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Some cities love to boast that they have the first cathedral built within it boundaries.
Not Segovia.
The Spanish city’s religious claim to fame is that it has the last Gothic cathedral to be built in Spain.
Started in the 16th century, the Segovia Cathedral was not finished until 1768. Sitting proudly on the Plaza Mayor, it maintains the spot where Isabella I was proclaimed the Queen of Castile.
As I strode into the Plaza Mayor, the cathedral is what commanded my attention. There were some beautiful architectural elements in the square, but it was the grand church’s Gothic exterior that commanded my attention.
After paying my admission, I made my way around the massive church designed by Juan Gil de Hontanon and constructed by his son Rodrigo. Within its enormous interior, the outer fringe of the cathedral is lined with more than twenty chapels illuminated by 16th century Flemish windows. Though each chapel was unique and interesting in its own way, my overall impression of the cathedral was one of which was impressive but rather stark compared to other cathedrals I have visited. Some of the chapels, however, stood out more than others with elaborate decoration and golden altars.
The Blessed Sacrament Chapel, one of the most outstanding in the church, which was created by Churriguera and featured stained glass windows, carved choir stalls and 16th and 17th century paintings. The third chapel on my right from the entrances, the Capilla de San Cosme y San Damian, displays a wooden lamentation group by Baroque sculptor Gregorio Fernandez.
The large, 15th century Gothic choir, in the center of the church, was quite mesmerizing with its elaborately carved stalls and old manuscripts. Directly across from the choir, protected by bars, was the high altar with an 18th century altarpiece by Sabatini. Although you can peer through the barricade to see the specifics of the altar, it is a pity that the overall beauty cannot be fully appreciated from afar.
Through an elaborate doorway, I made my way to the late Gothic cloister, which dates back prior to the cathedral’s beginnings. Strolling through the peaceful halls and admiring the maze of green gracing the center, it was in one of the corners that I found the tombs of Juan and Rodrigo Gil de Hontanon, the men responsible for the beautiful place that I was exploring.
Beyond the cloister, within the first floor of the Chapterhouse, I discovered a small museum of religious art. There were some compelling paintings, jewelry and a collection of rare antique manuscripts. The Chapterhouse itself was a rich display of of paintings and tapestries and offered an array of religious vestments and tapestries on the second floor.
The rear of the cathedral was open and I was able to inspect the gated area to examine both the exterior architectural features and the tombstones set into the terraced area.
As I walked through one of the chapels at the rear of the structure, I spied a sign which advertised guided tours to the cathedral’s belltower. Undecided about the time it was scheduled (I had a lot more ground to cover), I left the church and made it as far as the Plaza Mayor’s center. It was only 35 minutes until the beginning of the tour…how could I not take advantage of the opportunity to see the cathedral in its entirety? Heading back to the cathedral, I paid for the tour and hastily made my way to the starting point, where the guide was already addressing a small group. Listening to the guide’s opening oration, I was eager to see what was in store for our group. Good views and a lot of information I hoped.
To be continued…
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Segovia Cathedral
- https://catedralsegovia.es/
- Address: Calle del Marques del Arco 1, Segovia, 40003
- Hours: November-March, 0900-1830, Monday through Saturday. April-October, 0900-2130, Monday through Saturday. Closed Sundays.
- Admission: General, €3.00, Seniors (ages 65+), €2.50, Children (under 10 years), free.
After a walk through some of the small markets and a glimpse at the Presidential Palace, we jumped back into a cab and headed back toward Miraflores. Traffic of course, was at its usual, almost standstill. Heading down Avenue Arequipa, we made a quick decision to stop our driver near a street heading to Huaca Pucllana (read about my first visit on my post A Peruvian Pyramid), a great adobe and clay pyramid which served as an important ceremonial and administrative center between the years of 200 and 700 AD. Luckily, an English tour was about to commence and were able to follow along, learning about the historic structure.
Finally, we headed back toward Parque Kennedy in the center of Miraflores. Walking through the park, I pointed out the Church of the Miraculous Virgin (read about my first visit in my post The Colonial Church) and City Hall. Guiding my husband toward a store, La Quinta, with tables piled high with clothing, he inquired as to whether he was going to get some of the churros that I always talk about. Yes, but first a little shopping expedition (read more about it in my blog post Shop Til You Drop)!
So, we were up early the next morning and heading even further south into Peru. Though is was an arduous task getting to the airport, even with easy Saturday traffic, the check-in process with LC Peru was quite simple and before lunchtime, we had already checked into our hotel in Cusco.
Finally, with tickets in hand, we set out to accomplish the last of our tasks of the day, collecting our tickets for our Sacred Valley tour the next morning. This tour had been set up for us by a friend of a friend. As we found the office, met the agent and paid for the tour tickets, we were instructed on our pick up time in the morning and what our day would entail…lots of stops, beautiful ruins, interaction with the local people and lunch. Very excited about to hear what our upcoming day, we bid our travel agent goodbye and continued our explorations of the Plaza de Armas, culminating with a scrumptious, Peruvian dinner.
After paying my admission, I donned my audio guide earphones and entered the the first stop on the tour, the Sermon church.
The chancel takes center stage and my eye was initially drawn to it as it sits high above the congregation and is surrounded by glass paintings representing the Nativity, the Crucifixion and the Resurrection. The altar, made of white marble and onyx presides before the gilded Apostles’ Screen designed by Friedrich Schinkel. The beautifully carved pulpit to the left of the chancel is also particularly noteworthy.
Turning to the left side of the church, the great Sauer organ was galvanizing with its massive size and artistry. Installed during the building’s construction, it is the largest preserved organ in its original state and is considered to be the largest in Germany with 7269 pipes and 113 registers.
Venturing outside of the Sermon church’s main area, I took notice of the crypts located under the organ gallery. Though there are many others within the cathedral, these are the burial sites of Kurfürster Friedrich Wilhelm, Elector of Brandenburg, his wife Kurfürstin Dorothea, German Emperor, Friedrich III and Kurfürster Johann Cicero, Elector of Brandenburg.
Opposite the organ gallery, I ventured into the Baptismal and Matrimonial Church. The entrance, flanked by ornate sarcophagi and created by sculptor Andreas Schlüter, led to a barrel vaulted church. This more intimate space, was adorned by an altarpiece, The Outpouring Of The Holy Spirit, considered to be one of the most significant pieces of artwork in the cathedral and an organ built by the Potsdam company Alexander Schuke, the first to be built after the Second World War.
Heading upward on the Imperial Staircase, I walked slowly, inspecting the multicolored marble and the stone from the Lahn region used in construction as well as the unique candelabra and ceiling crowns. Adorning the ceilings and wall spaces are paintings displaying stories from the life of Jesus Christ and parables. Take note of the “Nazareth” painting hanging opposite the staircase. The original, by Albert Hertel, was lost during the war, however, this reconstruction was painted by Brandenburg restorer and painter Ekkehard Koch.
On the upper level, there is a museum which offers an architectural history on the cathedral with large scale models of wood and plaster. Many of these show some of the original designs by Friedrich Stüler, which were never realized.
Heading higher…270 steps…I was able to lay my eyes on some of the best views of Berlin from the dome. Fascinating statues lined the wide balustrade and I could see famous landmarks such as City Hall, the Humboldt Forum, Museum Island and the television tower.
My final stop was on the lower level of the cathedral, which is the burial place of the Hohenzollern dynasty who ruled Prussian since the Middle Ages and the German Empire from 1871 until 1918. Though the most important kings and emperors are buried near their favorite castles in Berlin, the immense space is lined with beautifully carved tombs and statues from the influential family.
My visit completed, I made my way from the cathedral back into Lustgarten Park. Facing the building, I stopped and gazed up at the domes, my eyes drawn to the spot where I had stood just before. Equally impressive from the outside and the inside, the Berliner Dom is one of the most stunning churches I have visited. An amazing place of history and architecture, it ranks high on the lists of attractions in the once divided city. It now acts as a place which brings people together…a place of worship and a place of tourism.
As you make your way around the church, however, there are two famous reliquaries to take note of. The tomb of Juan Ponce de León, the first governor of Puerto Rico, most well known for his search for the Fountain of Youth, has been laid to rest in the cathedral. Though, the conquistador’s remains were originally interred at the Iglesia de San José, his family’s place of worship, he was moved here in 1912, to commemorate the 400 year anniversary of evangelization. The white marble tomb, created by Spanish sculptor Miguel Blay, near the church’s transept, is not to be missed.
Another interesting shrine within the cathedral is dedicated to Blessed Carlos Manuel Rodriguez Santiago, the first Puerto Rican and the first Caribbean-born layperson to be beatified.
Arriving in the front of the building, an extensive queue snaked from the front to side where tickets were required to enter the queue. After a quick walk to the ticket office at the Sala Delle Colonne, we soon had tickets in hand and were back to the line. Moving rather quickly, our bags were inspected at the door and we were then admitted into the cathedral.
