The Miraculous Medal

© 2019 Snapping the Globe, L.L.C. All rights reserved.

Paris has always been a spiritual place for me.  

Having associated the city with its beautiful churches, cathedrals and miracles that have occurred within the country,  I truly love the peace it gives me when I visit.  

Years ago, I found myself with an extra day to fill while in the city.  Wandering through a part of town that I had never been to, I found the Chapel of Our Lady Miraculous Medal, tucked away on Rue de Bac, the location where the Blessed Virgin Mary appeared to Catherine Labouré in 1830.

The chapel’s location, is quite inconspicuous and I doubt that you would find it if you were not actively trying to do so.  Even so, thousands of visitors make their way to the chapel each year to attend mass and purchase the medals that Our Lady requested to be created.  

Dating back to 1813, the chapel was dedicated to the Sacred Heart of Jesus and located in the Hôtel de Châtillon.  It was expanded in 1849 and many times in the years after its inception.  The chapel we see today, was completed in 1930, however, the tabernacle, dating back to the seventeenth or eighteenth century is still as it was in 1815, coming from the building given to the Daughters of Charity in 1800.  

When Catherine Labouré was a seminary sister at the mother house of the Daughters of Charity of Saint Vincent de Paul, she began having visions.  In the first, Saint Vincent de Paul showed her his heart, each time in a different color;  white (peace), red (fire) and black (misfortunes that would come upon Paris and the entire country).  Her second vision displayed Christ presented in the Sacred Host, and then on The Feast of the Holy Trinity, He appeared as a crucified King, stripped of his adornments.

Her final vision came at the age of 24, when she received three visits from the Blessed Virgin Mary.  On July 18, the Blessed Virgin requested that Confraternity of the Children of Mary be established.  Mary’s second request was that a medal be created with the following invocation, “O Mary, conceived without sin, pray for us who have recourse to thee.”  Following her orders, the medal was forged and since its creation, countless miracles have been attributed to the medal as well as conversions and protection for those seeking it.

Everyone knows about the miracles that occur at Lourdes, however, it has been said that more miracles have occurred through devotion to the Blessed Mother while praying with this medal.  It became known as the Miraculous Medal when during the cholera epidemic in Paris, in 1832, the Sisters handed out medals and many people were unexpectedly cured and then turned their faith to God.

The first thing you notice upon entering the chapel, besides the large number of the devoted bowing their heads in prayer, is how light and airy the space is.  High ceilings frame the chapel and tall columns line either side, making way for the side aisles containing the shrine of Saint Louise de Marillac, co-foundress with Saint Vincent de Paul of the Daughters of Charity and the reliquary containing the heart of Saint Vincent de Paul.

As I approached the altar, I admired the tabernacle decorated with an angel carrying a cross and its carved door depicting the nativity, crowned with a shining star.  The tabernacle is flanked by two light-carrying angels and topped by a beautiful ivory crucifix.  Towering above the tabernacle is the large marble statue of the Virgin with the Rays.

Another statue of Mary, the Virgin of the Globe, caught my eye, holding the world in her hands.  

I walked over to inspect the aisle dedicated to Saint Vincent de Paul which contains the Altar of the Apparitions, a mosaic by Maison Maurmejean and the most important piece, the relic of the heart of Saint Vincent de Paul, which was brought to Paris from Turin during the Revolution.

Crossing over to the other aisle, I gazed upon the body of Saint Louise de Marillac, which has rested inside the chapel since 1920.

The main attraction of the chapel, however, is Catherine Labouré.  Buried in the chapel in Enghien-Reuilly, the location of her death, the vault was opened at the time of her beautification and her body was found to be perfectly intact.  It was transferred to the chapel and presently lies under the altar of Our Lady of the Globe in a glass coffin.  Many of the faithful kneel before her, laying down their burdens and tribulations.

After a few minutes spent in prayer, I headed out into the courtyard and into the gift shop.  There are many styles and sizes of the Miraculous Medal available for purchase as well as rosaries, prayer books and prayer cards.

A site of spirituality and miracles, a visit to the Chapel of Our Lady of the Miraculous Medal is a must for true believers.  See the spot where these holy apparitions took place and see the person responsible for the medal.  Purchase one, wear it and share it with other faithfuls.  

The Miraculous Medal Prayer

O Virgin Mother of God, Mary Immaculate, We dedicate and consecrate ourselves to you under the title of Our Lady of the Miraculous Medal. May this Medal be for each one of us a sure sign of your affection for us and a constant reminder of our duties toward you. Ever while wearing it, may we be blessed by your loving protection and preserved in the grace of your Son. O Most Powerful Virgin, Mother of Our Savior, keep us close to you every moment of our lives. Obtain for us, your children, the grace of a happy death; so that in union with you, we may enjoy the bliss of Heaven forever. 
Amen.

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Chapel of Our Lady of the Miraculous Medal

Jail Time in Pedraza

© 2018 Snapping the Globe, L.L.C. All rights reserved.

How many years had it been since I visited Madrid?  

Two or three at least.

As much as my tired body wanted to sleep the afternoon away, the city that I had missed all that time, was beckoning.  After a small nap, I met up with a local friend of mine that I had planned to spend the afternoon with.  She explained that she had wanted to take me to Real Monasterio de San Lorenzo de El Escorial, the burial site of Spanish kings and queens, but it was Monday and she was dismayed to find that it was closed, as many things are in Spain on Mondays.

In a bit of a panic, especially when she learned that I had nothing else in mind, she made a quick call to her brother.  What to do?  What to do?  

Pedraza.  

Jumping into her car, we headed out of the city and onto the highway.  About an hour and a half later, we were pulling into the walled city.

Located in the province of Segovia, the small medieval town of approximately 500 residents, has retained its old world style.  Porticoes, old stone houses, and cobblestone streets stand in stark contrast to the modern, metropolis of nearby Madrid and it has been described as one of the most  beautiful small towns in Spain.

We parked our car and made our way past small hotels, shops and residences into the Plaza Mayor, which was mostly quiet except for a couple of other small tourist groups.  Heading to the main restaurant, we ordered beers and tapas and took a seat outside in the late afternoon sunshine.  

I can honestly say, I don’t know I’ve ever experienced something so serene, so simplistic and so historic.  It truly felt as though we were enjoying our beverages and food on a movie set.  It is here, in the square, that the town holds the Concierto de las Velas festival during La Noche de las Velas in July, where the residents of the town light candles along the streets and in their residences and multiple concerts are held featuring varying types of Spanish classical music. 

Feeling rejuvenated, we headed up the dirt road toward the Pedraza Castle, passing the church and its bell tower topped with a huge stork’s nest.  

Though the castle was closed, we were able to walk around the exterior and take pictures of the sturdy structure.  Acquired by painter Ignacio Zuloaga, in 1925, the purchase cemented the artist’s love of the area that his artistic eye always desired to capture.

The original building dated back to the days of the Romans and was an impenetrable fortress that housed the sons of Francis I, King of France after his signing of the “Treaty of Madrid”.  So that Francis I kept his word, his sons, aged 11 and 10 were kept in the castle under the Emperor’s orders until their ransom was paid.

Today, the castle is still owned by the Zuloaga family and can be visited if the family is not in residence.

We continued our walk through the town and found ourselves at the impressive gate.  Nearby was a doorway and it appeared to be welcoming guests.  The Carcel de la Villa, or jail, was located in the “Tower” and had several rooms in which prisoners were kept.   We paid our entrance fee, however, since I did not speak fluent Spanish, we opted to skip the guided tour.  We were given a written guide and moved through the space on our own, learning about its unique history on two levels, the upper, reserved for smaller delinquents and the basement, for dangerous criminals.

We walked back through the gate and made our way on the outside of the town’s walls and to our waiting car. 

Though it was a weekday and much quieter than when heavier crowds descend on the town on the weekends, it was a wonderful and unique way to spend the fall afternoon.  The historic city walls were beautiful and the restored buildings remarkably perfected.  Spending the night in one of the old hotels could be an unparalleled adventure while continuing on to Segovia the next day.

Just make sure to take a good look at the picturesque city from afar…a place of beauty…as Zuloaga once attested.

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Pedraza Castle

  • http://museoignaciozuloaga.com/es/
  • Address:  Calle Real 5, 40172, Pedraza
  • Hours:  Open all year from Wednesday to Sunday.  Summer, 1100-1400 and 1700-2000.  Winter, 1600-1800.  The visit consists of the Patio “Entre Muros”, “Patio de Armas” and “Museo en Torre Norte” with works by Ignacio Zuloaga and Decorative Arts.  The Museum in the Tower is available for visitation on the first Friday on each month, by reservation and presents the private rooms and studio of Zuloaga and other masters as well as objects of great value.
  • Admission:  Adults, 6€, Children under 10, free
  • Getting There:  By car (recommended), it takes approximately one and a half hours.  By bus, take an hourly bus from Madrid Moncloa to Segovia.  The bus only runs from Segovia to Pedraza on certain days, so check the schedule. Total travel time, 2 hours and 38 minutes.  By train, from Madrid-Chamartin station, take the train to Segovia Guiomar.  Transfer to the number 11 bus to Plaza Artilleria (20 minutes).  Walk approximately 8 minutes to bus stop to Pedraza for the twenty-eight minute ride.  Total travel time, 3 hours and 18 minutes

Carcel de la Villa

  • https://www.pedraza.net/carcel-de-la-villa/
  • Address:  Calle Real 15, 40172 Pedraza, Spain
  • Hours:  Monday to Saturday, 1100-1400 and 1600-1900.  Sunday, 1130-1400.  Closed January 1, September 9 and December 25.
  • Admission:  Adults, 3€

Church Overload

© 2018 Snapping the Globe, L.L.C. All rights reserved.

One more church?  Uphill?  

No thanks.

Not wanting to make the uphill journey to San Cristobal, the final church on our Religious Ticket, a compromise was made to visit Iglesia de la Compañía de Jesús, located in the Plaza de Armas instead…especially when we found out that admission was free on that day.  

Of course, I had come to expect the No Photos rule by this time, and I was getting a little tired of seeing so many churches.  (Yes, I actually said this!)

But…free is free.

This massive church, commissioned by the Jesuits in 1571 and constructed in 1576, offers one of the best examples of Spanish Baroque architecture in Peru.  Competing effectively with the Cathedral on the northeast side of the plaza, the church has two bell towers and is connected to the Jesuit’s University of San Ignacia de Loyola.  

Though construction was begun in 1576, on the grounds of the palace of the Inca Huayna Capac, the church was badly damaged in the earthquake of 1650.  The present day building was finally completed, 18 years later, in 1668.

Some of the most notable pieces and features of the church include a painting of the Transfiguration of Christ at the high altar by Jesuit Diego de la Puente and a painting depicting the wedding of artín García de Loyola, the nephew of Ignatius Loyola with Beatriz (great-niece of the Inca ruler Tupac Amaru).  In the Sacristy are sculptures by Melchor Huaman Mayta of the saints San Jeronimo and San Francisco.

What I enjoyed the most, however, were the two towers.  Though the ascent was slow, allowing for the descent of other visitors on the narrow stairway, it was worth the steep climb, for the views looking out over the Plaza and the adjacent Cathedral.  You can also access the balcony from the left tower which allows visibility of the church’s interior.

If you have a few minutes, duck in for a quick look at this historical church…the access to the towers is absolutely worth your time!

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Iglesia de la Compañía de Jesús

  • Address:  Plaza de Armas, Cusco, Peru
  • Hours:  0900-1130 and 1300-1730, daily
  • Admission:  S/ 15

Time To Make the Climb!

© 2018 Snapping the Globe, L.L.C. All rights reserved.

At some point during your visit to Cusco, you are bound to make the steep climb up the ancient Incan Road, Hathunrumiyoc (Quechua for great stone street”) and believe me, it is steep!

Passing the Archbishop’s Museum and the 12 angled stone set into the ancient perimeter wall, you will be huffing and puffing when you make it to the Plazoleta San Blas.  

Or maybe that was just me…still unaccustomed to Cusco’s high elevation. 

So why make the trip?  

The area is quite unique and filled with boutiques, restaurants and of course…a church.  A small church.  An ancient church.

The Templo San Blas.

Built in 1544, the primitive chapel was constructed on the site of an old Inca temple dedicated to Illapa, the god of thunder and lightning.  Set in the oldest parish of Cusco, the church, built by Viceroy Francisco Toledo, was originally built with mud bricks, but was reconstructed with stone walls after the earthquake of 1950.  

An earlier earthquake also played a pivotal role in the church’s history.  About a hundred years after its erection, an earthquake shook the city and the old neighborhood of T’oqokachi.  Once the church had been rebuilt and restored, it became an important temple and began to be decorated with extravagant and important artwork.

The collection of paintings exhibited in the church include one displaying the Life and Miracles of San Blas by artist Fabian Perez de Medina and a canvas of the resurrection of Lazarus, by Master Diego Quispe Tito.  It’s greatest attraction, however, is the beautifully intricate pulpit carved of Cusquenian cedar, known worldwide.  One legend has it that it was made by a local man who who miraculously healed from leprosy, another suggests that it was created by famous Quechua woodcarvers, and still, it is also thought to have been created by either Diego Quispe Tito or
Juan Tomas Tuyru Tupac.

 As we entered the simple looking church, our tickets were validated and we entered, not expecting to see much.  What a surprise was in store for us!

As was becoming the norm, no photographs were allowed and someone was actively walking throughout the church watching our actions.  If only I could have captured the beauty that was laid forth before us in greater detail.  Trying to slyly snap a couple of photographs of the amazing altar and the pulpit, I was reprimanded by the guard…though I was successful.  A bit embarrassed, we decided to head up to the bell tower where we were able to take photographs of the plaza beneath us and of the tower and bell.  The views from here were spectacular in the beautiful afternoon.   

Once we descended from the bell tower, the church had gained more visitors, but we were still unable to capture more photos. 

While the church is included in the Religious Ticket, it is worth the price of single admission because of its rich history, amazing interior and views! Take the time…make the climb!  Up the hill and to the belltower!

For more pictures, check out Facebook, Snapping the Globe, and Instagram, @snappingtheglobe.

Templo San Blas

  • Address:  Plazoleta San Blas, Cusco, Peru
  • Hours:  Monday to Saturday, 0800-1800, Sunday, 1000-1800
  • Admission:  Adult, S /. 15.00 (about $4.45 US).  Student: S /. 7.50 (about $2.20 US).  Admission with the Religious Ticket (also incorporating two other churches and museum), S /. 30.00 (about $10.50 US).

Once Upon A Palace

© 2018 Snapping the Globe, L.L.C. All rights reserved.

The palace of Inca Roca.

Ever hear of it?

Perhaps if you lived during Incan times.

Today, the Inca Roca palace is known as the Archbishop’s Palace or The Religious Art Museum.

Located a short distance from Plaza de Armas, on the famous Hatunrumiyoc Street, the museum is located on the site which was once the home of the Marquis of San Juan de Buenavista and later the Archbishop of Cusco.  Transformed into a museum in the 1960s, the site attracts thousands of visitors interested in the both the Colonial and Moorish architecture of the building as well as the religious artifacts housed in the museum. Dedicated to 17th and 18th century religious art by important Peruvian and Andean artists, the main draw for many visitors, however, is the historic palace setting.

As we walked up the street, we noticed many people taking pictures near the stone perimeter wall of the museum.  We learned that one particular stone interested them, “The Stone of 12 Angles” an archaeological artifact, considered to be a national heritage object.

After validating our Religious Ticket, we entered the museum first, noticing (again) not only the NO PHOTOS sign, but the cloistered Renaissance courtyard, decorated with a tranquil fountain, stone arches and walls decorated with blue and white tiles.  Many visitors were sitting here enjoying a quiet moment away from the busy streets of Cusco.

Surrounding the courtyard, inside the classical mansion, are a series of corridors filled with colonial furniture, chapels and important works of masters of Andean painting, including Juan Zapata.  There are many valuable religious masterpieces such as a painting of Christ’s crucifixion by Alonso Cano, entitled Granada and paintings by the Cusqueno Marcos Zapata, one Ayacuchana painting and a Quitena painting.

An important relic, a small organ of two processing refined bellows occupies one of the smaller rooms.  This organ was the first ever to come to Peru for the cathedral.

The architecture is exceptional with a door in arabesque style, doorways in the Moorish style, carved cedar ceilings and spectacular stained-glass windows and a beautiful gold-filled chapel.

The one thing that we noticed, however, was the lack of information displayed on what we were seeing.  Much of what we gleaned from our visit was from a bit of research later.

The museum was small, but interesting to see…rather enjoyable having another location to discover something new about Cusco’s history and to occupy some time during our day.   Not sure if I would have sought it out on my own, but worth the time since it was included in our Religious ticket and a plus for those interested in architectural styles.

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Museum of Religious Art

  • Address:  Located on the corner of Hatunrumiyoq Street and Herrajes street.
  • Hours:  0800-1800, daily.
  • Admission:  Adult, S /. 15.00 (about $4.45 US).  Student: S /. 7.50 (about $2.20 US). Admission with the Religious Ticket (also incorporating three other churches ),    S /. 30.00 (about $10.50 US).  Also included with the Cusco Tourist Ticket.

Cathedral of Cusco (Basilica Cathedral of the Virgin of Asuncion)

  • Address:  Plaza de Armas
  • Hours:  1000 to 1800, daily.
  • Admission:  Adult, S /. 25.00 (about $7.38 US).  Student: S /. 12.50 (about $3.70 US).  Admission also with the Religious Ticket (also incorporating two other churches and museum), S /. 30.00 (about $10.50 US).

Templo San Blas

  • Address:  Plazoleta de San Blas, Cusco
  • Hours:  1000-1800, daily
  • Admission:  Adult, S /. 15.00 (about $4.45 US).  Student: S /. 7.50 (about $2.20 US).  Admission with the Religious Ticket (also incorporating two other churches and museum), S /. 30.00 (about $10.50 US).

Church of San Cristobal

  • Address:  Avenue Don Bosco
  • Hours:  1000-1800, daily
  • Admission:  Adult, S /. 15.00 (about $4.45 US).  Student: S /. 7.50 (about $2.20 US).  Admission with the Religious Ticket (also incorporating two other churches and museum), S /. 30.00 (about $10.50 US).

The Cathedral of Cusco

© 2018 Snapping the Globe, L.L.C. All rights reserved.

There is no shortage of churches in Cusco.

In fact, with so many in such close proximity, it is possible to fill your day with a self-guided walking tour, hitting on some of the major temples, beginning with Iglesia de Santo Domingo on Calle Santo Domingo, heading to Plaza de Armas to visit Iglesia de la Compania de Jesus, Iglesia del Triunfo, La Catedral, Iglesia de Jesus Maria, on to Iglesia de Santa Teresa and Iglesia de la Merced, a block away, and then Iglesia de San Francisco, Iglesia de Santa Clara and Iglesia de San Pedro a short stroll from the plaza.

These churches, some dating back to the mid 1500’s, offer spectacular insight on both the Inca and Spanish colonial cultures.

The Cathedral of Cusco (Basilica Cathedral of the Virgin of Asuncion), dominates the Plaza de Armas and I was anxious to visit this massive structure.  Finding that a ticket (the Boleto Religioso) could be purchased that offers admission to not only the cathedral, but to two other churches, Templo San Blas and the Church of San Cristobal and the Museum of Religious Art, I decided that this would be a great way to not only see some of the amazing religious sites of Cusco, but some of the parts of the city in between.

Long before the Cathedral stood on its present location, the Kiswarkancha stood in the main square.  Built by the Incas, the Kiswarkancha was the palace of Viracocha, the ruler of the Kingdom of Cusco.  As the Spanish conquistadors arrived, however, they made the decision to demolish the palace and build a cathedral on the site, in order to wipe out the Inca religion and promote the spread of Christianity.

Lasting for almost a century, construction began in 1559 and was completed by utilizing an involuntary Incan workforce.  Most of the stones used in the construction was taken from Sacsayhuaman, again with the idea of desecrating another of the Inca’s religious sites.  Once the Spaniards learned that the sand located on the building site was also considered holy, they demanded that it be used in the mortar.

Standing before this mighty structure, flanked by its two solid towers and sidled by the Iglesia del Triunfo and Church of Jesus, Mary and Joseph, it’s easy to forget its sordid beginnings.

As we entered and paid our admission, once again, I noticed that photography was not allowed.  No…not even without a flash.

After we began our self-guided tour and began to see the unimaginable beauty presented in this “Mother Church”, I was even more disappointed about the No Photography rule.

The sprawling cathedral has eleven chapels, one vestry, one chapter house, seven altarpieces, one choir, over three hundred paintings, various carvings and sculptures.  Offering characteristics of Gothic, Renaissance, Mannerist and Baroque architecture, from start to finish, the artistic detail offered in every nook and cranny is a feast for the eye.  Baroque, Neoclassical and Renaissance details are displayed on the two altars and magnificent woodworking is displayed on the pulpits and choir stalls.  Of the two altars, the original lambran (alder-tree) is located at the back and the neoclassical embossed silver altar in front, which is currently used.

The sacristy, one of the most decorated parts of the cathedral, displays a large collection of 18th paintings by Marcos Zapata, including his version of the Last Supper which presents the main dish of roast guinea pig, and portraits of Cusco’s bishops, beginning with Vicente de Valverde, the first resident bishop of Cusco who accompanied Francisco Pizarro on his conquests.  A large, dark painting of the crucifixion, is also presented here, thought to be painted by either Dutch artist, Anthony van Dyck or Spanish artist Alonso Cano.  Other important paintings by Basilio Santa Cruz Pumacallo and Basilio Pacheco can also be seen in the cathedral as well as the oldest surviving painting in Cusco, depicting the the ancient city during the 1650 earthquake where the townspeople are seen carrying a crucifix in the Plaza de Armas, praying for the natural disaster to end. Diego Quispe Tito’s Christ’s 12 Parables is particularly noteworthy as this incomplete collection depicts the twelve months and zodiac symbols of the year, incorporating the parables of Jesus into the pictures.

A most intriguing relic is the wooden crucifix, the Black Christ, discolored from centuries of smoke and dust emitted from burning candles.  When the cathedral was restored in the 1990s, the crucifix was not cleaned.  Every year, during the Lord of Miracles Procession during Holy Week, the crucifix is taken outdoors to commemorate the earthquake of 1650.

Another spectacular piece, which can be spied from the outside, in the north tower, is the famous Maria Angola bell.  Weighing  over 13,000 pounds and standing just over seven feet, the bell, cast in 1659 was named, according to local tradition, after an Angolan slave who threw gold into the crucible where the bell was being made.   Now cracked, it is only rung on special occasions and can be heard reportedly from more than 20 miles away.

The cathedral attracts thousands of visitors each year and includes a visit to the adjoining Church of Triumph (Iglesia del Triunfo) which was built in 1538, three years after the conquistadors settled in Cusco.  The statue of St. James, slaying an Inca, sits atop the church as a tribute to the belief that this patron saint of Spain played a major role in the Spanish miraculously driving back the Incas during a siege from 1533 and 1536.

Also attached to the church, and included in the visit to the cathedral, is the Church of Jesus, Mary and Joseph, a great place to see the art work of colonial Peruvian Inca artists.

Walking slowly throughout the premises, we attempted to soak in as much of the amazing craftsmanship as we could while I took an occasional photo on the sly.  Be wary, however, there are cameras located throughout the church and workers who are not easily identifiable will ask you to put away your phone or camera.  Though I was only caught once, I can not say for sure whether or not a guest would be asked to leave for continuing to disobey the rule.

Whether or not churches are of interest to you, make sure to put the Cathedral on your agenda during your visit to Cusco, as well as the other churches and museum included with the combination ticket.  With a museum-like quality, you will surely be fascinated by not only its history, but by the intriguing architecture, craftsmanship and artwork on display here.

For more pictures, check out Facebook, Snapping the Globe and Instagram, @snappingtheglobe.

 

Cathedral of Cusco (Basilica Cathedral of the Virgin of Asuncion)

  • Address:  Plaza de Armas
  • Hours:  1000 to 1800, daily.
  • Admission:  Adult, S /. 25.00 (about $7.38 US).  Student: S /. 12.50 (about $3.70 US).  Admission also with the Religious Ticket (also incorporating two other churches and museum), S /. 30.00 (about $10.50 US).

Museum of Religious Art

  • Address:  Located on the corner of Hatunrumiyoq Street and Herrajes street.
  • Hours:  0800-1800, daily.
  • Admission:  Adult, S /. 15.00 (about $4.45 US).  Student: S /. 7.50 (about $2.20 US). Admission with the Religious Ticket (also incorporating three other churches ),    S /. 30.00 (about $10.50 US).  Also included with the Cusco Tourist Ticket.

Templo San Blas

  • Address:  Plazoleta de San Blas, Cusco
  • Hours:  1000-1800, daily
  • Admission:  Adult, S /. 15.00 (about $4.45 US).  Student: S /. 7.50 (about $2.20 US).  Admission with the Religious Ticket (also incorporating two other churches and museum), S /. 30.00 (about $10.50 US).

Church of San Cristobal

  • Address:  Avenue Don Bosco
  • Hours:  1000-1800, daily
  • Admission:  Adult, S /. 15.00 (about $4.45 US).  Student: S /. 7.50 (about $2.20 US).  Admission with the Religious Ticket (also incorporating two other churches and museum), S /. 30.00 (about $10.50 US).

 

The Bones of Cusco

© 2018 Snapping the Globe, L.L.C. All rights reserved.

Ruins, churches and bones.

There are a lot of these in Cusco.

After our return from Machu Picchu, we were determined to discover everything there was in Cusco.  We had explored the ruins, now it was time for the churches and bones.

On the first day of our arrival, we had walked through the Plaza San Francisco.  Intrigued by the church there, I had walked over and tried the door.  It was locked, so I figured we would return on another day.

After perusing maps and information on things to do in the city, I discovered that the church was connected to a monastery and convent and was open to the public for guided tours.  This was something I wanted to see…and see how it compared to the San Francisco Monastery in Lima.

As we walked down the hill from our hotel, we entered the plaza and made our way to the museum’s entrance.  Paying our entrance fee, we waited patiently for the guide to take us through the property.

After a brief introduction, he uttered those words I hate…”pictures are not allowed”.

Nooooooooooooooooooooooo!

Built in 1572 by the order of Viceroy Francisco de Toledo, the monastery was used until 1650, when an earthquake damaged the property.  Restoration put it back into operation until the present, however, where there were once 180 Franciscan monks living on the premises, only three remain.

We were guided through the two-storied property which includes cloisters, a choir, library, refectory, chapels and the church.  Many of the paintings are in need of restoration but one of the highlights is the monumental canvas measuring 12 x 9 which depicts the genealogy of the Franciscan family by Juan Espinoza de los Monteros.  Allegedly, this painting is the largest in Latin America!

Original carvings and religious artwork, chests, manuscripts and books fill the rooms and I was both mesmerized by what I was seeing, but also disappointed that I could not capture most of it, but for the occasional stolen photo when our guide was not looking.

As we stood in the choir loft of the church, carved of cedar by local Franciscan Friar Luis Montes, Isisdro Fernandez Inka and Antonio Paz, we admired what we could see below in the dimly lit space…the Latin cross plan with three naves and topped with a high square tower.  Inquiring of the opening hours so that I might return, we were told that although hours were posted, they are not always reliable.

Continuing on, our guide brought us to the library, filled with massive texts, many of which are extremely valuable.  A vast number of books are also housed elsewhere and the space is lit by natural lighting entering from the large, floor-to-ceiling windows.

Finally, we were led to the catacombs which contain the remains of several unknown locals from ancient periods.  The first cemetery built in the city, the bones are lined on each side of the hallways located beneath the church.  We were led down a stairway in one of the rooms to a cave-like space.  Also filled with bones, they were arranged, though not as beautifully as others I have seen, such as in the Capuchin Crypt in Rome and San Bernardino alle Ossa in Milan.   An altar honoring Saint Francis of Assisi was also present here and shockingly, I was allowed to take pictures.

Eventually, we were deposited back in the cloisters and left to explore the gardens.  Pictures were also allowed, so we snapped a few selfies, to placate my need to capture the moment.

Though many only use Cusco as a stepping stone for their visit to Machu Picchu, there is much to explore in the once historic capital of the Inca Empire.  The monastery is centrally located and requires only a short amount of time…take advantage of it!

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San Francisco de Asís Monastery

  • Address:  Jirón Lampa, Distrito de Lima, Peru, Cusco.  Located in the Plaza San Francisco, near the National School of Sciences.
  • Hours:  Museum, Monday to Friday, 0900-1200 and 1500-1745.  Saturday, 0900-1200.  Closed Sunday and holidays.  Church, Monday to Saturday, 0630 to 2000.  Sunday, 0630-1200 and 1700-2000.
  • Admission:  Museum, General, S / 15.00, National Student, S / 3.00.  Church, free admission

Sexy Woman

© 2018 Snapping the Globe, L.L.C. All rights reserved.

Although most people aspire to visit Machu Picchu when heading down to Cusco, many do not realize that there are other archaeological sites near Cusco that are equally as important.

Q’enqo.

Puka Pukara.

Tambomachay.

Sexy Woman.

Wait, what?

Ok…Sacsayhuamán.

Comprised of the words Saqsay, meaning satiated or filled and waman, meaning hawk, Sacsayhuaman is a mouthful, but much easier to pronounce if you say it like “Sexy Woman”!

After our exhausting trip to Aguas Calientes and Machu Picchu, we decided to sleep in the next morning and spend the day seeing some sights in Cusco.  But, after the early wake-up calls the last few mornings, sleeping in meant, 9:00 a.m.  Our bodies, so used to rising early, wanted no part of a late morning.

Deciding to check out the archaeological ruins in Cusco, we were not really sure if we could purchase the ticket which incorporated the four sites at Sacsayhuamán’s ticket office, so we headed into town to the Tourist Gallery, to purchase the tickets before grabbing a cab to the citadel.

A friend had recommended securing a guide at Sacsayhuamán and we did just that once we arrived.   Edmundo was extremely friendly and most informative, guiding us through the UNESCO World Heritage Site.

Building of the citadel began around 1100 after the Killke culture had occupied the area for 200 years.  Expanded by the Inca from the 13th century, huge, dry stone walls were constructed with boulders cut so precisely that they were fitted together with no mortar.

With its location so high above Cusco, the fortress was well protected and was extremely important to the area’s militia.

As we walked through the large plaza area, Edmundo explained that it was capable of holding thousands of people and was designed for ceremonial activities.  The massive terrace walls were the main attraction here, however.  The stones used in the wall’s constructions are among the largest used in any building in pre-Hispanic American and so precisely cut and fitted that not even a piece of paper can be inserted between them.  The longest wall is approximately 400 meters long and 6 meters tall and appears to be a sort of three dimensional jigsaw puzzle with its largest stone weighing more than 360 tons and 29 feet high.  Edmundo pointed out many stones that were cut and placed, forming shapes…a puma’s paw, a llama, a snake, a guinea pig and a bird…shapes we would never have seen had we not had a guide.

As we were guided through the Terrace Gateway, we walked up the stairways to the upper terraces.  The views of Cusco from this area were spectacular and we admired the city below noting major landmarks, Plaza de Armas, La Catedral, Iglesia de La Compaña de Jesús.  It was explained to us that Cusco was laid out in the shape of a puma and Sacsayhuamán makes up the head with its jagged walls representing its teeth.

As we stood high over the city, the sky darkened and lightening began to flash.  So exposed to the elements, we were a bit nervous, however, as accustomed to the ever-changing weather, Edmundo continued his monologue, guiding us through the site, informing us that Sacsayhuamán once had three towers and a labyrinth of rooms large enough to accommodate 5,000 Inca soldiers.

Making our way back down to the parade ground, where the Inti Raymi winter solstice festival is held every June and attended by tens of thousand of spectators, we crossed the massive area over to the Rodadero which was believed to be the religious and ceremonial section. Most of the structures once at the Rodadero were torn down by the Spaniards and later inhabitants of Cusco.  We were led down below ground through a passage, ducking our heads to make our way through and emerging above ground in another area.  Fun as that was, the best part was coming across the high, smooth rocks that descended in a wavy pattern.  Edmundo led me carefully uphill and had me sit.  Scooting forward, I began to slide down, faster and faster until I reached the bottom!  Yes, the Incas surely must have had fun on this!

 

Finally, our tour came to an end and Edmundo directed us out of the back of the property to the road leading to Q’enqo and the path to The Christ Statue, our next two stops.  Pointing out some restaurants that we could grab a bit to eat, he bid us goodbye.

Though Machu Picchu’s and Pisac’s breathtaking locales lend to their attraction, we really enjoyed visiting Sacsayhuamán, for the preciseness and original Inca architecture.  We learned a great deal from Edmundo and I recommend a guide so as not to miss some of the most impressive features of this amazing site.  Remember…much of Machu Picchu has been rebuilt, but the massive original stones of Sacsayhuamán, have withstood the test of time.

Stones, stones and more stones, but we may have seen a sexy woman or two…

For more pictures, check out Facebook, Snapping the Globe and Instagram, @snappingtheglobe.

 

Partial Tour Tickets-Sacsayhuaman, Q’enqo, Puka Pukara, Tambomachay

  • http://www.cosituc.gob.pe
  • Ticket Office Address:  Av El Sol 103, Tourist Galleries, Of. 101, Cusco, Peru
  • Hours:  Monday to Saturday, 0800-1800, Sundays and holidays, 0800-1300
  • Ticket prices:  Circuit I, Sacsayhuaman, Q’enqo, Puka Pukara, Tambomachay, S/. 70, General, (about $21 US), S/. 40, Students, (about $12 US).  Circuit II, Regional Historical Museum, Museum of Contemporary Art, Folk Art Museum, Koricancha Site Museum, Native Art Center Qosqo, Monument to the Inca Pachacutec, S/. 70, General, (about $21 US), S/. 40, Students, (about $12 US).  Circuit III, Sacred Valley of the Incas sites, Pisac, Ollantaytambo, Chinchero, Moray, S/. 70, General, (about $21 US), S/. 40, Students, (about $12 US).  Cusco Touristic Ticket, allows admission to 16 sites in Cusco, the nearby Sacred Valley and the South Valley, Cusco Tourist Ticket Integral – BTCL, S/. 130 (about $39 US).  Cusco Tourist Ticket Integral for students-BEE, S/. 70 (about $21 US).
  • Getting There:  On foot, you can walk to Sacsayhuaman (and the adjacent Christ Statue) from Cusco, about 30-40 minutes, uphill.  Walk from Plaza de Armas to the first ruin, Sacsayhuamán, by taking the road that runs along the right side of the Cathedral, and then turning left on Choqechaka road. Walk along the road and then take a right on the Atoc’sekuchi staircase. Climb the staircase until you reach a main road, where you will turn left. Walk along the road for a few minutes, and you’ll see the Cristo Rey statue. Turn left on the gravel road just past it and continue along it through a field to the entrance to Sacsayhuamán.  By cab (recommended),  S/. 10 (about $3 US).  You also can negotiate with a driver who can wait and drive you to each of the other sites.  After walking to the Christ Statue, I negotiated a rate of S/. 50 soles for the driver to take us to Q’enqo, Puka Pukara, Tambomachay and back to Plaza de Armas.  We negotiated that the driver wait at each site for 20 minutes.  However, with cabs being plentiful, you can use separate taxis as all of the ruins are situated along the main highway to Pisac.  Taxi from Sacsayhuamán to Q’enqo, about S/. 5 (about $1.50 US).  Taxi from Q’enqu to Puka Pukara, about S/. 8 (about $2.25 US).  You can walk from Puka Pukara to Tambomachay.  In addition to taxi to return to town, you can also flag down the next bus passing Tambomachay for S/. 1 (about $.30 US).

 

 

 

 

 


 

 

 

 

The Incan Citadel

© 2018 Snapping the Globe, L.L.C. All rights reserved.

Set high in the Andes Mountains of Peru, above the Urubamba River valley, lies an Incan citadel…

Machu Picchu.

A destination on so many’s bucket list, it had topped mine for a long time.

Finally, my day had come.

Leaving our larger backpacks at our Aguas Calientes hotel, we packed only the necessities in our travel packs and set out into the dark to make our way to Avenida Hermanos Ayar for the start of an exciting day.

5:00 am…a line was snaking its way down the street.  Taking our place, we looked back a few minutes later to see the line had grown significantly.   Soon, a person came by to verify our bus tickets and our entrance tickets.

5:25 am…the first of the buses began to position themselves for their first riders.

5:35 am…we were on our way.

The half hour journey followed the Urubamba River until reaching a bridge crossing.  Here, we began the back and forth climb to the top of the mountain, passing the occasional groups that decided to forego the bus and make the hour and a half climb to the citadel.

As we disembarked and made our way to the entrance, there were many guides seeking to assist visitors.  Although we had originally thought we would hire a guide, when we finally made a decision on one particular person, someone hired them before we could.  We finally decided to tour the premises on our own, a decision I realized would probably benefit me more than my husband.  When I am trying to capture a place photographically, I always feel a bit disrespectful when I am shooting while they are speaking, however, if I don’t capture what I want to and we quickly move on, I feel a bit cheated.  Since, it would have been just him and I, it would have been more evident that I was only half listening than when we were part of a group.

Walking the paths onto the grounds with no map, we followed the masses trying to decipher which way to go…and there it was…our first glimpse of the ancient Incan citadel.

Built in the 15th century, Machu Picchu was renowned for the complicated building system of huge stone blocks that fit together intricately with no mortar.  With deep foundations and tight formations, the buildings are earthquake prone and for good measure…Machu Picchu sits atop not only one, but two fault lines.

The citadel was built high in the mountains offering panoramic views, though its exact use remains a mystery.  Some historians believe that Machu Picchu was constructed during the rule of two great Incas, Pachacutec Inca Yupanqui and Tupac Inca Yupanqui, with it being built as a royal estate for the former.  Used only for 80 years, there is the possibility that the inhabitants died suddenly from disease.   When Hiram Bingham III stumbled upon the ruins in 1911, he was actually in search of the city of Vilcabamba and he spent most of his life arguing that the cities were one in the same.  Not the first to discover the ruins, however, Bingham was the first scientific discoverer to bring international attention to Machu Picchu and undertake major clearing and excavation.

Some visitors to Machu Picchu come to honor the sacred temple and others are fascinated by its historical significance.  Still, there are others that hope to benefit from the powerful energy believed to emit from the ruins.

Me?  I was here for a check on my Bucket List and amazing photos!

As we made our way up the Cultivation Terraces, we found our way to the City Gate and then on to the Cemetery, Funerary Rock and the House of the Guardians, finding that some amazing views of Machu Picchu can be had here.

 

 

Taking a trail through the brush, we hiked for a while, gazing down the steep drop offs to the river below as we sought out the Inca Bridge.  Finally, after about a thirty minute hike, we found the bridge, some old boards, spanning a gap alongside the cliffs.  No access was allowed, with a locked wooden gate barring any entry to the area, but noting the poor ancient construction, I was happy to maintain my distance.

Turning, we made our way back the way we had come.

Half an hour later, we returned to find an even greater number of people on the premises, making descent to the lower portion of Machu Picchu difficult.  Spying llama nearby, we used them as a distraction for a while to rest up for the fight down the stairways.

Finally, after our descent, we encountered the Urban Area and parts of the complex including Nusta’s Bedroom, Temple of the Sun, Royal Tomb, Ritual Fountains and The Royal Palace.  Though many of the outlying buildings have been reconstructed to give visitors a better idea of how they originally appeared, only about thirty percent of the archaeological area has been restored with renovation continuing.

Following the crowds, we made our way past the Temple of the Three Windows, the Main Temple and the Main Square with park directors keeping everyone on the path and moving in one direction.  Eventually, we made it to the Sacred Rock and noticed the entrance to Huayna Picchu, the starting point to an arduous climb to the soaring pinnacle.  Though we had had the opportunity to purchase tickets for the climb, staring up at this peak and the minuscule figures making their way up the steep paths, we were glad that we had skipped that part.  Though I am not afraid of heights, I couldn’t image making my way up to the top…I was having trouble with the lack of oxygen in the higher altitudes on some of the simpler paths.

Heading back in the direction of the main entrance, we made our way through the Houses of Factories, the Industrial Zone and the Prisoner’s Area, stopping occasionally to snap photos of the ruins and the nearby peaks, that were making themselves more visible with the clearing skies.

Eventually, all good things must come to an end and the path did just that…

Stepping out of the authorized grounds, we took the opportunity to utilize the facilities, stamp our passports with the official Machu Picchu stamp and grab something to drink while taking in the large numbers of visitors continually arriving and departing.

Our wait wasn’t long for the bus back to Aguas Calientes and we were soon winding back and forth down the mountain.

Back in town, we found a nice place along the river to have lunch and enjoy cuy for the first time since we had arrived in Peru.  Not the full fledged roasted affair, this one was prepared fried and was extremely delicious!  As we enjoyed our meal, the skies opened up, making us extremely glad that we had departed Machu Picchu when we did.

Had we actually done it?  Yes, we had made the long arduous journey all the way to the center of the mountains of Peru and visited the UNESCO World Heritage Site that many aspire to.

Thinking back to two conversations that I had had with friends who had once visited, I wondered if I had missed something critical.  These friends both intimated that Machu Picchu was life changing.  I understand that everyone’s definition of the terms is subjective and dependent on other things they have experienced in their lives.  I asked my husband, “Did you think this was life changing?”  Though he agreed with me, we were extremely happy with our visit, for us, we didn’t equate the definition with our experience.

After a lifetime of saying he would never set foot on the African continent, my husband not only ventured there, but enjoyed it so immensely that he continually talks about returning.  That is life changing.

Not to take anything away from Machu Picchu or anyone else’s adventure, we have to admit that the Incan citadel is a trip that everyone should take during some part of their lives.  A beautiful ancient civilization, it’s setting far away from modern life lets everyone stop and imagine how simple yet complex life once was.

Life changing?  Yes, for the Incas.

For more pictures, check out Facebook, Snapping the Globe and Instagram, @snappingtheglobe.

 

Machu Picchu

  • http://www.machupicchu.gob.pe/
  • Hours:  0600-1800, daily, including public holidays, Christmas and New Years.
  • Admission:  Nationals, 60 Soles (about $18 US), Foreign Visitors, 152 Soles (about $45 US)  Tickets can be purchased from the Ministerios website or Decentralized Offices Department of Culture (Cusco), Main office Cusco – Calle Garcilaso SN – Museo Casa Garcilaso (L-S 7:00 a.m. to 7:30 p.m.), except Sundays and holidays and Office Machu Picchu Pueblo – Cultural Center (L-D 5:15 a.m. to 8:45 p.m.) every day.  Tickets are for entry in the morning or afternoon only.  Passports or ID card required for entry.
  • Getting There:  From Lima, airline travel to Cusco.  From Cusco, travel to Aguas Calientes on Peru Rail or Inca Rail.  In Aguas Calientes, bus tickets are required for transportation to Machu Picchu or hiking the steep trail for one and a half hours.

Air Travel from Lima to Cusco

  • Many airlines fly from Lima to Cusco frequently throughout the day.  Check the websites for LC Peru, Avianca, LATAM, Star Peru and Peruvian Airlines.

Peru Rail

Inca Rail

Machu Picchu Bus Tickets-Inter Bank, Cusco

  • Address:  Av. El Sol, 380, Cusco
  • Hours:  Monday-Friday, 0900-1300, 1400-1800, Saturday, 0900-1300
  • Ticket Prices:  Foreign Adult, S /24.00 return, Foreign Adult, S /12.00 single, Foreign Child, S /12.00 return, Foreign Child, S /7.00 single.  Adult National, S /15.00 return, Adult National, S /8.00 single, Child National, S /8.00 return, Child National, S /5.00 single. Student National, S /10.00 return, Student National, S /6.00 single.
  • Tickets can be purchased up to 7 days in advance, valid for 3 days but for 1 use only.  Passports or national ID required for purchase.

Machu Picchu Bus Tickets-Aguas Calientes (Bus Stop)

  • Address:  Av. Hermanos Ayar S/N
  • Hours:  Monday-Sunday, 0500-2100
  • Ticket Prices:  Foreign Adult, S /24.00 return, Foreign Adult, S /12.00 single, Foreign Child, S /12.00 return, Foreign Child, S /7.00 single.  Adult National, S /15.00 return, Adult National, S /8.00 single, Child National, S /8.00 return, Child National, S /5.00 single. Student National, S /10.00 return, Student National, S /6.00 single.
  • Tickets can be purchased up to 7 days in advance, valid for 3 days but for 1 use only.  Passports or national ID required for purchase.

Machu Picchu Bus Tickets-Machu Picchu

  • Address:  Bus Stop
  • Hours:  Monday-Friday, 0730-1730
  • Ticket Prices:  Foreign Adult, S /24.00 return, Foreign Adult, S /12.00 single, Foreign Child, S /12.00 return, Foreign Child, S /7.00 single.  Adult National, S /15.00 return, Adult National, S /8.00 single, Child National, S /8.00 return, Child National, S /5.00 single. Student National, S /10.00 return, Student National, S /6.00 single.
  • Tickets can be purchased up to 7 days in advance, valid for 3 days but for 1 use only.  Passports or national ID required for purchase.

 

The Gateway to Machu Picchu

© 2018 Snapping the Globe, L.L.C. All rights reserved.

“It’s an armpit.”

This was how Aguas Calientes was described to me by one of my friends.

Everyone has a different expectation of experiences, places and activities.  My years of travel has taught me this time and again.  Many places I have adored, others were not so excited about and vice versa.

When I asked a friend to tell me about her visit to Machu Picchu as I began to plan our trip, she wasn’t thrilled about her night in Aguas Calientes.  In fact, she advised me to take the train there early in the morning and return to Cusco that evening.  That seemed like a lot of travel for one day and I was certain I would be in no mood for that much exertion.

Checking out other travelers posts, I was intrigued by the little town that is dubbed, The Gateway to Machu Picchu.  I didn’t want us to miss out on an experience that might be unique, so I planned to stay for one night.

There was a wide range of options to choose from when I was checking out hotels…hostels, budget, mid-range and luxury…but I wanted more of a local experience.  The one I chose was mid-range and unique indeed.

After we arrived in Aguas Calientes, we made our way through the maze that was the market place and into the town square.  Not really knowing where our hotel was located, we stopped a local worker and we were directed to a nearby alleyway.  Our hotel, Gringo Bill’s, was deep into the small passage and as we checked in at the front desk in the small lobby, we were told to return in an hour.

Heading back to the main square, we found a top-floor restaurant where we could sit near the windows and watch the comings and goings of both tourists and locals.  As we enjoyed our burgers, the main attractions were the countless tourists posing with the Machu Picchu sign and a parade of small children from the local school playing instruments, marching behind their music teacher.

Once we checked back with our hotel, we were led through the maze of stairways and hallways leading up to our room on one of the top floors at the rear of the property.  Dark wood and white plaster walls were complimented with brightly, woven fabrics.  The place was neat and clean and we had a small balcony to sit and enjoy the surrounding mountain walls.

After settling in, we set out to see the town.  Consisting of a main square, Plaza Manco Capac, and small passageways set into the mountainside, a railway line cuts through the western part of the town, running northwest to south, most important to the town’s viability.  As we walked along the tracks, we watched the town in action, loading and unloading supplies brought in from larger Peruvian cities.  Occasionally, the Explorer and Vistadome trains rumbled through and once, we even saw the Hiram Bingham glide by with its 1920’s-style carriages, finished with polished wood and brass.  Inside, we could see tables set with white table cloths and fine china and the Observation Car where fortunate travelers can watch the Peruvian countryside with no barrier between them and the fresh air.  It was nice to see, as with the prices charged for that type of adventure, it was as close as we were going to get!

We took a walk along Avenida Hermanos Ayar to see where the buses would pick us up in the morning for our trek to Machu Picchu.  Buses of weary tourists were arriving from that day’s mountain adventure and it was exciting to think that in a little more than twelve hours, we were going to be setting out from this spot for our adventure of a lifetime.

The Urubamba River rushed alongside the mostly unpaved road and we noted the waterline on the steep mountain walls on the opposite side of the river, letting us know that the river was currently at a low point.

The town was filled with restaurants, shops, hotels and small plazas.  I enjoyed the beautiful carvings etched into large boulders and rock walls throughout the town.  There were many statues scattered throughout, colorful architecture and narrow pedestrian bridges crossing the Rio Aguas Calientes.

The community church, Iglesia Virgin del Carmen, situated on the main square, was open so we ventured in to take a look.  A large, one-room structure, its white ceiling was lined with dark beams and its white walls interspersed with high, windows, stained blue and yellow.  The main focus, the altar, was a grandiose, gold piece with statues situated in the alcoves.  I loved that many of the locals seemed to gather on the steps to visit and sometimes have a bite to eat.  The children played here together spinning their tops, laughing and enjoying each others company.  It truly seemed to be the center of the community.

Next, we made our way up the steep hill toward the hot springs.  Although we had brought swimsuits, we decided on the advice of a friend, to skip this adventure.  She said that the best time to visit is in the morning when the waters are fresher and not contaminated by the sweaty hikers who have descended from Machu Picchu and the Inca Trail.   We checked out the entrance and the shops that rent swimsuits, sandals and towels.  Reading up on the attraction later, we found reviews not so favorable, ranging from complaints of urine smells, mold and scum floating on the surface, so we were extremely glad that we had decided against a visit.

Finally, out last stop was the Mercado Artesanal.  A vast labyrinth of stalls filled with t-shirts, jewelry, alpaca sweaters, bags, hats and other trinkets, it was confusing yet amusing to peruse this market and we picked up a few things for our children and ourselves.

Though our stay in Aguas Calientes was a short one, I thought the town to be quite charming and glad that we had given ourselves enough time to enjoy it.  Once I had posted pictures taken during our stay, another friend confided to me that they had done one of the tours of the Sacred Valley, which had them arriving in Aguas Calientes after dark, departing for Machu Picchu early in the morning and returning to town, only to catch the train and return to Cusco.  She loved my pictures and felt like she had been short-changed, wishing that she had had some time to wander around the small town.  That being said, we also spoke with another couple who had decided to stay in Aguas Calientes for two nights.  With so little to do other than Machu Picchu, they considered two nights to be a bit much.

With such a long journey to reach Machu Picchu, take the time to enjoy Aguas Calientes for what it is.  Although a small place, it definitely has its charm and you should take a bit of time to explore what it has to offer.

For more pictures, check out Facebook, Snapping the Globe and Instagram, @snappingtheglobe.

 

Gringo Bill’s Hotel