the shrine containing the head was moved to a small adjacent chapel. The chapel also includes a number of paintings by undisclosed Lombard artists including frescoes such as the Miracolo della nuvola e Miracolo della falsa Madonna, and a depiction of the martyrdom of St. Peter Martyr.

Portinari Chapel
Portinari Chapel
Portinari Chapel

Finally, I made my way to the dimly lit basilica which was once an important stop for pilgrims on their journey to the Holy Land because it was said to contain the tomb of the Three Magi.

Basilica di Sant’Eustorgio
Basilica di Sant’Eustorgio
Basilica di Sant’Eustorgio
Basilica di Sant’Eustorgio
Basilica di Sant’Eustorgio

Founded around the 4th century, it was named after Eustorgius I, the Bishop of Milan. In the 12th century the revered relics of the Magi were taken to Cologne, Germany and it wasn’t until the beginning of the 20th century that fragments of the bones and garments were returned to Sant’Eustorgio. Today, they are in the Three Kings altar.

Three Kings Altar

On the right side of the church there are chapels commissioned from the 14th century onwards by Milan’s prestigious families each contain important frescoes and tombs. The high altar offers an imposing marble polytypch from the 15th century and other important works by Ambrogio Figinia can be found in the church.

As I exited the church, I took a few moments to analyze its more modern exterior, dating back to the 19th century. What is interesting to note is that the belltower is topped with a star instead of a traditional cross, giving homage to the Three Magi.

Basilica di Sant’ Eustorgio

As my day was coming to a close, I took a seat at the restaurant I chose along the Navigli Grande. Reflecting on the turn of events due to the train strike, I was sad that I wasn’t able to stay with my plan of visiting Vigevano. Yes, I struck out!

But…that didn’t mean that I lost the game. With some quick thinking, I was able to salvage the day and see some amazing sights within the city. And Milan is full of them!

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Vicolo Lavandai

  • Address: Alzaia Naviglio Grande, 14, 20144 Milano MI, Italy
  • Hours: 24 hours, daily
  • Admission: free

Church of Santa Maria delle Grazie al Naviglio

  • Address: Alzaia Naviglio Grande, 34, 20144 Milano MI, Italy
  • Hours: unknown
  • Admission: free

Church of Saint Gotthard al Corso

  • Address: Corso S. Gottardo, 6, 20136, Milano MI, Italy
  • Hours: unknown
  • Admission: free

Porta Ticinese

  • Address: Piazza Ventiquattro Maggio, 20123 Milano MI, Italy
  • Hours: 24 hours, daily
  • Admission: free

Basilica di Sant’ Eustorgio

  • http://www.santeustorgio.it/ http://www.museosanteustorgio.it/en/home-eng/
  • Address: Piazza Sant’Eustorgio, 1, 20122 Milano, MI, Italy
  • Hours: Church, daily, 0745-1200 and 1530-1830. Museum of Sant’ Eustorgio, Monday, closed. Tuesday to Sunday, 1000-1800.
  • Admission:  Adults, €6,00, Children (ages 6-18), €4,00, Children (under 6), free.
  • Getting There: From Piazza Duomo (MM1 and MM3) with Tram 3. Trams 9 and 10 (Piazza XXIV Maggio stop) and from Piazza Sant’Ambrogio (MM2) with bus 94 (DeAmicis-C.so Porta Ticinese stop).

The Good, the Bad and the Ugly, Day Nine in Croatia

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“Don’t cry because it’s over. Smile because it happened.” – Dr. Seuss

Our last morning. It was a day of mixed emotions…sad to be packing up and leaving the beautiful country of Croatia, but also glad to have had the wonderful experiences during our vacation…the good (the weather, the amazing apartments, new friends), the bad (not making it to Mostar, “vampire” flyovers) and the ugly (putting the rental car in a precarious position)!

There were so many things that we had been able to enjoy and see during our stay and it wasn’t quite over, I would soon discover. While we had seen most of what makes Dubrovnik special, it still had one more surprise up its sleeve on this day.

As we locked up our Airbnb and headed to the Stradun and past the Dominican Monastery, we booked our Uber to the airport. Following the pickup directions, we soon learned that there was yet another gate to the old town that we had yet to find…Vrata od Ploča.

Vrata od Ploča (the gate from Ploče) is the eastern entrance to Dubrovnik’s old town, built in 1450. Exiting through it, passing the inner door topped with a figure of St. Vlaho, we walked over a stone bridge which spanned a moat and a wooden lifting bridge and received stunning views of the harbor, thanks to our efforts.

Vrata od Ploča
Vrata od Ploča

A large flock of pigeons sat on the nearby walls and under the trees, eyeing us warily as we walked by. Suddenly, without warning, they took us by surprise as they all took flight in one great motion. Flapping their wings, it was if they were both saying goodbye and showing us that it was time for us to fly home too.

Sculpture along the waterfront

After our short ride to Čilipi International Airport, we too were soaring above the Croatian coastline. Spotting Dubronik almost immediately and then the Pakleni and Elafiti Islands, as well as Split, we happily reflected on the good memories we had shared…and even the bad and the ugly ones…because, it takes all kinds to make a trip what it is, in the end!

Croatia from the sky.

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Vrata od Ploča

  • Address: Ul. Vrata od Ploča, 20000, Dubrovnik, Croatia
  • Hours: 24 hours, daily
  • Admission: free

Marquis Landmarks

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Walking along the Manzanares River in Madrid, especially on a beautiful day, is a real treat as many landmarks and parks sit on or near its banks.

As I left the Ermita de San Antonio de la Florida, I decided to make my way to the Chapel of the Virgin of the Harbour which lies a short distance away, in the shadow of the Royal Palace of Madrid.

Walking along the Paseo de la Florida, I neared the metro station of Principe Pio and spotted a large structure in the middle of the traffic circle.

The San Vincente Gate.

Curiosity had me whipping out my phone to see what information I could find on this interesting piece of architecture. What I found, however, was more interesting than I anticipated.

While Madrid is filled with many historic architectural features, this was not one of them!

In 1726, a structure, commissioned by the Marques de Vadillo, stood in this area. Consisting of three giant arcs topped with a figure of San Vicente, the gate was also known as Puerta de Florida. Standing for about fifty years, it was then demolished to make way for much needed roadways. In 1775, King Carlos III, contracted Francesco Sabatini to design a new gate, closer to the river. Built of granite and limestone, it featured two shutters and an arc, Doric columns and military symbols. Unlike the first one, it stood for over two hundred years…but much like the first, it too was disassembled in the 1980s for traffic renovations.

In 1992, a proposal was passed by the City Council of Madrid approving an exact replica of the original 1775 gate. Original molds were used to construct the single arch and two blind apertures, decorated with two Doric columns and two pilasters in its interior.

Risking life and limb to make my way through the traffic zooming around the traffic circle, I crossed the roadway to get a closer look. What I thought was part of the gate, I quickly realized was remaining Christmas lighting, set within the openings of the the arches. The sun was low in the sky, highlighting the structure and I noted that if I stuck around for a couple of hours, I might get to see these holiday lights enhancing the structure.

If I wanted to get to the Chapel of the Virgin of the Harbour, however, I needed to make haste, so off I went, walking along the Paseo de la Virgin del Puerto. Many people were out due to the unseasonable warmth and I grew excited as I spotted the spires of the chapel in the distance.

Noting its unique appearance, I thought that it reminded me of a German palace. I approached from the rear, appreciated the sun’s rays highlighting the beautiful towers and roofline.

This chapel was built between 1716 and 1718 by Pedro de Ribera and is one of the first examples of baroque architecture in Spain. It was damaged by missiles in 1936, during the Spanish Civil War, which left only the walls and the octagonal dome. In 1945, it was proclaimed a national monument and reconstruction was begun by architect Carlos Mendoza. The church was reopened in 1951.

On this day, however, it was not open. I had read that it was often closed to the public and the best time to obtain access was immediately after masses of which I had hoped there would be one during the afternoon. I had hoped that it might arrive just at that time, however, it was locked up tight and I realized that the only afternoon masses were on Saturdays. Sad, considering that in the interior, you can see the tomb of Marquis Vadillo…yes, that same Marquis responsible for the San Vicente Gate, which I had just visited. What a coincidence!

While my visit to the chapel was a bit of a bust, I did get to get up close and personal to the Gate of San Vicente and learn that the chapel houses the remains of the person responsible for this gate. So, although I didn’t quite get to do what I had set out to, I learned a little bit about something unique in Madrid.

And that’s what visiting a city is all about…discovery!

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Gate of San Vicente

Chapel of the Virgin of the Harbour

Walks, Winds and Ways

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If spending time outdoors while visiting Bruges is more interesting than fighting other tourists for space in a museum or a crowded bar, there is much to keep you busy.

Spectacular architecture fills the city at every turn but if you are looking for a lovely place to stroll, exercise or even enjoy a picnic, head over to the eastern side of Bruges.

Aware that Belgium has a rich mill history dating back to the 16th century when twenty-three windmills graced the city, I was anxious to set aside some time during our visit to see the four mills that dot the city’s landscape and once produced the flour needed for the daily diet of the urban population.

Heading from the city center, it took us about fifteen minutes to reach the first windmill, located near the Kruispoort gate, which is quite fascinating in itself. The Kruispoort was completed in 1304 and rebuilt a short time later in 1366. It was destroyed in 1382 when Philip van Artevelde captured the city with the Ghent militia. The gate was reconstructed in 1400 with the two heavy towers and a narrow passage being preserved. It should be noted that this was the location where the Scottish soldiers crossed into Bruges during the city’s liberation during World War 2.

The Kruispoort gate is one of four remaining gates to the city. The others, Gentpoort (on the eastern side), Ezelpoort (dating back to 1369) and Smedenpoort (dating back to 1368) are all worth a visit when walking the entire circuit around the city. The Dampoort, probably the most noteworthy due to its massive size (a complex of three interconnected gates), was demolished in 1871, but a part of one of the round towers is still visible.

Ezelpoort, located on Ezelstraat on the crossing of Ezelstraat and the Gulden-Vlieslaan

Gentpoort, located on Gentpoortstraat on the crossing of the Gentpoorstraat, Boninvest and Gentpoortvest

Smedenpoort (The Blacksmith’s Gate), located at the end of Smedenstraat on the crossing of the Smedenstraat and Buiten Boninvest

After walking through the Kruispoort, we began our walk along the ramparts and the canal to examine each of the windmills.

The first we encountered was Bonne Chiere also known as Staakmolen or Post Mill. Originally built in 1844 and then rebuilt at its current location in its same architectural style, this mill was never used for grinding grain. It is not open for visitors, however, you can walk right up to the structure for excellent views.

Sint-Janshuismill was located a short walk away. Built in 1770, this is the only mill standing on its original location and the only one open to the public. The wooden flour mill is still in operation.

A little further, we encountered Nieuwe Papegaai. Originally built in 1790 as an oil mill called the Hoge Seinemolen, this mill was moved to its current location in 1970. Similar to the other mills, this one has one a quirky piece of art perched on its roof…a parrot!

Finally, we reached the fourth and final windmill, Koeleweimolen, also known as the Coelewey Mill which was used for grinding corn. This mill was transported from Meulebeke where it was constructed in 1765.

Although it would have been nice to walk the entire circuit around the city to see the other gates, time was not on our side. It was fascinating, however, to witness some of historical construction outside of the city center and the picturesque scenes along the canal.

Besides, who doesn’t love a windmill?

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Kruispoort

Ezelpoort

Geentpoort

  • Address: Gentpoortvest, Bruges 8000 Belgium
  • Hours: 24 hours, daily
  • Admission: free
  • Getting There: Located on Gentpoortstraat on the crossing of the Gentpoorstraat, Boninvest and Gentpoortvest.

Smedenpoort

Bonne-Chieremolen

Sint-Janshuismill

  • https://www.visitbruges.be/en/windmills-of-bruges
  • Address: Kruisvest 3, 8000 Bruges, Belgium
  • Hours: May 21-31, 0930-1300. June-September, 0930-1230 and 1300-1700, Tuesday to Sunday. Closed Monday.
  • Admission: Adults, €4.00, Seniors 65+, €3.00, Youth (ages 18-25), €3.00, Children (ages 0-17), free

Nieuwe Papegaai

Koeleweimolen