history – Page 15 – Snapping The Globe

Positively Positano!

Are there any movies that have a scene that just “sticks” with you?

I have always loved the movie Under the Tuscan Sun. One memorable scene is when the main character, Frances, goes to Positano to meet her amore Marcello.

I had never seen any place quite like the alluring town cascading down the mountainside toward the sea. I remember thinking, that I needed to see this Italian paradise for myself!

It had been sixteen years since I had seen that movie and I had still not made it to Positano. Since my son and I were staying in Naples, we decided that we would make the journey to Positano to fulfill my dream of visiting this beautiful town on the Amalfi Coast.

Taking the same Circumvesuviana train that we had taken a couple of days before to Pompeii, we continued on, past that stop, to Sorrento. Here, we purchased tickets for the City Sightseeing bus to Positano. The winding journey along the coast was picturesque, alternating between grassy fields, small towns, mountain passes and ocean views. Thirty-five minutes later, as we drove along a cliffside road, Positano suddenly came into view…and it was breathtaking!

As we were dropped off along the main road, we headed on foot toward the town’s center. It was hard to make headway on the narrow sidewalks clogged with throngs of tourists and because every few feet, we had to stop at the many spectacular overlooks.

There it was! The quaint and colorful Italian town of Positano…defying gravity and clinging to the cliffs of the Amalfi coast!

Scanning the map we had grabbed at the Sorrento train station, we decided to head toward the town’s center. Turning on to the pedestrian friendly Viale Passitea, we ducked into the small church on the corner. Finding it to be charming, yet unassuming, our visit was short as we were anxious to see what lay in store for us further down the steep path down to the coast.

The walkway, at times, was covered by beautiful trellises covered with bougainvillea, keeping us cooler during the heat of the day, and we passed an endless number of shops selling artwork, clothing, shoes and gifts. There were boutiques, art galleries, ceramic shops and many artists working on their craft. Moving with the crowds, it was impossible to take it all in!

Eventually, we found ourselves in the heart of Positano, the seafront, with its many restaurants lining the boardwalk and its golden beach filled with hundreds of sun seekers, hoping to bring home a souvenir tan.

The Church of Santa Maria Assunta, with its iconic multi-colored dome, lies parallel to the azur waters of the Tyrrhenian Sea and the Marina Grande and from its piazza, set higher on the cliff, it is a popular spot to look out over the seaside.

Heading inside to snag a reprieve from the heat, we found the beauty of this church, dating back to the 10th century abbot it once was, to be quite spectacular.

Santa Maria Assunta was established when a Byzantine icon of the Blessed Virgin was brought to Positano by the order of the Benedictines. Part of the cargo of a sailing ship from the East, the icon was credited with a miracle. Stopped by a dead calm and unable to sail, the sailors heard a voice calling out, “Posa! Posa!” (“Put me down”). Interpreting the words to mean that that they were to head to shore, it was then that the ship was able to sail once again and headed to the small community that eventually gained it’s name, Positano, from the Virgin’s words. The Virgin was given to the residents who chose her as their patron and built a church in her honor.

After a falling into disrepair, restorations began in the late 1700’s and lasted five years when Archbishop Antonio Puoti crowned the Virgin’s icon with a golden crown. Today, the statue of the Madonna is heavily guarded in St. Stephen’s chapel but is displayed on the main altar (as it was was during our visit), on special religious occasions and carried in procession on the beach on August 15…disappointing that we would miss this important celebration a few days away.

Amidst the interior, which boasts a nave, two aisles and five arches, there are five chapels on each side. On the right, you can admire the chapels of St. Blaise, the Immaculate Conception, St. Anthony, and St. Anne followed by the Altar of the Circumcision on the right end. Displayed here is the rare painting, Circumcision by Fabrizio Santafede dating back to 1599.

Above the high altar is the Byzantine icon of the Blessed Virgin. To the right, is the Chapel of St. Stephen, which in addition to usually housing the Madonna statue, also displays one of the most valuable works of art in the Amalfi Coast; the embossed silver reliquary bust of St. Vito, dating back to the 16th century. The chapel also contains relics of other martyrs.

Make sure not to miss the two niches on each side of the apse which house Our Lady of Sorrows on the right and a valuable Christ at the column (1798) on the left, the chapel of the Blessed Sacrament to the left of the high altar and the altar of Our Lady of Mount Carmel which contains a beautiful painting from the Chartreuse of Serra San Bruno in Calabria. The chapels of the Crucifixion, the Annunciation, St. Vito and St. Nicholas of Bari are located along the left aisle.

When exiting the church, take a glance upwards at the majestic organ above the central door in the choir and check out the baptismal font in the right corner.

There are many treasures throughout this historic church and you should allow yourself enough time to wander freely. Even outside, you can take note of the belltower, which was built in 1707, and above the belltower door a medieval bas-relief portraying the seven fish and a wolf mermaid. Above the relief, a stone dating back to 1902, remembers Flavio Gioia of Positano, the inventor of the compass.

Heading toward the Spiaggia Grand (Big Beach), it was tempting to shed out outer layers for a quick, refreshing dip, however, we didn’t want to shell out money for umbrellas on the private side (left) for such a short time and the public side (right) was quite congested. Besides, if we got all wet and sandy, it would make the rest of our afternoon and evening, which was to include dinner in Sorrento, a bit uncomfortable.

So…we opted for gelato instead!

After our frosty treat, we glanced out at three of the thirty watchtowers that once protected the Amalfi coast from Saracen pirates. These towers were all within sight of each other and communication warning of danger was in the form of smoke signals.

We then headed west along the Via Positanesi D’America, a small lane that runs along the coast towards the Positano’s small beach, Fornillo, where the locals go to escape the tourist crowds. It was hot, but we were rewarded with beautiful views of the azur waters and a close-up view of the Torre Trasita (16th century), one of the historical watchtowers, located on the rocky cliff. Today, this tower operates as a guesthouse and rooms can be rented by the night for a unique experience on the Amalfi Coast.

Realizing that much of our day had flown by, it was time to head back to the bus stop and to Sorrento.

Though there are so many beautiful towns to explore past Positano (Praiano, Amalfi, Ravello), time was not on our side. If we wanted to discover Sorrento, it was time to say arrivederci to Positano.

Though Positano was positively stunning and we enjoyed our visit, I do have to admit that it was not quite as I envisioned because I had first experienced it from a cinematic point of view…no crowds, no soul-sucking summertime heat, no Marcello… Although a little disillusioned, I did have to stop and remind myself that we were visiting the Amalfi Coast during one of the most busy times of the year. Getting a taste of it made me realize what it could be at another time.

So, yes, it was not goodbye…it was definitely until I see Positano again!

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City Sightseeing Italy Coast to Coast Bus

https://www.city-sightseeing.it/en/amalfi-coast/
Pickup point Sorrento, Piazza di Curtis, behind the Circumvesuviana train station. Drop off in Positano is Spoda bus stop.
Fare: The 1st “Coast to Coast” line ticket is priced at €10.00 per person, one way. Return ticket can be purchased for €6.00 by showing the €10.00 ticket purchased on the same day. If you need to other trips on the same day the cost will always be €6.00.

Church of Santa Maria Assunta

https://chiesapositano.it/chiesa-santa-maria-assunta/
Address: Via Marina Grande, 84017 Positano SA, Italy
Hours:
Admission: free

Torre Trasita

https://torretrasita.it/

The Lost City

With Mount Vesuvius looming over the city it was only a matter of time.

The story of the destruction of Pompeii has intrigued me for as long as I can remember. The thought of the citizens being buried from the ash descending from the volcano’s fiery lava, is something nightmares are made of. Having recently hiked to a nearby ridge of Guatemala’s Volcan Pacaya, I watched the lava flow quickly down it’s slopes and felt the heat emanating from the lava’s rocks. What if something causes the lava flow to change direction…my direction? Certainly, this is what the citizens of Pompeii must have thought. Only that time…it did.

For years, while visiting Rome, it was difficult knowing I was so close to Pompeii, but never having sufficient time to make the hour and a half journey. This time, I was in Naples and I had ample time. This was my chance.

Rising early, we made our way on the metro to Naples’ train station. Following directions to the Circumvesuviana train, we purchased tickets and waited patiently for the train which would take us to Pompeii. To say we were excited was an understatement and as we pulled into the station, we decided to join a tour group to make the most of our visit.

Following our tour guide into the maze of streets and buildings, we learned that in 79 AD, the cities of Pompeii and Herculaneum were buried under as much as twenty feet of volcanic ash and pumice when Mount Vesuvius erupted, preserving the cities as they once were. This was the most surprising to me as I had always envisioned that most of Pompeii would be in ruins.

In 1763, Pompeii was uncovered and identified. A year later, excavations, let by Karl Weber and then, Francisco la Vega began. Preserved under the layers of ash, the wealthy city was frozen as it was on that fateful day. Fine public buildings, luxurious homes, furnishings, works of art and human bodies were entombed in the ash. Yet, no petrified human bodies that I had envisioned. Instead, where the bodies were entombed, voids were left leaving the archaeologists to fill and use as molds to make plaster casts of these individuals in their final moments of life.

As we walked along the UNESCO World Heritage Site, we discovered that as the ash buried the city, it preserved it almost immaculately. Many homes and buildings lined the cobblestones streets, some still sporting their roofs and all four walls. Inside these buildings, there were some with artwork still view-able as well as ancient graffiti carved on the walls and inside rooms. Along the outsides of many buildings there were paintings and words, believed to have been a sort of newspaper for the citizens, changing often and informing of current events.

One of the first sites we visited was the Triangular Forum, which garners its name from its unusual shape. Entering through a monumental corridor we were lead into a triangular square surrounded by a 95 column colonnade surrounding an open area, making for some spectacular photographs. Our guide explained that the wide corridor might have been used as a running track or for horse races held during religious festivals.

Exiting the Triangular Forum, we found ourselves near a large theater. Although the entrance was a tight one, we waited patiently to enter the small shaft entering the semi-circular stands fronting a theater stage. Standing on the stairs, we were trying to get a great selfies when we heard singing. A great testament to the amazing acoustics of the theater, we listened intently as one of the visitors stood on the theater stage and belted out an operatic solo! Truly a beautiful moment!

One of the most interesting (and popular) sites we visited was the ancient lupanar, more commonly known in today’s terms as the brothel. Though not known whether the frescoes that decorate the upper walls were descriptions of what customers could order or just decoration, they were fascinating to see along with the stone beds.

Heading toward the Forum, we found it quite crowded as it probably was during its heyday. The Forum was the main center of life in Pompeii, where citizens met to shop and exchange information as well as experience religious and commercial events. It was here that we were able to see some of the plaster casts of the residents who were consumed by the ash and pumice. A very eerie sight indeed, one appeared to be asleep and another in a prayer-like pose. Though I had anticipated seeing these figures, I had thought they would be scattered throughout the site, not behind bars, however, I later learned that at the rear of the ancient site, in the Garden of the Fugitives, there are 13 preserved casts of the citizens that died there in the vineyard.

In the middle of the Forum we found the Temple of Apollo, one of the oldest religious buildings of Pompeii. Though the statues found here are replicas (the originals now reside at the Archaeological Museum of Naples), it is one of the most important parts of the site, as it was in this location that different gods were worshiped, including Apollo and Mercury.

It was here, in the Forum, that we parted ways with our guide who left us with some ideas on other parts of Pompeii to visit. Following her advice, we headed to the nearby Forum Baths. The interior of these baths are well preserved, and it is possible to discern how the baths were heated when they were still in use. Though they are the smallest of all the bath ruins in Pompeii, they were the most elegant and included separate entrances for men and women.

The largest house in Pompeii (30,000 square feet) is named for the unique statue in the front courtyard, The Dancing Faun, which we immediately noticed upon our entrance. The House of Faun was built in the 2nd century BC and is the most complete surviving example of a wealthy and luxurious private residence. As we walked throughout the remains of the grand home, there were many mosaics including one depicting a battle scene; the Alexander Mosaic. Today, what is seen is a re-creation, with the original residing in the Archaeology Museum of Naples.

Moving through the streets, we entered many structures; shops, homes, latrines. What we headed for next, however, was located at the far western part of the city…the oldest surviving Roman amphitheater in existence…the Pompeii Spectacula. This was the first Roman amphitheater built of stone and constructed over a century before Rome’s famous Colosseum. This immense amphitheater could seat the entire population of Pompeii and hosted all the sporting events in the city.

Though seeing the venue of ancient sporting events was quite thrilling, we were more impressed with the large exhibit in the interior tunnels detailing another important event held there in 1972…Pink Floyd: Live at Pompeii, a concert documentary film which featured the band performing in the ancient site. Why Pompeii’s ancient amphitheater? Many photographs detailed the event, yet the most compelling part of the exhibit was the story of how the director of the film dropped his passport while visiting Pompeii. Sneaking in after hours to find it, he was mesmerized by the deserted amphitheater and its silence…he decided then and there that it would make an excellent backdrop for the band’s music. As they say, the rest is history.

The Grand Palestra was next door and offered a place to get out of the intense early afternoon heat. Offering an art exhibit in one of its interior halls, we admired the wide array of modern craftsmanship before admiring the picturesque open area that was used as an exercise park and a place for youth groups. A place for sports and games, it also housed a pool for swimming.

Walking among the tombs of the Necropolis of Porta Nocera, we headed back among the maze of streets, gardens and buildings. Pompeii is such a massive archaeological site that there was so much more that we would not get to discover.

Because we had hired a tour guide, we were not given a map, being told that there were a shortage and only those purchasing an audio guide were allowed to take one. This made it quite difficult to explore all parts of the site and comprehend exactly what we were seeing. Though we searched for a “basilica” as per our tour guides instructions, we could not find what we thought we were searching for as we expected to find a church. Indeed we did find The Basilica, a lavish building used for business and the administration of justice, we did not realize our discovery until later.

Despite our directional shortcomings, we did see a great deal of Pompeii, however, to fully see the entire site, a full day or more should be allotted. With Herculaneum and Mount Vesuvius nearby and limited time allowed in our schedule, we eventually had to come to the conclusion that we had seen all that we could.

Pompeii, Italy’s lost city, is something that all visitors to southern Italy should take the time to see. More impressive than I could ever imagine, we were dazzled with all that we experienced and realized that this archaeological site was one that could be seen on multiple occasions while still discovering new items of interest.

Pompeii was once Italy’s lost city…lost to the forces of nature, but found again to be learned from and explored by future generations.

Just make sure you download a map and have a plan.

Pompeii may have once been lost, but you don’t have to be!

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Pompeii

https://www.pompeionline.net/
Address: Via Traversa Andolfi 20, 80045 Pompeya, Italia, 80045
Hours: March 1-November 31, daily, 0900-1700 (last admission 1530), April 1-October 31, daily, 0900-1930 (last admission 1800). Saturday and Sunday, opening 0830. Closed January 1, May 1 and December 25.
Admission: Adult, €15.00, Reduced €9.00. First Sunday of each month, October thru March, admission is free.
Getting There: Circumvesuviana train from Naples and Sorrento, Pompei Scavi – Villa Dei Misteri station. Trains run every 30 minutes and costs €2.80. By bus, SITA from Naples and Salerno, CSTP #4 from Salerno, CSTP from Salerno #50 (express highway). By car, motorway A3, Napoli-Salerno (exit Pompeii west).
Tips: Bring water, especially during the summer months as it gets extremely hot. No large backpacks. Be prepared for massive crowds, especially during the summer months. There is a food venue behind the Forum offering options for lunch and many restaurants near the entrance.

The Grand Finale

Naxos was such an unexpected pleasure.

When we had made the decision to visit a couple of the Greek islands, Naxos was definitely not on my radar. If it had not been for the suggestion of a friend, I am not even sure that we would have chosen it over the many others that dot the Aegean Sea.

That being said, we had done and seen most of what we had set out to and enjoyed every bit of it, however, I still felt as though there was more to be discovered.

After our trip to the islet of Palatia to see Apollo’s Temple, my husband and son decided to head to the hotel for a nap before our ferry’s departure that afternoon. Camera in hand, I headed back into the alleys and pathways to see what more I could find in Naxos’ Old Town.

Now when I think back to our time in Naxos, I fondly remember the beautiful mountains and beaches, but what stands out in my mind is the intricacies of the Old Town. I absolutely adored just wandering the narrow passageways and picturesque harbor, discovering a photo around every corner.

As I headed past the port to make my way back up the hill, I noticed a modest, white-washed church standing alone on a small island. Panagia Myrtidiotissa is a small chapel built by the fishermen of Tsirigo and Kythira who survived a storm outside of Naxos and is only accessible by boat. As I sat on a bench, wishing I could make my way there, I watched a fisherman work on his vessel, all the while under the protecting eye of this historic church. If you happen to be in Naxos on September 24, make sure to not miss the celebratory feast honoring the church and the mariners of the island.

Knowing that we had missed the Catholic Church’s opening times the day before, I headed up the hill, in that direction, and discovered that I was still a bit early.

Around the corner, however, I noticed a sign directing me to the Casazza Chapel or the Chapel of the Duke of Naxos (also known as the Chapel of Sanoudos). Only having to wait a few minutes for its opening, I entered a beautifully decorated structure. Since I wasn’t sure of the history of the chapel, it was fortunate that the woman who unlocked the doors for us was an American and we could speak freely. She explained that the chapel was built in the 13th or 14th century by Duke Markos Sanoudos and continued to operate as the chapel of all Dukes of Naxos. Completed in 1680, the chapel was dedicated to the Immaculate Conception of the Virgin and later operated as the church of the Jesuits upon their arrival.

Leaving the Chapel of the Duke of Naxos, I passed near a doorway where an older gentleman was sitting. He beckoned to me and invited me in. Not sure what I was being invited to see (and a little nervous), I entered and found a small Orthodox chapel. It was colorful and well appointed even though occupying such a tiny space. Though I never learned what this chapel was, as he did not speak English, I could tell that he was proud of it and as I watched, he continued to invited all passersby to step in and admire the chapel.

Finally, making my way back to the cathedral in the central square, I found it open and entered eagerly. Though the church is relatively small, it is the most important temple of the castle in Naxos.

Exhibiting Byzantine and Western influences, the cathedral was built in the 13th century. There are some small chapels within the five-aisled, three domed structure and the floor is constructed of marble embossed with the coat of arms of the Duke of Naxos. The central aisle boasts an wood altar crafted by Tagiadoroi from Chios from 1774 and a painting of the Panagia Eleousa (Our Lady the Merciful) dating from the 11th or 12th century.

As you examine the outside of the cathedral, make sure to take note of the four coats of arms, including those of Markos Sanoudos, and the striking bell tower constructed in 1963 by John Filippoti.

Other notable religious buildings in the area include the building of the Catholic Archdiocese (13th century) which houses a collection of architectural parts, relics, folklore material, engravings, icons and ecclesiastical utensils, the old Jesuit Commercial School and the old Ursaline Academy for Girls.

Continuing my adventure through the maze of walkways and paths of the Old Town, I meandered slowly examining stairways, door knockers, signs, souvenirs, artwork, cafes, archways and even found an art gallery showcasing the work of my old friend, Yanni Souvatzoglou, an Athens sculpture artist.

As time dissolved quickly, I knew that I would have to return to the hotel so that we could catch our ferry back to Athens, however, there was just enough time to see one last thing…the Orthodox Cathedral.

The Orthodox Cathedral of Naxos was constructed in 1787 on the site of a smaller church and is dedicated to Zoodochos Pigi, the life-giving Virgin Mary. The cathedral was constructed using materials from other buildings including some ancient temples and it is said that the solid granite pillars were brought from the ruins of Delos.

As I entered the cathedral, I breathed in deeply, taking in the extravagance before me. The excitement of capturing it all was short-lived as I was told that photography was not allowed.

A few, well-placed shots were definitely going to be taken and I made my way around the church admiring the intricate wall paintings and the beautiful icons dating back to Turkish times as well as the Gospel Book, which according to custom, was a present from Catherine the Great of Russia.

Finally, it was time for our time in Naxos to come to an end. As we walked through the town toward the ferry terminal, I took one last look around at the city, the boats in the harbor and the fresh catch of the day drying in the sun.

We would definitely miss this Greek Island that we had grown to love during our short stay. Coming here was definitely unexpected but after seeking out many of the things that make it so special, we were extremely happy that we had taken the chance.

Unexpected and now not unexplored, by us anyway!

The grand finale just whetted our appetite for more…we will be back!

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Panagia Myrtidiotissa

Address: Naxos Port, Naxos Town 843 00, Greece
Hours: unknown
Admission: free

Chapel of the Duke of Naxos (also known as the Chapel of Sanoudos or Casazza Chapel )

http://www.kantam.gr/index.php/el/
Address: Naxos 843 00, Greece, behind the Catholic Church
Hours; 1000-unknown
Admission: free

Catholic Cathedral of Naxos

http://www.kantam.gr/index.php/el/
Address: Naxos 843 00, Greece
Hours: 1000-unknown
Admission: free

Orthodox Cathedral of Naxos

http://Naxos 843 00, Greece
Hours: unknown
Admission: free

Yanni Souvatzoglou

https://www.yannisouvatzoglou.gr/
Address: Voulis 44 A Street, Athens 10557, Greece
Hours: 1000-2100, daily
Admission: free

Apollo’s Doorway

Cruising into the Naxos harbor, you don’t have to go very far to see a piece of Greek history and architecture.

Greeting visitors to its island, is the Portara, the portal to the temple of Apollo, standing on the islet of Palatia.

The temple’s construction was started around 530 BC, when Lygdamis, the tyrant of Naxos, made the decision to build the highest and most magnificent building in all of Greece devoted to the honor of Apollo, the Greek God and protector of music and poets. After war broke out, work was halted and never completed.

After the temple’s marble was harvested for the Castle of Naxos, the doorway was deemed too heavy to dismantle and relocate, leaving a prodigious example of early Greek architecture to be studied and enjoyed by both visitors and locals for thousands of years to come.

Though we had spied the beautiful doorway as our ferry sailed into port, it wasn’t until our last day in Naxos that we finally made the walk across the causeway that connects the islet to Naxos.

Making our way up the steep path, we were eager to reach the pinnacle, but it was also essential to stop and enjoy the views of the blue Naxian waters, nearby Paros and the Naxian coastline in the distance.

As we made the summit, the remains of the temple spread out all around us with the Portara in the centrum. Staring through this vestibule at the white-washed city beyond it, I wondered if we should have come here during the evenings when we spied large numbers of visitors holding court awaiting the setting sun’s final descent beyond the island of Paros.

Yes, I think we should have.

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Portara Gate/Temple of Apollo

Address: Naxos 843 00, Greece
Hours: 24 hours, daily
Admission: free

The Big Fat Greek Island

As Greek sunshine flooded our Naxos hotel room, we opened our balcony doors and looked out into the quiet streets, breathing in the salty sea air. It’s amazing to be in the Greek Isles!

After a quick breakfast, we headed into town to explore the multitude of passageways that headed uphill and the Venetian castle that keeps watch over the town. Because of the early hour, many of the shops we passed were not open and as we neared the castle, I was surprised to find it was not the typical castle that I had visited in other cities. What I mean is that I expected a ticket booth and an actual entrance into the fortification. This castle can be accessed wholly without a ticket and if you aren’t really paying attention, you might miss the fact that you are actually on the castle’s grounds as there are so many buildings that make up the complex.

That being said, the castle of Chora is a medieval monument, built by Venetian Duke Markos Sanoudos in 1207. It has two entrances, the Great Gate (Trani Porta) and the Wicket (Paraporti). Inside the castle, there are many medieval buildings such as the boarding school of the Ursulines, the School of Commerce founded by the Jesuit monks, the Kapela Kazatza, a chapel of the Duke, the Catholic Cathedral and the Tower of Krispi or Glezos (housing the Byzantine Museum).

It was an amazing adventure to travel amidst the winding passageways, that snake between the homes, shop and restaurants that make up this area. And believe me…it was not easy making progress as there was a picture to be taken at every turn!

Knowing that there was so much more to see on the island, we headed to a car rental shop and secured a car for the day. Getting out of the city was a bit of a challenge, but once we had traveled a few miles, it was fairly easy navigation.

Traveling through the western part of the island, we passed near the salt lakes where hundreds of windsurfers and kitesurfers meet each day to test their skill. In this area, we also were aware that there were many beautiful beaches, however, our mission was to explore the interior of the island before laying down our towels in the sun.

As we drove through the countryside, passing old windmills high on arid peaks, we soon came to the town of Vivlos, where we noticed one of the historical monument signs. Advertising the location of the Old Wash House that the villagers once used before the advent of Maytag, the site was still in relatively good shape and we could only image the villagers meeting here each day to do their laundry.

Continuing on, we soon found ourselves in Kato Sagri. A ruined building next to a church my eye. Pulling over, we walked around the property which is located at the settlement of Kanakari. The complex consisted of a tower house and bakery, both in ruins, with washers and a water well, formerly used for the needs of the buildings. This area was once used as a gathering point for the inhabitants of the village and the small church of the Annunciation, which is still in excellent condition, has served as a church for both Christian Catholics and Orthodox Christians. There is also a small complex of rooms, Kanakari1656, to rent behind the church offering a private getaway for visitors to the area.

Our next destination was the Temple of Demeter (Dimitras), however, it was nearing lunchtime and we decided to grab a bite to eat at the Cafe Bar Mylos, which sported a couple of old windmills on the premises. Spotting a sign across the road directing visitors to the historic site of Church of Agios Nikolaos, we decided to take a walk down the narrow, dusty road to check it out. A longer walk than we anticipated, we tried to enjoy the warm, clear day and the beauty of the countryside.

After turning onto a small path along a stone fence, we arrived at the small church which is located all alone in a field surrounded by the mountainous beauty. Though we were unable to view the interior, I later learned that it is a single-aisle church with an interior covered by successive layers of frescoes. These frescoes depict the birth and baptism of Jesus with the most recent layer dates back to 1270.

After the long walk back to our car, we resumed our trek to the Temple of Demeter, located not far near the village of Sangri.

The marble temple dedicated to Demeter, the ancient goddess of grain, dates back to the 6th century BC in the classical architectural style. Built near fertile areas, it was used for a religious purpose since the late Mycenaean Era.

Around the 3rd century BC, the temple was turn into a Christian religious center and a small chapel, dedicated to Agios Ioannis, was built on the premises, using marble from the ancient temple. Ruined in the 6th century, it was rebuilt in 1977.

After the remains of the temple were discovered in 1949, excavations lasted almost twenty years, beginning in 1976. Restored to its original glory by German archaeologists in the 1990s, the temple is now open to visitors.

Although a bit of a drive from Naxos Town, the temple is quite beautiful in its natural setting and accessible from its entire perimeter. After we had walked around the temple and checked out the chapel, I then took a walk to the rear of the property, past the ticket booth, to the museum which displays many remnants of the ruins that were not used in the reconstruction.

We continued our drive through the towering mountains in the middle of the island admiring the white-washed towns the cascade down the slopes and the countless churches that dot the countryside. After a quick hike down the side of a steep cliff, I even visited a simple little chapel that offered phenomenal views of the rich island.

Finally, after much driving, we decided that it was time to head to the coast for some much needed relaxation. Beginning at Plaka beach, we took a walk to the water to see what was available. Though the water was relatively calm, clear and blue, it did not appear as though there were any chairs for rent in this area. Driving further up the road, we soon found ourselves at Agia Anna. Here, there was plenty of parking and the water appeared similar to what we had just seen at Plaka Beach. A quick chat with a gentleman on the beach, secured us three beach chairs and an umbrella!

Though the water was pretty chilly, it was wonderful to see how clear it was and the beach was not overly crowded. Many restaurants and a small grocery store across the street provided some nourishment and we proceeded to enjoy the remainder of the afternoon enjoying the views and warmth of the Greek sun.

As the day drew to a close, the realization that our time in Naxos was coming to an end and yet, I felt as though there was so much more see on this “great big fat greek island”!

What an unexpected surprise!

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Old Wash House

Address: Βίβλος 843 00, Greece
Hours: 24 hours, daily
Admission: free

Site of Kanakari

Address: Κανακάρι, Sangrí 843 00, Greece

Cafe Bar Mylos

Address: Άνω Σαγκρί 843 00, Greece
Hours: unknown

Aghios Nikolaos

Address: Naxos 843 00, Greece
Hours: 24 hours, daily
Admission: interior not open to public

Temple of Demeter

Address: Drimalia 843 02, Greece
Hours: 0900-1600, closed Tuesday
Admission: 4€
Getting There: By car, from Hora, follow the road to Filoti. After about 6 miles turn onto the road signposted for Ano Sangri and the Temple of Demeter. Follow the signs for about 2 more miles to the temple.

One Last Thing

Our feet were tired and we were hot and thirsty.

But…there was “one last thing” that I wanted to see on our way back to our hotel.

The Ancient Agora of Athens.

I had been here many years ago, but only remembered that it was during the winter and I was so cold that I cut our visit short. What was within the gates? I didn’t remember any of the major landmarks, only walking through some of the small ruins.

Having had such a long day, I think that if my husband and son had realized how much there was to do and see here, I don’t think they would have agreed to this “one last thing”. Nevertheless, our entry was free with the Combined Ticket we had purchased with our admission to the Acropolis, so I was determined that we would get our money’s worth!

The grand Stoa of Attalos, closest to the entry gate was where we decided to begin our exploration of the area. This column-fronted building is a remarkable example of Hellenistic architecture, fully restored from 1952-1956, and contains the Museum of the Ancient Agora.

The stoa, dating back to 150 BC, was built by Attalos II, the ruler of Pergamon, as a gift to the city of Athens for the education he received there. It was thought to have once operated as a commercial center with shops on each floor. Built of marble and limestone, it was much larger and elaborate than most of the buildings constructed in ancient Athens and exhibited different types of architectural orders. As we walked through the colonnades, on the main floor we noticed that the Doric order was used for the exterior and Ionic for the interior. Similarly, on the upper floor, the exterior was Ionic and the interior, Pergamene. Moving throughout the building, even with the intense heat of the day, the building was well lighted and ventilated through doorways and small windows.

The museum was especially interesting with it collections of clay, bronze and glass objects, coins, inscriptions from the 7th to the 5th century BC and pottery from the Byzantine period and Turkish conquest. Most captivating were the detailed sculptures depicting some of the Athenian citizens…so detailed in some cases that you almost expected movement. Also related in great detail, throughout the museum, is the history of the Agora area and how it developed over the ages.

Once our visit to the museum was complete, we moved out into the Ancient Agora, the area where Athenians would often gather to trade information and goods. There were many paths among the ruins and much to discover.

Making our way toward the north-west side of the property, we discovered the Temple of Hephaestus, one of the most well-preserved pieces of architecture in the city. Situated atop the Agoraios Kolonos hill, construction on the building began in 449 BC and took almost three decades to complete as attention to building the Parthenon took priority.

The temple, dedicated to Hephaestus, the ancient god of fire and Athena, goddess of pottery and crafts, had a variety of uses over the years, resulting in the buildings continual upkeep. It’s longest purpose, however, was serving as the Greek Orthodox church of Saint George Akamates from the 7th century until 1834. Shortly after the arrival of the first King of Greece, Otto I, it was ordered that the building be used as a museum. It remained in this capacity until 1934, when it was reverted to the status of ancient monument.

The building’s grounds are well kept and heavily planted with shrubs and a well-paved walkway around its perimeter. As you make your way around the building, be sure to take note of the eastern and western friezes, the grand Doric columns (6 on the east and west sides and 13 on the north and south sides) and the sculptures depicting the labors of Hercules and the Battle of Theseus with the Pallentides, the fifty children of Pallas and the Fall of Troy.

Heading back along the southern rim of the property, we discovered the Church of the Holy Apostles (also known as the Holy Apostles of Solaki). When excavations began on the Ancient Agora in 1931, there were many churches located in the area. All were removed except for this small, Byzantine church, which has been dated back to 1000 AD, one of the oldest in Athens. After extensive restorations, this little church is now one of the highlights of the Ancient Agora with its colorful frescoes and intricate stone work.

With the heat wearing us down, we headed toward the exit. Leaving my husband and son near the exit I made a quick detour, moving toward the Monument of the Eponymous Heroes. This marble podium previously displayed the bronze statues of the ten heroes of the tribes of Athens, Erechtheus, Aegeus, Pandion, Leos, Acamas, Oeneus, Cecrops II, Hippothoon and Aias. Once used as a pulpit where proposed legislation, decrees and announcements were announced, I must admit that I was a bit disheartened to find it in poor condition, only displaying a shell of its former grandeur.

As I spotted my husband and son waiting patiently for me under the shade of a large tree, I stopped quickly to inspect Odeon of Agrippa statues that remain as the only part of the concert hall that once stood in the center of the Ancient Agora. Built in 15 BC, it was a gift to the people of Athens from Marcus Vipsanius Agrippa (Roman statesman and general) and was able to seat crowds of 1,000. After architectural damage throughout the years, it was finally destroyed by the Herulians in 267 AD.

Thinking about he destruction of the Odeon of Agrippa, I thought about how many times the Agora was destroyed and rebuilt over the centuries. Abandoned and forgotten, it was finally brought to light when excavations began in 1931.

Learning so much more on this visit than on my previous, I was glad that I had dragged my husband and son here. It is strange to think that only eighty-eight years ago, the citizens of Athens did not know that this site would someday become a place for thousands of tourists to wander about, learning about the commerce of the ancient Athenians.

Though we were ready for a nap and a cold shower, I was glad that we had made the detour and that my family had agreed to my impulse.

Sometimes that “one last thing” is the thing you remember most.

Other notable sites within the Ancient Agora:

The Ruins of the Tholos
The Propylon to the Bouleuterion
The surviving torso of a statue of the Roman Emperor Hadrian
Ruins of the Metroon
Great drainage canal on the agora
The Altar of Zeus Agoraios
The ruins of the civic offices.
The Klepsydra (water clock used to time speeches).
Southeast Fountain House
Remains of the Triangular Shrine
Two noteworthy ancient streets, The Road to Pireas and the street of the marble workers.
The ruins of the state prison
The Dekasterion (court house)
The NE Bath
The Middle Stoa

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Ancient Agora of Athens

http://odysseus.culture.gr/h/3/eh355.jsp?obj_id=2485#_=_
Address: Adrianou 24, Athina 105 55, Greece
Hours: November to March, 0800-1500, April to October, 0800-2000, daily
Admission: Adult, €8.00, Reduced rate, €4.00, Children under 18 years, free. Combination ticket, includes admission to Acropolis, Temple of Zeus, Ancient Agora, Roman Agora, Hadrian’s Library, Keramikos Cemetery and Lyceum of Aristotle, €30.00

The Birthplace of Democracy

Coming off of our exploration of the Hill of the Muses or Philapappou Hill, we continued walking the paths of the city’s alluring green space, making our way from one hill to the next…the Pnyx.

The birthplace of democracy.

From 508 BC, Pnyx Hill was the meeting place of the Democratic Assembly. Citizens assembled here ten times a year to make political decisions and take note of the orators speeches, including those of Aristides, Demosthenes, Pericles and Themistocles.

As I walked from Philapappou Hill, I encountered a small rocky hill surrounded by parkland. A large flat platform of eroded stone was set to one side with steps carved into the slope. The podium, or Bema, offered a raised area for leaders to address the crowds who were seated in a semicircle, first on the ground and then later on wooden benches which were installed to accommodate the growing crowds.

The first question posed to the crowd was always an open invitation, “Tis agoreuein Bouletai?”

“Who wishes to speak to the assembly?”

As the acceptance of democracy spread, crowds grew from 5,000 to more than 13,000, finally outgrowing the Pnyx and moving to the Theater of Dionysus at the base of the Acropolis.

The Bema is cordoned off for protection, however, make sure to climb to the top area where you can find the former locations of the Sanctuary of Zeus Hypsistos, the Altar of Zeus Agoraios and Meton’s Solar Clock.

As we continued on toward the exit of the Pnyx, we located the retaining Wall of Pnyx built during the Hellenistic period and which offered protection to the area. Other items of interest, not to be missed, are the Sanctuary of Pan and the Fountain of Pnyx.

The Sanctuary of Pan was a religious shrine on the south slope. Not one to display monumental or architectural embellishments, it was a simple chamber which exhibited a relief, representing semi-God Pan, a naked Nymph and a dog. Outside of the doorway of the shrine, an ancient mosaic is protected by plexiglass.

The Fountain of Pnyx is also located nearby, and dates back to the 6th century. This fountain is a rock-carved cistern which collected and stored water for the city of Athens. Though you are unable to view it up close, the chamber is covered with a mosaic floor.

Though we viewed both of these from outside the park’s gates, this seemed to offer the best viewing area.

Since the both hills, Philapappou and Pnyx, are connected, make sure to continue your walk to encounter all that both have to offer. You can even continue up to Nymph Hill which houses the National Observatory during the evening hours.

If time is not of the essence and you’ve seen Athen’s major sights, it is worth the time to take a leisurely walk and encounter many of Athens off-the-beaten-track bits of history.

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Pnyx Hill

Address: Athens 117 41, Greece
Hours: 24 hours, daily
Admission: free
Getting There: Metro, Thission stop
Sanctuary of Pan

Address: Apostolou Pavlou 1, Athina 118 51, Greece
Hours: 24 hours, daily
Admission: free
Getting There: Metro, Thission stop

Fountain of Pnyx

Address: Apostolou Pavlou, Athina 118 51, Greece
Hours: 24 hours, daily
Admission: free
Getting There: Metro, Thission stop

The Hill Of the Muses

Socrates.

One of the most widely recognized classical Greek philosophers in history, he was also known as the founder of Western philosophy. It was his unique teachings and thoughts, however, that led to his demise. In 399 BC, Socrates went on trial and was found guilty of corruption and impiety. After being imprisoned, he was sentenced to death by poison.

Searching a map of Athens, I noticed on Philapappou Hill (also known as the Hill of the Muses), a landmark noting the location of the Prison of Socrates. Since I had never had the opportunity to walk to the top of this hill to inspect the monument to Philapappou (that I had seen from the nearby Acropolis) I decided that it would be a good destination for that day and being able to search out the location of this historical prison would be a bonus.

Heading up the pedestrian friendly Dionysiou Areopagitou street, I entered the park gates and headed up the marble paved pathways. Welcoming the shady pine-covered trails, I looked for signs leading to my destinations. There were none, however, finding the first item on my list was not all that difficult as it seemed that most other tourists were headed that way.

The Prison of Socrates was nothing more than a cave with iron bars…still, it was interesting to think that Socrates spent his last days here. Or did he?

Though this is a popular spot for tour guides to take tourists and prattle on and on about Socrates last days, it has been brought to light that these openings within the rock are probably no more than the remains of an ancient Mycenaean building. The real location of the philosopher’s prison was probably located near the Ancient Agora, at the foot of the Acropolis. Though no one is sure, it is interesting to visit this location and imagine poor Socrates passing the time behind the iron gates before his demise.

Continuing on, we followed the trail, climbing higher and higher up the steep rocky paths. As we came to a bend in our route, we moved out onto an opening and a rock outcropping. Here, we got our first views of the Acropolis from a different perspective. Having been to the Acropolis on multiple occasions, seen it from below in the Plaka and from afar from my hotel’s rooftop terrace, it was something to see from an adjacent hill. As we stared in wonder, we also noticed the amazing views to be gotten of Mount Lycabettus and the Saronic Gulf and I imagined that it would be an amazing location to take in the sunset.

Climbing higher, we finally reached the pinnacle of our ascent where the Monument to Philapappou, an ancient Greek mausoleum dedicated to Gaius Antiochus Epiphanes Philopappos (65-116 AD), rests. A prince from the Kingdom of Commagene, Philopappos was highly respected and one of the greatest benefactors of the city.

Upon his death, which caused great grief to not only his family, but also to the citizens of Athens, it was decided that a tomb would be erected on Muses Hill. Built on the same site where 6th century poet and mystical seer, Museaios was entombed, the two story marble structure is an elaborately carved structure on par with the Acropolis…its location showing his great status within the city.

Following the main path, past the Philapappou Monument, we found the Shrine of the Muses, cut into the rock face just below the top of the hill. This shrine was created in honor of the goddesses of creative inspiration. Philapappou Hill is also known as the Hill of the Muses for it being the home of the nine muses of Greek mythology.

Heading down the hill, we finally came to the Church of Agios Dimitrios Loumbardiaris, a 15th century Byzantine church. By now, everyone should know how much I love churches and of course, I was thrilled to unexpectedly find this charming chapel during the midst of our exploration of Philapappou Hill. Though it offered a peaceful place to rest for a moment, I was frustrated to find the church locked. I was especially disappointed later when I learned that this church is decorated with beautiful frescoes. I also learned that its surname, “Loumbardiaris” (the Bomardier) was earned as it was saved by a miracle in 1658 when the Turkish commander of the Acropolis, Yusuf, was planning to bomb the church from the Propylaea. The following day, as they prepared to attack, a lightening strike hit the gunpowder magazine, causing an explosion which killed Yusuf and his entire family.

Since I was unable to examine the interior of this historical structure, I made myself content to walk around and survey its exterior architectural features. A spectacular find that I will certainly return to see again!

A good part of our morning had been fulfilled with the exploration of Philapappou Hill. There was much more as two nearby hills are connected to this beautiful green space within the city of Athens and we decided to continue our excursion.

What else would we find?

If you are in the area and find yourself with time before or after your visit to the Acropolis, make the short walk to Philapappou Hill and discover the treasures scattered around this beautiful promontory. Have a picnic, enjoy the views and maybe even the sunset!

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Filopappos Hill

Address: Thissio, Athens, 104 38 Athens, Greece
Hours: 24 hours, daily
Admission: free

The Prison of Socrates

Address: Filapappou Hill, 43, Rovertou Galli 39, Athens 117 41
Hours: 24 hours, daily
Admission: free
Getting There: Metro, Akropoli station

Church of Agios Dimitrios Loumbardiaris

https://www.facebook.com/agiosdimitriosloumpardiaris/
Address: Filapappou Hill, Athens 117 41, Greece
Hours: 0800-1200, 1700-2000, daily
Admission: free

First Cemetery of Athens

Athens is a place where historical landmarks are a dime a dozen.

The Acropolis, Temple of Zeus, Hadrian’s Arch (to name a few)…you can take you pick of so many to fill your time while visiting the ancient city.

Since I’ve been to most of these places, I was on the lookout for something different. Thinking back on my visit to the Keremeikos Ancient Cemetery, I realized that there had to be more modern cemeteries within the city, much like those of Paris (Pere Lachaise), Milan (Monumentale) and Buenos Aires (La Recoleta).

After conducting a bit of research, I discovered that the official cemetery of the City of Athens dates back to 1837. A prestigious burial place sought out by both Greeks and foreigners, it was the first to be built within the city’s limits and located not far from the Panathenaic Stadium.

Setting out in the warm, sunny afternoon, I made the journey quickly and soon found myself at the top end of Anapafseos Street.

Admittedly, the entrance to the cemetery was a bit disappointing as it is scaffolded, presently under construction. One inside, however, I was greeted immediately on my left with one of the cemetery’s three churches, the Church of Saint Theodores (the other two being Saint Lazarus and Saint Charles). Though the church was not open, I enjoyed its blue painted architecture and single slim belltower standing tall in the bright afternoon.

Making my way through the more elaborate tombs located in the forefront of the cemetery, I admired those of Heinrich Schliemann, German businessman and archaeological excavator of the cities of Troy, Mycenae and Tiryns, Ioannis Pesmazoglou, Greek banker, economist and politician and Georgios Averoff, businessman, philanthropist and one of the great national benefactors of Greece.

Making the steep walk towards the rear of the cemetery, I was in search of something special…the tomb with the famous sculpture of a dead young girl called I Koimomeni (“The Sleeping Girl”), created by Yannoulis Chalepas. A bit of exploration was in order, as there are others that appeared to be very similar. I soon found the serene sculpture immortalized by sculptor Chalepas and wondered about her fate. It was later that I learned that the sleeping girl, Sophia Afentaki, was born in 1855 and died of tuberculosis at the age of 18 years.

Continuing my exploration, I was saddened by the overgrown condition of many parts of the cemetery and took extra time to pay respects to many of the graves in the area. Many of the graves and tombs were obviously quite expensive and many housed the remains of many members of Greek families and on the opposite end of the spectrum, there were also many grave sites that were quite modest.

Winding my way deeper and deeper into the cemeteries bounds, I discovered unique sculpture, touching mementos, fresh and dying flowers, distinctly crafted lanterns and fading photos. What I didn’t encounter, however, were other visitors. The cemetery was perfectly empty and quiet.

After a while, the peace and quiet became quite disconcerting. Realizing that I was probably a bit vulnerable, alone in a cemetery, even in the daylight, I decided to head back to the front of the graveyard, passing the burial areas reserved for Protestants and Jews.

The Cemetery of Athens was a unique experience, one that most tourists do not search out despite it’s historical and cultural significance. Though I did see a couple of other tourists in the beginning of my visit seeking out some of the famous grave sites, there were not many others that I ran across.

If it is historical or architectural significance that you seek or a desire to search out some of the famous grave sites, take a trip to the First Cemetery of Athens, a peaceful haven that will not disappoint.

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First Cemetery of Athens

Address: Logginou 3, Athina 116 36, Greece
Hours: 0800-2000, daily
Admission: free

Notable Burials within the First Cemetery of Athens:

Archbishops Christodoulos, Chrysostomos II, Seraphim and Dorotheus
Hero of Greek War of Independence, Odysseas Androutsos
Singers, Sotiria Bellou, Stratos Dionysiou, Stelios Kazantzidis, Dimitros Mitropanos, Demis Roussos, Rita Sakellariou, Sofia Vembo, Nikos Xilouris (and composer)
Poets, Odysseas Elytis, Nikos Kavvadias, Kostis Palamas, Kostis Palamas, Alexandros Rizos Rangavis, Giorgos Seferis, Angelos Sikelianos, Alexandros Panagoulis (and politician, democracy activist)
Actors, Jules Dassin, Dimitris Horn, Manos Katrakis, Vassillis Logothetidis, Orestis Makris, Thanasis Veggos, Jules Dassin ( and director), Dimitris Papamichael (and director)
Actresses, Tzeni Karezi, Marika Kotopouli, Ellie Lambeti, Zoe Laskari, Katina Paxinou, Aliki Vougiouklaki
Prime Ministers, Georgios Kafantaris, Andreas Papandreou, George Papandreou, Charilaos Trikoupis, Xenophon Zolotas
Politicians, Theodoros Kolokotronis, Alexandros Mavrokordatos, Melina Mercouri, Andreas Michalakopoulos, Grigoris Lambrakis, Nikolaos Bourandas (Police and Fire Service General), Yannis Makriyannis (and merchant, military officer author), Nikos Zachariadis (General Secretary of the Communist Party of Greece from 1931 to 1956)
Sculptor, Yannoulis Chalepas
Philanthropist and businessman, George Averoff
Painter, Demetrios Farmakopoulos
Archaeologist, Adolf Furtwangler
Filmmaker, Humphrey Jennings
Statesman, Dimitrios Kallergis
Conductor, Pianist and Composer, Dimitri Mitropoulos,
University of Athens’ Greatest Benefactor, Antonios Papadakis
Military Dictator during the Regime of the Colonels, Georgios Papadopoulos
Lawyer, Alexandros Papanastasiou
Director, Screenwriter and Lyricist,Alekos Sakellarios
Feminist, Kalliroi Parren
Amateur Archaeologist who excavated the site of Troy, Heinrich Schliemann
Great Benefactor of Greece, Michael Tositsas
Composer, Vassilis Tsitsanis
Founder of Filiki Eteria, Emmanuil Xanthos
Member of Filiki Eteria, Ioannis Varvakis
Author, T.H. White
Architect, Ernst Ziller

Carolina Chapel

There are many historic sites in the Outer Banks of North Carolina. Those located in Corolla give visitors a chance to incorporate a bit of antiquity with the sun-filled vacation.

As I was driving near the Currituck Lighthouse a couple of years ago, I spied the Corolla Chapel. A quaint little church, tucked behind the lighthouse, on the north end of the village, it sparked my interest. On that day, however, I had a carload full of teenaged boys who had already agreed to an interruption of their beach time for a visit to the lighthouse…I knew I would be pushing my luck to require them to prolong their absence from the sun and sand.

This time, there was only me.

I had just come from one of the horse-spotting tours and remembered this historic church. With time on my hands, I decided to investigate.

The Corolla Chapel is an interdenominational Christian fellowship that dates back to 1885. The original sanctuary was situated across the road from its current location and moved and expanded in 2002 to accommodate the expanding number of attendees.

The chapel still retains its original interior walls and contains many of its original items including its pews, pump organ, pulpit and pulpit chair.

As I walked around the small space, I marveled at the stained glass windows and the cross-shaped plan of the building. Though it was a weekday, I envisioned that the best way to really understand this small church was to attend one of the services that are held throughout the year and on special occasions.

Maybe I will have to come back again.

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Corolla Chapel

https://corollachapel.com/
Address: 1136 Corolla Village Rd, Corolla, NC 27927
Hours: Sunday services, 1000. Additional service at 0800 from June 11 until September 4.
Admission: free