The Middle of the World

© 2020 Snapping the Globe, L.L.C. All rights reserved.

Passport junkie.

That’s me. A person who wants to fill their passport with as many stamps from as many countries that they can.

This summer, I had done quite a bit of traveling with my family, however, even though we had visited cities to which I had never been, it was to countries that I had already marked off my map.

Scouring airline routes for a new country to visit, I decided that my husband and I could make it down to Quito, Ecuador, somewhere neither of us had ever traveled to, without a lot of fanfare or time off of his schedule.

Arriving late at night, the sky was dark and foggy and their wasn’t much to see at the airport or on our taxi ride to our hotel in the downtown area. So, it suffices to say that I was up early and eager to see what Quito had to offer.

One of the most popular attractions in Quito is the Equator. Yes…that imaginary line that runs through the center of our globe and what Quito is named for. If there was nothing else that we would see, this had to be it!

So you ask…if it’s imaginary, how would we find it?

Uber, of course!

Journeying via Uber for a few miles from the downtown area, our destination was Ciudad Mitad del Mundo (Middle of the World City), the location of where the monument to the equator has been built. Though is is touted that this is the exact location of the equator, as was determined by the eighteenth century Franco-Spanish Geodesic Mission, the World Geodetic System, used in modern GPS systems, actually shows that the equator actually lies about 240 meters north of the marked line.

Oops!

No matter, we would visit this Disney-esque like park and then head to the real Equator location at the Intinan Solar Museum afterward.

Mitad del Mundo Entrance and Ticket Booth

Passing through the entrance, we headed through the well-manicured grounds to the pyramidal monument which dominates the park’s skyline. Each side faces a cardinal direction and the monument is topped with a globe. Naturally, the first thing we (as all other tourists) did was to straddle the yellow “equator” line in front of the monument. For a moment, my husband was in the northern hemisphere and I was in the south…yet only a few inches away from each other!

How cool is that?

We ventured into the monument to visit the small museum that offers insight into the Ecuadorian culture as well as information about the equator and the history of Mitad del Mundo. Working our way through each level, we finally, found ourselves at the top which offers a viewing platform and amazing perspectives of the property and the city and mountains beyond.

Making our way throughout the property, we found it to be quite vast and offering many attractions, including shopping and restaurants along a small colonial square, a llama farm, beer and cocoa museums, a planetarium and replications of ancestral housing. There are three cultural museums, the Ecuadorian Pavilion which offers a look at pre-Columbian art to inform of the history of Ecuador, the France Pavilion, a two-storied space which offers insight into the main contributions provided by the First and Second French Geodetic Mission and the Guayasamin Pavilion where you can appreciate the works of Ecuadorian painter and sculptor Oswaldo Guayasamin, who fought for the rights of the indigenous people. The Cultural Square hosts cultural events on most weekends and there is a small train station which provides transportation throughout the park with commentary emphasizing the history of the park.

Ancestral Housing Replicas

My favorite thing (besides dining on delicious empanadas) was our visit to the chapel modeled after the many churches that dominate the center of Quito. Ascending the bell tower, we had a beautiful view of the monument and the square below, I immediately focused in on this sign.

Oh, yes! I’ve always wanted to ring a church bell!

Descending back into and out of the church, we made our way, next door, to the Virgin’s Museum which highlights the most important Virgins celebrated and worshiped around the world. Just down the street, there was a small grotto, which gives patrons a chance to give thanks and praise to the most important Virgin, the Blessed Virgin Mary.

Although, it would have been easy to spend the greater part of a day here at Ciudad Mitad del Mundo, our itinerary was packed with many of Quito’s attractions and it was time to move on.

Petting the llamas would have to wait until next time!

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Mitad Del Mundo

  • http://www.mitaddelmundo.com/en-us/
  • Address: Manuel Cordova Galarza Km. 13, 5 SN, Quito, Ecuador
  • Hours: 0900-1800, daily
  • Admission: Adults, $5.00, Children (ages 5-12), $2.50, Seniors and Disabled, $2.50, Children under 5, free
  • Getting There: Uber, from the Hilton, about $13.00 US. Quito Tour Bus, $30.00 per Adult, $20.00, reduced fare, departing from the Boulevard of the United Nations. The Mitad del Mundo bus ($.40 per person, adult, $.20 reduced) which runs along the Occidental Avenue (North-South). Buses run approximately every 5 minutes. Taxi rates vary from various parts of the city and arrangements can be made from most hotels for driver to wait for return or transport to other locations throughout the city.

Museum For the Arts

© 2019 Snapping the Globe, L.L.C. All rights reserved.

Sometimes the best laid plans fall apart.

Even though I had intended to venture out to the Priscilla Catacombs in Rome, we had arrived late and sleep seemed a little more important when my alarm went off.

Knowing that Borghese Park was not far away, I peeked out between the curtains, noticed the sunshine and thought that it might be nice to take a walk in the park and a turn in the Borghese Gallery and Museum.

Who would have known that you needed an advance reservation?

Well, I guess if I had done some prior research…

A little defeated, I headed out of the park and took a quick glance at my Google maps. There was a museum listed a few blocks away.

Why not? I had nothing else to do and the catacombs were closing in a short while.

Walking the few blocks to the location of the Museo Ludovisi Boncompagni, I stood for a moment to enjoy its Roman baroque-style appearance from across the street.

Upon entering, I approached the front desk, saying hello to the two women who were standing there. Asked to sign the guest book, I then inquired about the entrance fee but was told that entrance to the museum was complimentary…quite the nice surprise!

Making my way through the ground floor of the villa which belonged to the Prince Andrea Boncompagni, it was a bit like stepping back in time, seeing how the upper elite of Rome lived at the time.

The villa, which fell into Prince Boncompagni’s widow’s possession upon his death was donated, per her request, to be used as a center for cultural activity for the Italian State. Though it took many years for her request to be fulfilled for the building’s use as a museum, it was finally in the early 90’s when the building was renovated to be used to exhibit the first Italian collection dedicated to the decorative arts.

Each room is decorated in the style of its former glory and brimming with objects of art and architectural ornamentation. Antique furniture and lighting, statues, busts and vases filled each room, wall paper and interesting paintings lined the walls, but one of the highlights of the museum is a beautiful bronze, silver and gold crib dating back to 1901, commissioned by the City of Rome and donated to the monarchs Elena and Vittorio Emanuele III for the birth of their first child Iolanda.

As beautiful as the interiors are, however, the highlight of the museum is the extensive haute couture collection from designers such as Pucci, Ferragamo, Fausto Sarli, Gattinoni, Sorelle Fontana, Valentino and Litrico, among others.

Amidst the opulent interiors of the villa, stand mannequins draped in the grand designer’s garments and cases filled with shoes, hats, purses, and jewelry.

I loved examining the exquisite couture pieces up close, coming from a time when everything was sewn, embroidered and beaded by hand. As a person who enjoys sewing, I was quite impressed and aware of how many hours were required to create these masterpieces. And…although the accessories were protected by glass cases, more than once I caught myself wishing that I could drape a purse across my arm or place one of the hats upon my head!

The museum spans two floors and took me not more than an hour to peruse. Although it was not my first choice of how to spend my afternoon in Rome, I was quite pleased that I had stumbled upon it due to my laziness.

As I always say, sometimes, the best things you find are the ones you weren’t looking for!

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Museo Ludovisi Boncompani Decorative Art Museum

My Favourite Palace

© 2019 Snapping the Globe, L.L.C. All rights reserved.

Fascinated by Britain’s Royal family?

Many people love to follow the Royal family. Though I am not one of them, I do enjoy seeing the way others live, including the Royal family.

Never having had the opportunity to procure tickets to Buckingham Palace, I have, however, had the opportunity to visit Kensington Palace, Windsor Castle, Hampton Court and the Palace of Holyroodhouse. It is quite interesting to view the ornate rooms and learn of the history of those who resided in these opulant manors.

In London, with time to kill, I decided that I had to venture out into the cold, but clear day. The sky was a vivid blue and although frigid, it was enjoyable to venture down High Street with no particular destination in mind. Soon finding myself in Kensington Gardens, drawn in by the sparkling lake and well manicured lawn, I stood before Kensington Palace.

Having seen the Oscar nominated movie, The Favourite, I was intrigued to learn that an exhibit on the movie’s costumes was being held within the palace.

Why not?

Paying my admission, I began my re-exploration of the royal residence that has been in the family since the 17th century and is currently the official London residence of the Duke and Duchess of Cambridge (William and Kate), the Duke and Duchess of Sussex (Harry and Meghan), Princess Eugenie and her husband, Jack Brooksbank, the Duke and Duchess of Glouchester, the Duke and Duchess of Kent and Prince and Princess Michael of Kent.

Though you won’t see any of these high profile residents roaming the halls, it is interesting to venture through the State Rooms which display many paintings and other objects from the Royal Collection.

The self guided tour directed me through the King’s State Apartments, which were the public rooms where George II and Queen Caroline entertained important guests. In the early 1700s, the King and Queen moved into the palace after the death of his father George I. Grand parties were hosted here in the lavish rooms and you can take note of the elaborate murals and paintings that grace the walls and ceilings.

Moving through the King’s Gallery, I learned that it was refurbished by George II after his arrival and was intended as a gallery for the finest pictures of the Royal Collection. The Cupola Room was used for entertaining more than official business and was the site of musical performance dancing and gambling.

Arriving at the Queen’s Apartments, the oldest part of the palace, it was here that Queen Mary II, who ruled with her husband, King Willam III in the 17th century, spent much of her time. Many portraits of William III, Mary II, Charles I and Henry VIII were hung in the Privy Chamber by Caroline to reinforce the German born couple’s legitimate right to the British throne.

The red damask covered Presence Chamber, offered a look at the space where King George II received ambassadors, men of ideas and ordinary people. An audience with the King could change a person’s life and many were brought here asking for favors or seeking royal approval. In 1734, the King and Queen received an Indian chief and his attendants from the new Americas colony, Georgia.

The Queen’s Drawing Room was where Mary spent much of her time. Her beautifully adorned bed can be seen in the Queen’s Bedroom and was where Mary’s half-brother may have been born at St. James’ Palace in 1688.

The Dining Room was a bit smaller than I imagined and possibly the place where Mary took in her meals when she desired privacy. Moving through the Queen’s closet, I learned of the story of how Mary contracted smallpox, dying and leaving William to rule alone.

Finally, it was in the extended Gallery where I finally discovered the exhibition of the costumes from The Favourite. Though there were some paper mache duplications that I had encountered in the King’s State Apartments, it was here that the actual costumes were on display. It was quite thrilling to see them up close and remember the scenes that they played a vital role.

Princess Diana, though now gone for almost twenty-two years, has remained fondly in the memory of the world. The palace recognizes that there are many who are still fascinated with her lifestyle and legacy and I was glad to see the permanent exhibit, Diana, Her Fashion Story was still available for viewing. Pictures of Diana grace the walls, along with quotes and stories, however, it is the glass cases that contain the showstoppers…a large number of Diana’s outfits worn for various occasions. Each outfit contains a placard and picture that describes the occasion worn as well as the designer of the ensemble.

The last room that we were able to inspect contained some of the royal jewels, including Queen Victoria’s Emerald Necklace, Earrings and Broach, The Fife Diamond Tiara, given to Princess Louise, Queen Victoria’s granddaughter, by her husband, the Duke of Fife and Princess Louise’s Diamond Necklace Tiara, gifts from her parents which can also be transformed into a necklace.

Eventually, I made my way through the gift shop and out into the gardens. Though the pond was drained for winter maintenance and nothing was in bloom, it was interesting to stop and imagine what it might look like in a couple of months with the approaching warmer weather.

With an hour of so of daylight remaining, I decided to make the most of the afternoon and walked out to the lake. Hundreds of birds, including graceful swans swam through the cold water looking for a handout from the children who had come prepared with bags of bread crusts. Though I am a bit afraid of the aggressive, feathered creatures, it was nice to capture some close-up photographs.

Eventually, with waning light, it was time to head back to High Street to search for dinner. Though I had visited the Palace a few years prior, it was nice to see it once again and especially to enjoy The Favourite exhibition.

Makes me want to go and see the movie again!

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Kensington Palaceh

  • https://www.hrp.org.uk/kensington-palace/#gs.1yxbr4
  • Address: Kensington Gardens, London W8 4PX, UK
  • Hours: Daily, 1000-1800, last admission, 1700
  • Admission: Adults, £19.50, Children, £9.70
  • Getting There: London Underground, High Street Kensington Station, Circle and District lines and 10-15 minute walk. Queensway Station, Central line and 10-15 minute walk, Notting Hill Station, Central, Circle and District lines and 20-25 minute walk. Bus, routes 70, 94, 148, 390 (to Bayswater Road) and
    routes 9, 10, 49, 52, 70, 452 (to Kensington High Street).

Gettin’ Around

© 2019 Snapping the Globe, L.L.C. All rights reserved.

Have you ever imagined what it was like to travel by subway when the lines were first introduced in New York City?

At the NY Transit Museum you can find out!

While staying with a friend in Brooklyn, we were searching for something to occupy our morning. She suggested the Transit Museum and I rather reluctantly agreed. After all, we were in Brooklyn and one would think that all the best museums are in Manhattan.

Not so!

The NY Transit Museum offers a look at the history of the city’s transportation from early ships, trains and passenger ferries to modern subways, buses and cars. The museum highlights how mass transit has helped to make the region what it is today through artistic renderings, historic maps, guidebooks and digital technology.

As we walked through the first part of the museum, we were able to analyze photographs and read stories of how the massive undertaking of the construction of the subway system was approached.

Moving on, we witnessed the progression of the toll booths used within the subway system and how payments moved from tokens to the present day metro card. Dating back as far as the subway’s opening in 1904 until ones in used as recently as 2003, the turnstiles displayed here include some used in the 1939 New York World’s Fair, designed to require passengers to pay double fare upon both entry and exit at the World’s Fair subway station. Most of the turnstiles are operable and we enjoyed walking freely through each of them.

Further back on the upper level, the museum covers the other means of transportation within the region via roadways…cars, buses, and older trolleys and some of the methods used to direct traffic, including signs and traffic lights. This part is especially exciting for the younger set as it provides some great photo ops. Ever wanted to see what its like to be a bus or subway driver in the city? You can sit behind the wheel and controls and get a feel for it here!

Other parts of the museum cover a wide selection of maps of the city and the metro system and the city as well as mementos and collections of items found (or used to be found) in the metro stations. There is even a section if comic strips and artwork dealing with travel.

My favorite part of the museum, however, is the one that should be the main reason for visiting. Downstairs is the decommissioned Court Street subway station which was opened on April 9, 1936. Here, two fully powered and operational subway tracks display many historic examples of the city’s subway and elevated railway equipment. These rail cars can still be operated and date back to the city’s subway system beginnings. These cars are fully furnished with vintage advertisements and route maps and you can wander freely throughout each car, taking a seat for a rest (and pretend trip), if you wish.

The subway car which was rebuilt for the movie Money Train is also part of the museum’s collection and the station has been used for many movies and television series throughout the years, including Guilty Bystander, The FBI Story, 1974’s The Taking of Pelham One Two Three, 2009’s The Taking of Pelham 123 and Life on Mars.

The museum’s subway cars are also sometimes used for excursions such as holiday specials at the end of the year and Yankee and Met events and tickets are available for anyone to purchase.

A few specialized railwork vehicles used in the past for maintenance can be viewed on the platform as well as a large wheel truck and motor (bogie). You can learn about the development of the New York’s rail transit system by checking out the informational panels in the center of the station.

Since space in the station is limited, a large number of museum cars are kept off-site in various subway yards and shops awaiting restoration, undergoing restoration, or in storage. In addition to the museum’s large subway car collection, it also has possession of a sizable fleet of vintage buses. With no area to display these artifacts, they are stored in various bus depots around the city and brought out for special events such as the museum’s annual “Bus Festival” which has been held since 1994.

The New York Transit Museum was quite the enjoyable way to spend a few hours and I must admit, even though it may have not been my first choice for our entertainment for the day, I loved every bit of it and learned a great deal. If you love travel, like I do, take the time to visit this amazing museum and learn about the history of New York City’s transportation.

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New York Transit Museum

  • https://www.nytransitmuseum.org/
  • Address: 99 Schermerhorn St, Brooklyn, NY 11201
  • Hours: Tuesday-Friday, 1000-1600, Saturday and Sunday, 1100-1700. Closed Monday and major holidays.
  • Admission: Adults, $10, Children (ages 2-17) $5, Seniors 62+: $5, Free on Wednesdays. Visitors with Disabilities: $5 with MTA Reduced-Fare MetroCard, MTA Reduced-Fare Easy Pay Card, Access-a-Ride Card, Able-Ride Card, Para-transit Card, or Suffolk County Accessible Transportation (SCAT) Card
  • Getting There: Nearest subway stations, Borough Hall (2,3,4,5, N,R,W), Jay Street-Metrotech (A,C,F,R), Hoyt Street (2,3).

Barcelona’s Beginnings

© 2019 Snapping the Globe, L.L.C. All rights reserved.

After spending some time walking around Barcelona one afternoon, I stumbled upon the Barcelona City History Museum. It was getting a little windy and cold outside and it was time to move indoors. Discovering that admission was free on Sundays after 3:00 p.m., I glanced at my watch and found that it was perfect timing!

The Barcelona City History Museum (MUHBA) is dedicated to conservation, research, communication and exhibits pertaining to the historical heritage of the city from its origins in Roman times until the present day. Funded by the Barcelona municipality, it is located in the Gothic Quarter and the place to go if you are interested in Barcelona’s past, present and future.

In 1931, the late gothic palace, Casa Padellàs, was moved stone by stone to Plaça del Rei for its preservation and to avoid its demolition. While it was being reconstructed, remains of the ancient city of Barcino were discovered. When a whole quarter of the Roman city was uncovered, it was decided that this would be the location of the historical museum that would later also evolve into an archaeological museum.

On the entry level, in the rebuilt Casa Padellàs, there are many statues and pieces discovered during the archaeological excavations as well as a film that describes the evolution of the city. The exhibited objects display the history of Barcelona from late medieval to modern times, highlighting the government and its regulations, the guilds, civic celebrations, wars and conflicts, crafts and trade, the International Expositions held in the city and its transformations.

The best part, however, is the subterranean level with walkways that wind its way around the archaeological ruins of Barcino. On display here are beautiful mosaic pieces, carved texts, buried wine vats, columns, the Baptistery and main doorway of the Episcopal hall, a Roman house and the Episcopal Palace.

YMy favorite part of the complex, however, was the Palace Chapel. The chapel of the Mayor Royal Palace, dedicated to Saint Agatha, was built at the beginning of the 14th century by King James II. The beautiful vaulted ceiling, stained glass and gothic altarpiece by Jaume Huguet capture your interest amid the otherwise plain interior.

Located a short walk from the Cathedral of Barcelona, incorporate it into your day while in the Gothic quarter to educate yourself on this city’s unique beginnings.

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Barcelona History Museum

Mardi Gras Every Day of the Year!

© 2019 Snapping the Globe, L.L.C. All rights reserved.

One of my favorite events in New Orleans is Mardi Gras.

When my husband and I lived there, I counted down the days until Mardi Gras season would arrive and eagerly re-arranged my schedule to attend as many parades as possible.

The beads were such fun to catch, but we always loved finding out the themes of the parades (well-kept secrets in some cases), the identity of the grand marshals of the larger parades and how the floats would be elaborately decorated.

Many years have passed since we lived in New Orleans, and I always missed being there for the festivities. My feeble attempts at parades and celebrations at my children’s pre-schools and elementary schools did nothing to quell my desire to be where the action was.

In a few weeks, I will be back in the Crescent City to introduce Mardi Gras to a couple of my friends, but it wasn’t until a recent visit to New Orleans and Mardi Gras World that cemented those plans.

There are many types of tours offered in the New Orleans…historic tours, ghost tours, swamp tours…but the one offered at Mardi Gras World is for those with the desire to see what goes on behind-the-scenes at the one of the biggest parties in the world. Having heard about this venue, I thought it would be a fun and informative way to entertain myself while my husband was working and hey, they were offering free King Cake!

After giving Mardi Gras World a call, I was collected near my hotel at one of the designated pick-up spots in the French Quarter. The Mardi Gras World shuttle was clean and efficient, delivering us to their studios at their warehouse location along the river. We were greeted with colorful jesters at the entrance…signs of things to come!

Once the entrance fee was paid in the gift shop, we were instructed to wait at the appointed spot for the tour guide to lead the way. So many cool things to buy were taunting my checkbook, but I decided that it would have to wait until after the tour so as not to have to carry it around.

Taking us down a hallway, our guide ushered us into a large room, its walls lined with many papier mache props, some, donning colorful and elaborate Mardi Gras costumes.

A short introductory film briefed us on the history of the Kern family and how their design company, Blaine Kern Studios, came to be in 1947. When the film was complete, we were were offered that piece of King Cake that we were promised…a bit of sustenance for the long and exciting walk around the premises.

As we entered the warehouse, it was truly an overload on the senses! Mardi Gras is truly alive here, 24/7! Here, we learned just how much hard work and planning is involved to create the impressive floats that can be seen in the Mardi Gras parades.

I had always been fascinated with the details presented on the floats, but never given much thought to how they were made. Explaining how artists create the 3-D figures from thick pieces of styrofoam, then cover them with paper mache, we were actually privileged to see some of these artists hard at work doing just that. We also learned of the technological advances made in the design industry. Pixie, a sculpting robot, can develop a sculpture up to sixty feet long and build larger sculptures from smaller manufactures pieces. Floats can also be backed into the room and sculpted, one side at a time.

Technicians controlling Pixie the Robot

One of the most interesting aspects of the tour was the explanations of how pieces can be re-adapted to be used in future parades by simple modifications. Changing a hat and some facial features can create an entirely new character. Every piece created by Blaine Kern Studios is housed here and an amazing sight to see! From the figures of the band KISS, to animals, to historical figures, to major landmarks, to storybook characters…these colorful pieces of artwork fill every nook and cranny…some in various stages of development!

Finally, we were led to a larger part of the warehouse where some of the actual floats are staged. Our guide was extremely knowledgeable about the history of Mardi Gras and its customs and we learned some interesting facts, such as why there are mega floats (filled with up to 200 riders) and why it was decided that tractors would pull the floats. Let’s just say that parade organizers like loopholes in the city’s laws!

We were able to examine many floats at close range examining the papier mache pieces and fiber optic lighting that decorate and illuminate the massive vehicles. Although we were not allowed to board the floats, we did find out something interesting. Having to stay on the vehicles for long periods of time, have you ever wondered what the masked float riders do when they have to go to the bathroom? Yes, the floats are equipped with port-o-johns!

Finally, our guide set us loose and we were able to walk among the thousands of pieces of sculpture and indulge our inner photographer! If you can imagine it, it was probably there, a who’s who of sculptured characters…Buddha, Elvis, Saints’ Quarterback, Drew Brees, Captain Jack Sparrow, Little Red Riding Hood, Santa Claus and so many other amazing pieces! There were even elaborate Mardi Gras costumes to try on!

This New Orleans tour is an experience you will definitely not want to miss, especially if you have not had the opportunity to attend Mardi Gras. The unmasking of the greatest show on earth is truly worth the admission price…even for a former local, like me!

Bring your camera and your appetite!

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Mardi Gras World

  • https://www.mardigrasworld.com/
  • Address: 1380 Port of New Orleans Pl, New Orleans, LA 70130
  • Hours: 0900-1730, daily. First tour begins at 0930 and last tour at 1630, each lasting one hour and beginning every half hour.
  • Admission: Adults, $22.00, Children, $14.00, Seniors, $17.00, Students, $17.00
  • Getting There: By car, $15.00 parking fee. By free shuttle, provided by Mardi Gras World. Give them a call and they will pick you up at designated pick up areas throughout the French Quarter and Downtown areas.

The Nun’s Nest

© 2019 Snapping the Globe, L.L.C. All rights reserved.

As a young, Catholic girl in Louisiana, I attended Catholic school.

In my white shirt and pleated, dark navy skirt, I happily attended school every day, eager to learn not only the rudimentary lessons but the religious ones as well.

Though many of my teachers were non-clerical, I did have the privilege to be taught by a handful of nuns over the years. Sisters Martial, Cecilia, Fatima, Roland and David.

These nuns resided in the nearby convent and we always loved going there to help with projects and pray in the chapel. It was such a feeling of peace and a peek into a completely different way of life.

While traipsing around the French Quarter, I happened upon the Ursaline Convent and Museum. Disappointed to find that it had just closed for the day, I turned away eager to return as soon as possible. The next day, I was back, bright and early, to tour the oldest building in the Mississippi Valley that acted as home, orphanage and school for the Ursaline Nuns.

After LaSalle’s discovery of the mouth of the Mississippi, Father Nicolas Ignace de Beaubois (with the help of Governor Bienville) sought out the assistance of the Ursaline nuns to travel to France’s first settlement in the lower Mississippi Valley.

There was a great need for ministering at the poorly run hospital and also for the education of the young girls of the colony.

The nuns arrived in 1727 and the convent built for them was completed in 1734. After the city’s first Eucharistic procession, the nuns accompanied by notables and citizens, they moved into their new home which faced the river. The convent served as home and the center of operations for the hospital and school until the new convent on Chartres Street was completed in 1752.

This new convent, built slightly before the city’s grand Cathedral, was constructed in the French Colonial style. It has been described as “the finest surviving example of French Colonial public architecture in the country” by the National Parks Service.

It was this two-story white plastered brick building that I gazed upon as I entered through the old stone walls. But what set off this beautifully simple building was the green maze of a garden that lay before it. Stopping for a moment, I admired the old bell and the cast iron cross in the courtyard which was a gift of the city of Rouen, France to commemorate the arrival of the nuns.

Making my way between the hedges, I headed inside to see what I might find. Admiring the beautiful stained glass above the double doorway, I stepped into the foyer, taking in the wooden stairway, golden statue of Madonna and Child and a tall, wooden clock. This clock, I learned, was constructed from elements brought by the Ursalines in 1727. When the nuns were asked to establish a convent in Galveston, Texas in the 19th century, the community gifted it to them upon their departure. As a devastating hurricane swept through southern Texas in 1900, it took the lives of nine nuns, ninety students and thousands of residents. The clock survived, however, and was returned to New Orleans in the first decade of the 20th century.

The Ursaline Room was adjacent to the foyer and was originally the orphan’s dining room. Facing the river, these young residents could look out at the dark, fast moving Mississippi and realize that another life awaited them once they aged out of the orphanage. This room is now empty, save for a large statue and a handmade chasuble dating back to the 18th century. The original cypress ceiling beams are visible overhead.

It was here that I also learned of the Sweetheart statue. The small plastered statue was found in a convent attic in France by Sister Felicite. Despaired to see it so carelessly cast aside, she prayed for an immediate departure to the new French colony and was granted her leave almost immediately with the statue in tow. In 1788, this statue was placed by one of the nuns in the window of the convent as fire raged through New Orleans. The approaching fire was suddenly blown back by the wind and died out, keeping the convent safe. This statue has since then been credited with many astonishing miracles.

Making my way through what appeared to be a small sanctuary, I found myself inside St. Mary’s Church. This church was built in 1845 and served as the bishop’s chapel, the place of worship for the bishops and archbishops of New Orleans when they were in residence at the convent. It was the third chapel built on the site and it was interesting to learn that a bell tower that once stood at the location was destroyed by the 1914 hurricane.

The church was quiet and I made my way through admiring the beautiful altar, framed by angel and cherub statues. There were many other statues in church and the stations of the cross were distributed between the tall stained glass windows. It wasn’t until later during my tour, after talking with one of the staff that I learned that only one side of the church’s windows were authentic stained glass…the other side painted. I immediately went back to the church to seek out the window where it was discovered that it was not stained when cleaning and part of the bottom of the scene was rubbed off.

St. Mary’s Church Exterior

Exiting the chapel, I headed into the far side of the convent, where you can see some of the small cells where the nuns resided. One of these small rooms is currently being used as an administrative office and the others have been enlarged to house exhibitions. The most current being The Church In The Crescent: Three Hundred Years of Catholicism in New Orleans.  This exhibit highlights the history of the city and the elegant St. Louis Cathedral. Emerging from a small wooden church to the present day construction, its story is displayed for visitors to examine in the form of photographs, portraits, letters and artifacts. Although I had already visited the Cathedral, after the watching the documentary available for visitors, there was so much explained about the interior of the building that I almost wanted to go back and take another look!

Finally, I headed outside to the space that is now being used for wedding receptions. Once a wedding has been finalized in the chapel, the bride, groom and guests can head out to the tented area at the rear of the convent for the reception.

Beyond the tented area, however, is what caught my attention…a grotto containing the Madonna and child and the life-sized statues of priests and nuns praying. Each statue’s expression was unique, but one of utter reverence. Absolutely breathtaking!

As a Catholic, I truly enjoyed my visit as it stirred up fond memories of my childhood, however, anyone interested in the rich history of the city and its architecture would truly be enthralled with this amazing museum. Pray your way there!

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Old Ursaline Convent Museum

  • https://www.oldursulineconventmuseum.com/
  • Address: 2505, 1100 Chartres St, New Orleans, LA 70116
  • Hours: Monday-Friday, 1000-1600, (last admission at 1515) Saturday, 0900-1500 (last admission at 1415). Sunday, Closed.
  • Admission: General Admission, $8.00, Seniors, $7.00, Students/Military, $6.00

Who Wants Voodoo?

© 2019 Snapping the Globe, L.L.C. All rights reserved.

Voodoo Priestess.

Yes, one year, for Halloween, I dressed as a Voodoo Priestess, complete with voodoo dolls attached to my cloak, each representing one of the friends invited to my party.

Naturally, those who were late or didn’t show, got a pin through the head or heart!

Of course, how I dressed was my own idea of what a Voodoo priestess should look and I had no idea of how to make an authentic voodoo doll. However, growing up in Louisiana, we had always heard of the culture and beliefs of voodoo and how someone had had the gris gris (bad luck) put upon them. Now, gris-gris is actually a talisman or amulet that someone wears to protect themselves from evil and bad luck, but as children, we sometimes misconstrued the stories we heard from our grandparents as they told them, sometimes in their Cajun French language!

While staying in the French Quarter with my husband, I decided to seek out all of the touristy things that I had never taken the time to do when I lived just outside the city many years ago. The New Orleans Historic Voodoo Museum was at the top of my list and I looked forward to learning about the Louisiana branch of Voodoo brought to the city back in the 1700s through the African slave trade.

In 1972, local artist, Charles Massicot Gandolfo, started the museum, as it was his wish to share his passion for all things Voodoo. Not flashy or large by any scale, it is labeled by a modest sign hanging from the upper balcony on Dumaine Street. As I walked in, I was surprised to find it even smaller than I had anticipated and filled with artifacts and items offered for sale, including authentic voodoo dolls, chicken feet, snake skins, Voodoo Love Potions, books and candles. Yikes! The only chicken feet I would ever take home would be from the grocery store’s meat section!

Paying the attendant my entry fee, I moved toward the hallway to begin my self-guided tour. The hallway was extremely narrow and visitors turned sideways to allow each other access to the space. There were many pictures in the hallway depicting Voodoo priestesses, including the famed Marie Laveau, Melvina Latour and Sanité Dédé, who used to practice her rituals in her home’s courtyard down the street. Marie Laveau’s kneeling bench, which was used in her altar room in her home on St. Ann Street, sits underneath her picture.

The museum is packed with information and examples of voodoo history and practices, but when I say packed…I really mean packed.  The two small rooms in the rear are filled with masks, statues, artifacts and altars heavily laden with items placed upon it as petitions to the Voodoo spirits for intercession and favors…cigarettes, money, coins, pictures, keys, small statues and toys, Mardi Gras beads, eye drops (yes, someone must have cried quite a bit begging for a favor). You name it, the rooms were stuffed with so many items, it really was quite overwhelming!

As a collector of African masks, I found the ones present in the museum quite interesting to analyze as many of these were extremely old…not the kind I would ever bring into my own home. Call me superstitious, but Voodoo has its roots in African culture and I have always believed that these items sometimes carry spirits within them.

As well as instructions on how to make voodoo dolls, there were many skulls and bones throughout the museum, even a complete skeleton donning a top hat as well as well as a preserved alligator head and alligator claw…I could envision that many visitors might feel quite uncomfortable if the idea of death is not compelling to them. Hopefully, however, they understand what kind of museum it is before visiting.

My visit was short and slightly enlightening. Not a fan of small spaces, I was more than ready to leave and head to the burial place of Marie Laveau, St. Louis Cemetery Number One.

As I sat for a moment reading the handout that was given to me to explain the museums inclusions, I began speaking with the lady at the front desk. In addition to visiting the museum, I learned that you can also book psychic readings and Prognosticating (fortune telling), arts that are deeply ingrained within the fabric of Voodoo culture. Having already seen many people offering psychic readings throughout the French Quarter, I think that if I was interested in finding information about my future, this would be the place to come…a little more authentic than the street corner.

But, since a reading was not in my future, it was time to head on to bigger and better things. And New Orleans has many!

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New Orleans Historic Voodoo Museum

  • http://voodoomuseum.com/
  • Address: 724 Dumaine St, New Orleans, LA 70116
  • Hours: 1000-1800, daily
  • Admission: $7.00 General Admission, $5.50 Seniors, Military, College Students, $4.50 High School Students, $3.50 Under Age 12, Free Entrance to the Gift Shop

Once Upon A Palace

© 2018 Snapping the Globe, L.L.C. All rights reserved.

The palace of Inca Roca.

Ever hear of it?

Perhaps if you lived during Incan times.

Today, the Inca Roca palace is known as the Archbishop’s Palace or The Religious Art Museum.

Located a short distance from Plaza de Armas, on the famous Hatunrumiyoc Street, the museum is located on the site which was once the home of the Marquis of San Juan de Buenavista and later the Archbishop of Cusco.  Transformed into a museum in the 1960s, the site attracts thousands of visitors interested in the both the Colonial and Moorish architecture of the building as well as the religious artifacts housed in the museum. Dedicated to 17th and 18th century religious art by important Peruvian and Andean artists, the main draw for many visitors, however, is the historic palace setting.

As we walked up the street, we noticed many people taking pictures near the stone perimeter wall of the museum.  We learned that one particular stone interested them, “The Stone of 12 Angles” an archaeological artifact, considered to be a national heritage object.

After validating our Religious Ticket, we entered the museum first, noticing (again) not only the NO PHOTOS sign, but the cloistered Renaissance courtyard, decorated with a tranquil fountain, stone arches and walls decorated with blue and white tiles.  Many visitors were sitting here enjoying a quiet moment away from the busy streets of Cusco.

Surrounding the courtyard, inside the classical mansion, are a series of corridors filled with colonial furniture, chapels and important works of masters of Andean painting, including Juan Zapata.  There are many valuable religious masterpieces such as a painting of Christ’s crucifixion by Alonso Cano, entitled Granada and paintings by the Cusqueno Marcos Zapata, one Ayacuchana painting and a Quitena painting.

An important relic, a small organ of two processing refined bellows occupies one of the smaller rooms.  This organ was the first ever to come to Peru for the cathedral.

The architecture is exceptional with a door in arabesque style, doorways in the Moorish style, carved cedar ceilings and spectacular stained-glass windows and a beautiful gold-filled chapel.

The one thing that we noticed, however, was the lack of information displayed on what we were seeing.  Much of what we gleaned from our visit was from a bit of research later.

The museum was small, but interesting to see…rather enjoyable having another location to discover something new about Cusco’s history and to occupy some time during our day.   Not sure if I would have sought it out on my own, but worth the time since it was included in our Religious ticket and a plus for those interested in architectural styles.

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Museum of Religious Art

  • Address:  Located on the corner of Hatunrumiyoq Street and Herrajes street.
  • Hours:  0800-1800, daily.
  • Admission:  Adult, S /. 15.00 (about $4.45 US).  Student: S /. 7.50 (about $2.20 US). Admission with the Religious Ticket (also incorporating three other churches ),    S /. 30.00 (about $10.50 US).  Also included with the Cusco Tourist Ticket.

Cathedral of Cusco (Basilica Cathedral of the Virgin of Asuncion)

  • Address:  Plaza de Armas
  • Hours:  1000 to 1800, daily.
  • Admission:  Adult, S /. 25.00 (about $7.38 US).  Student: S /. 12.50 (about $3.70 US).  Admission also with the Religious Ticket (also incorporating two other churches and museum), S /. 30.00 (about $10.50 US).

Templo San Blas

  • Address:  Plazoleta de San Blas, Cusco
  • Hours:  1000-1800, daily
  • Admission:  Adult, S /. 15.00 (about $4.45 US).  Student: S /. 7.50 (about $2.20 US).  Admission with the Religious Ticket (also incorporating two other churches and museum), S /. 30.00 (about $10.50 US).

Church of San Cristobal

  • Address:  Avenue Don Bosco
  • Hours:  1000-1800, daily
  • Admission:  Adult, S /. 15.00 (about $4.45 US).  Student: S /. 7.50 (about $2.20 US).  Admission with the Religious Ticket (also incorporating two other churches and museum), S /. 30.00 (about $10.50 US).

Temple Square Surprise

© 2018 Snapping the Globe, L.L.C. All rights reserved.

Looking at a brochure in my hotel lobby, a picture of the Mormon Temple caught my eye.  So tall and grand against the blue, Utah sky, I wondered why I had never seen it on prior trips to Salt Lake City.

Having arrived in The City of Saints a bit earlier than I had anticipated, I decided that I would make my way to this monumental temple to capture a picture.

After I arrived, what I found was much more than I had expected.

Temple Square is a ten acre complex in the heart of Salt Lake City.  Owned by The Church of Jesus Christ of Latter-day Saints,  the square is comprised of the Salt Lake Temple, Salt Lake Tabernacle, Salt Lake Assembly Hall, the Seagull Monument, The Church History Museum, the Conference Center, the Beehive House, the Joseph Smith Memorial Building, the Lion House, The Family History Library, administrative buildings and two visitors’ centers.  Designated a National Historic Landmark District in 1964, the square recognizes the Mormon achievement in the settlement of Utah.

My first stop was to the South Visitor’s Center which details the building of the Temple.  There are many exhibits which show how the impressive church was constructed.

Moving back outdoors, I walked amidst the beautifully landscaped walkways, admiring the many statues, gardens and fountains that grace the square.

The Assembly Hall, located on the southwest corner, seats approximately 2,000 people and sometimes acts as an overflow area for the church’s twice-a-year general conferences.  Free music concerts are held here and as I admired the impressive organ used for these recitals, a young lady struck up a conversation with me.  Hailing from France, I found out that she is one of the full-time sister missionaries from around the globe, who serve on Temple Square.  Giving me some history of the Assembly Hall, she told me about the concerts held in the building, the impressive organ and suggested that my next stop be the Tabernacle.  She informed me that if I was impressed by the organ in the Assembly Hall, I would probably be blown away by what I would find in the Tabernacle.

Once my walk-around was complete, I made my way across the well-manicured lawn to the Tabernacle to see this incredible organ.  Although I had heard about the Mormon Tabernacle Choir, my only knowledge of them was that they are associated with the LDS Church.  Speaking with another sister missionary, I learned that the choir, founded in 1847, consists of 360 members and has performed in the Tabernacle for over a hundred years.  Members must be part of the church, between the ages of 25 and 55 and live within 100 miles of Temple Square.  And the organ?  Wow, what can I say?  Containing 11,623 pipes, it is one of the largest organs in the world.  It was originally built in 1867 and was rebuilt and enlarged several times with the current version having been completed in 1948.  The Mormon Tabernacle Choir performs with the accompaniment of the organ for daily recitals, which are open to the public.  Another organ, consisting of 7,708 pipes is housed across the street in the Conference Center and is used for performances during the church’s semiannual general conferences.

The Tabernacle itself is a relatively large structure, built to seat 8,000 and was constructed between 1864 and 1867.

Hoping to visit the Temple, which dates back to 1893, I learned from the sister missionary in the Tabernacle that it would not be possible as it is considered sacred by the church and a temple recommend is required to enter.  Seeing a bride and groom taking pictures earlier in the day, I asked her about weddings held in the church.  If only members are allowed to enter, then what about friends and family that are not part of the religion…how would they take part in the ceremony?  Patiently, she explained that those guests would have to miss the actual ceremony but would be invited to a reception afterward.  I thought this extremely sad as I would have been disappointed if my non-Catholic friends would not have been able to enter my beautiful church.

“Different strokes”, my friends…

Continuing on, my next stop was at the North Visitors Center.  Most important to note in this building is the beautiful replica of the Christus, a statue of Jesus by Danish sculptor Bertel Thorvaldsen, located on the upper floor.  The ramped walkway’s walls and the domed ceiling above the statue are painted with clouds, stars, planets and other heavenly bodies.  Make sure not to miss the beautiful paintings depicting biblical stories on the upper floor and on the lower, dioramas of some biblical scenes.  There is also an area dedicated to the good works of the LDS Church.

The Church History Museum across the street from the North Visitor’s Center is worth spending some time in and houses collections of Latter-day Saint art and artifacts.  There are both permanent exhibits and temporary ones offered throughout the year.  I enjoyed the film which showed how Joseph Smith was directed to the golden tablets, from which he translated the Book of Mormon, by the angel Moroni.  You can also see a replica of the golden tablets which give you an idea of their size and weight.

If you are interested in the historical records of the LDS Church, the Church History Library is located near the museum.  Admission to the library is complimentary and patrons can access a large collection of books, manuscripts and photographs.   Though I did not take the time to enter, it was explained that tours are given by senior missionaries and visitors can view a video which explains the mission and purpose of the Library.  Next door to the museum is the Family History Library which is where many come to find information about their ancestors.  Founded in 1894, records and genealogical data for over three billion deceased ancestors from around the globe are available with assistance from research specialists and trained volunteers.

Next on my agenda was the Conference Center, a relatively new structure, completed in 2000.  The center has a capacity of over 21,000 and is used for the LDS Church’s general conferences, concerts and other cultural events.  What I had come to see, however, was the rooftop garden that I had heard about from other visitors.  Escorted by a sister missionary, I was overwhelmed by what we found!

Exiting the elevators and stepping outside I discovered a green oasis!  Had I really just exited the building and stepped out into the mountainside?  The garden located here is based on the landscape that surrounds Salt Lake City and is planted with native flowers, grasses and fully grown trees.  There is a water feature with an infinity edge and a cantilevered edge.  If you could not look out and around, it would be possible to think that you are not high above Temple Square!  It is simply breathtaking!  Tours of the building are available year-round, however, tours of the roof gardens are only offered between April and October.  No appointment necessary…just grab a guide and go!

A quick stop in the Joseph Smith Memorial Building was a must to take a look at the beautiful lobby ceiling and chandeliers as well as the large scale statue of Joseph Smith.  Here, you can also have a bite to eat at one of the two restaurants or the cafe if you get hungry while exploring.

You can also grab a bite to eat next door at the Lion House, if you’ve arranged a catered event.  The house, built in in 1856, was the former home of Brigham Young, the second president of The LDS Church and the first governor of the state of Utah.  Named for the lion statue located over the front entryway, the Lion House is decorated with beautiful antique furniture and has the capacity to host a variety of events.

The last stop on my Temple Square tour was my favorite, the Beehive House.  The Beehive House was built in 1854 and was home to Brigham Young and other LDS Church leaders.  It served as the offices for the Church for many years and now operates as a museum displaying objects belonging to Brigham Young and his family.  The home is beautiful, filled with beautiful antiques and still gives the impression of how the family lived during their time there.

The Beehive House?  I was a bit confused as to why this structure carried the name and asked the lovely young sister missionaries giving me my tour.  Apparently, a beehive motif was placed atop the structure which is meant to illustrate the strong sense of community and tireless work ethic of the LDS who settled in the great state.  I guess I had never realized it before, but Utah is nicknamed the Beehive State and the Beehive is featured on the state flag!

As the day was drawing to a close, I noticed that long lines had formed in the middle of the square. Apparently, on Thursday nights, the Mormon Tabernacle Choir holds practice sessions.  As tempting as that was, it was the end of a long day, I was in need of nourishment and the lines seemed endless!

Oh well, now I have something to look forward to on my next visit!

Yes, there will be another visit in the future!  Hoping to capture one photograph, I walked away from this sojourn with many pictures and a new knowledge of another religion.  Definitely a wonderful place to spend an afternoon in Salt Lake City!

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Temple Square

  • https://www.templesquare.com/
  • Address:  50 N Temple, Salt Lake City, UT 84150
  • Hours:  0900-2100, daily
  • Admission:  free
  • Getting There: Take the Trax light rail, blue or green line and get off at the Temple Square stop.  The stop is in the Free Fare Zone and your ride is free.

South Visitor’s Center

Assembly Hall

The Tabernacle

  • https://www.templesquare.com/explore/tabernacle/
  • Address:  50 N Temple, Salt Lake City, Utah 84150
  • Hours:  0900-2100, daily
  • Daily Organ Recitals:  Monday-Saturday, 1200 and Sunday, 1400
  • From Memorial Day through Labor Day, recitals are also held at the Conference Center, Monday through Saturday, 1400

Mormon Tabernacle Choir

North Visitor’s Center

Church History Museum

Conference Center

  • https://www.templesquare.com/explore/conference-center/
  • Address:  60 N Temple, Salt Lake City, UT 84150
  • Hours:  0900-2100, daily.
  • Admission:  free
  • Tours:  Daily, except Sunday, at any time, but you must be escorted by one of the volunteers.  Sunday, 1015, 1115, and 1215.  Tours begin at Door 15.

Joseph Smith Memorial Building

Lion House

The Beehive House