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Travel to Asia? It’s a long way, but a good business class seat and a pair of pajamas can help minimize the pain! Throw in a couple of movies and you are there before you know it!
When we first decided to go to Hong Kong, I must admit, I was a bit overwhelmed. It’s a long way and I was taking my youngest son with me. I know how difficult it is to adapt to a twelve hour time difference, but I wasn’t sure how he would react. Additionally, it’s a big city, halfway across the world, with so many things to do. How was I ever going to figure it all out so that he enjoyed his time there?
Though nervous, I decided to tackle the journey in steps, making it seem more manageable.
After the long journey, first stopping in Seattle, we finally landed in Hong Kong International Airport. That was the first step. Step two encompassed getting to the hotel. Check. (A taxi was relatively cheap and easy and deposited us at our door) Found something my picky son would actually eat. Step three complete. (McDonald’s was nearby in Langham Place Mall)
Final step…find things that we could enjoy together.
An early start, on our first morning, had us navigating the MTR (metro) to Lantau Island. I desperately wanted to visit something I had seen over the years depicted in pictures from Hong Kong…the Big Buddha!
Getting to the Big Buddha originally entailed taking a lengthy bus ride along winding mountain roads. In 2004, construction began on a cable car project developed to improve tourism to the area. The three and a half mile long bi-cable gondola lift system links Tung Chung and Ngong Ping, running across the southern shore of the Hong Kong International Airport Island and Nei Lak Shan with eight towers including the stations. Five of the towers are located within the country park.
After arriving at the Tung Chung station, we made our way out to the Ngong Ping 360 Cable Car station across the street. Taking our place in the line that had already begun to form, we eventually purchased a combo ticket offering round-trip transportation in the cable car, entrance to the Ngong Ping village and bus transportation from Ngong Ping to the Tai O fishing village.
Spectacular views were to be had from our cable car as we made our way across the water and hills to Ngong Ping village. Swinging into the final station, we exited our car and set foot in the culturally themed village. Though built in the old traditional style, it is brand new construction, something which often disappoints those seeking to experience some of Hong Kong’s architectural history.
Created at the top of the Ngong Ping plateau, the village was opened in 2005 and was designed and landscaped to reflect the cultural and spiritual integrity of the area. A diverse array of retail, dining and entertainment experiences await visitors including virtual reality experiences, the Bodhi Wishing Shrine and the Bodhi Tree (known as the Bo Tree), the “Tree of Awakening”. The Bo Tree is known as the tree under which Siddhartha meditated “Who am I and why am I here?”, eventually attaining Enlightenment and becoming Buddha.
Although we enjoyed the village and all that it had to offer, I must admit, after many years of taking my children to theme parks, I decided that Ngong Ping village exhibited a too much of a theme-park atmosphere. Glad that this was not all that we had come for, we were anxious to experience the Po Lin Monastery and the Tian Tan Buddha, both a short walk from the village.
The Big Buddha can be spied from the cable car while approaching Ngong Ping village as well as during your walk from the village. Nothing prepares you, however, for its magnitude, especially while gazing up at the effigy from the base of the hill.
The statue, standing 112 feet tall and weighing over 250 metric tons, was completed on December 29, 1993, the day that the Chinese reckon as the day of the Buddhas’s enlightenment. Constructed from 202 bronze pieces, the immense statue can be seen across the bay from as far away as Macau on a clear day.
Climbing the 268 steps up the hill to reach the Buddha is definitely a test of one’s physical fitness. Though I work out a couple of times a week, I found myself stopping occasionally to rest, reminding myself of the reward waiting at the top. As I languished in the shade of one of the many urns on the stairway, I found myself wondering what those who were unable to climb would do in order to appreciate the statue from a closer perspective. I later learned that the site also features a small winding road for vehicles to accommodate the handicapped.
With my final steps conquered, I stood peering up at the impressive Buddha (one of five large Buddha statues in China), right hand raised, representing the removal of affliction and left hand resting open in his lap in a gesture of generosity. Facing north, unique among the great Buddha statues (all others face south), I stared out at his view of surrounding landscape, remembering that the Buddha symbolizes the harmonious relationship between man and nature, people and faith.
The statue is named Tian Tan Buddha because its base is a model of the Altar of Heaven or Earthly Mount of Tian Tan, the Temple of Heaven in Beijing and as we made our way around, we admired the six smaller bronze statues known as “The Offering of the Six Devas” that are posed offering flowers, incense, lamp, ointment, fruit and music to the Buddha. These figures symbolize the Six Perfection of generosity, morality, patience, zeal, mediation and wisdom, all necessary for enlightenment.
Since we did not purchase an offering for the Buddha, we were not allowed to see the Buddha’s most esteemed element, the relic of Gautama Buddha, which consists of some of his alleged cremated remains. There are also three floors beneath the statue, the halls of the Universe, of Benevolent Merit and of Remembrance, which we were under the impression that we were not allowed to visit since we did not purchase admission at the base of the stairway. We did peek inside, however, pictures were strictly forbidden. The thought crossed my mind to make the long climb down and back up again, in order to have admission, but as time was limited, we decided against it.
Another amazing feature under the Buddha is a huge bell inscribed with images of Buddhas and is designed to ring every seven minutes, 108 times a day, symbolizing the release of 108 kinds of human vexations. I must admit, however, I did not know this fact during our visit and do not remember hearing the bell ring.
After admiring the view one more time (and taking a peek at my watch to make sure we were still on schedule), I prepared myself for the long climb down.
It was time for the Po Lin Monastery.
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Tian Tan Buddha (Big Buddha)
- http://www.plm.org.hk/
- Address: Ngong Ping Rd, Lantau Island, Hong Kong
- Hours: 1000-1730, daily
- Admission: Access to the outside of the Buddha is free of charge, but there is an admission fee to go inside the Buddha.
- Getting There: Option 1: Take Lantau Bus No. 23 at the bus station outside Tung Chung MTR Station to Ngong Ping Bus Terminus (travel time: about 45 minutes). Option 2: Take Ngong Ping Cable Car at the Cable Car Station outside Tung Chung MTR Station (travel time: about 25 minutes); take an additional 10-minute walk to the Monastery. Option 3: Take First Ferry from Central Pier to Mui Wo, and take Lantau Bus No.2 to Ngong Ping Bus Terminus (travel time from Mui Wo to Ngong Ping: about 35 minutes). Option 4: Take Lantau Bus No. 21 at the bus stop in Tai O to Ngong Ping Bus Terminus (travel time: about 15 minutes). Option 5: Take a Lantau Island taxi.
The church’s interior offers three aisles, vaulted ceilings, vibrant stained glass windows and an assemblage of emblematic statuary. Be sure to visit the moneybox to make an offering to one of thirty-six saints and take a walk up the center aisle to admire the intricately carved altar.
The church of San Babila was built on its current site in 1095, to house these relics, and extended with additional construction at the front and a new baroque facade. Though much of its original style has been lost during renovations, the church still retains its original medieval feel. During the 19th century, the complex was renovated with the aim of restoring the appearance of the medieval basilica and in the early 20th century the Neo-Romanesque facade by Paolo Cesa-Bianchi was built. The bell tower was eventually added in 1920 to replace the original tower which had fallen in the 16th century.
With the many grand churches throughout Italy, it was quite surprising when I entered, that San Babila was a very simple, mostly unadorned church. The interior has a nave and two aisles with two side chapels that date from the late Renaissance. Pay particular to the right aisle as it has an image of the Madonna, highly esteemed by the Milanese community. Also particular to note are some lovely medieval frescoes, Renaissance windows and beautiful mosaics.
If traveling in this area of Milan and happen to enter or exit at the San Babila metro, take a moment to stop in and relish the quiet beauty.
Established in the 5th century, the basilica was formerly dedicated to both Saints Zechariah and Stephen, though eventually given over to the latter. The original building was constructed around the year 417, destroyed by fire in 1070 and rebuilt in the Romanesque style in 1075. Since 1594, many reconstructions, expansions and restoration have been completed including enlargement of the apse and the main altar, lengthening of the nave and reconstruction of the facade, reconstruction of the bell tower by architect Gerolamo Quadrio and the construction of the sacristy and the modernization of some chapels.
St. Stefano is most famous for the many saints interred within its walls, most notably, San Carlo Borromeo and for two major events that occurred in the church. The Duke of Milan Galeazzo Maria Sforza was assassinated by four conspirators in 1476, under the medieval portico outside the church, as he visited the basilica for the celebration of the patron saint. The remaining pillar of the portico can be viewed in front of the belltower. Also, after years of speculation, the baptismal certificate from 1571, of the painter Michelangelo Merisi, better known as “Caravaggio”, was discovered in 2007 in the archival documents of the basilica, giving a definitive answer to the age-old question of his baptismal and birth place.
Though the basilica is very little known to tourists, it is easily accessible from the Piazza Fontana and quite impressive for its size and historical significance. Though the church is in desperate need of renovations, there are many items worth noting on its interior. Many of the side chapels contain beautiful and original stained glass and paintings and the altar is quite grand with its gold tabernacle. Also, be sure to note the imposing organ, the unique statues and the beautiful vaulted ceiling. Of particular interest is the life-sized bronze statue of Jesus on the cross, flanked by his mother and disciples, at the rear of the structure.
Having seen the magnificent Westminster Abbey, in all of its glory the day before, this cathedral could have been sort of a letdown. However, you can’t compare apples to oranges. Southwark has an amazing history and some unique things to see as well.
Making your way toward the altar on the cathedral’s north aisle, you will encounter the tomb of medieval English poet, John Gower. A friend of Geoffrey Chaucer, he lived in the cathedral’s priory from the 1370’s until his death at the age of 78. His body is interred with his head resting on one of his most famous works, Speculum Meditantis, Vox Clamantis and Confessio Amantis. The latter’s first editions were dedicated to Richard II.
On the north aisle of the cathedral is the North Transept and many monuments are located in this area, most notably the monument to Lionel Lockyer, a physician whose pills were said to heal all ailments and another to lawyer and poet, William Austin. Austin’s monument, created by Nicholas Stone, a famous 17th century sculptor, is hard to miss for its size.
Take a peek into the Harvard Chapel and inspect the John Harvard Memorial window before continuing on toward the Lady Chapel. Along the way, take in the Humble Monument, which pays homage to Alderman Richard Humble, a member of the church vestry, and his two wives, Elizabeth and Isabel. Equally impressive is the Medieval Effigy of a Knight, an incredible carving of a knight, possible a crusader, dating from 1280.
Between the north and south aisles, behind the altar is one of the greatest treasures of the cathedral, the High Altar Screen. Erected in 1520 by Bishop Fox of Winchester, the screen displays three lines of statues depicting St. Olaf (King Olaf II of Norway) who converted to Christianity and is know for pulling down the London Bridge to protect the city from an assault from the Danes. Also featured are the figures of poet John Gower, King Henry I, Thomas Becket, St. Peter, St. Paul, Cardinal Beaufort, Bishop Fox and many others. There are also carvings of the Lamb of God, a pelican (badge of Bishop Fox), a row of angels and hunting scenes.
Be sure to inspect the tomb of Bishop Lancelot Andrewes located on the south aisle. A high ranking bishop, during the reigns of Queen Elizabeth I and James I of England, Andrewes was a key translator of the King James version of the Bible and assisted at King James’s coronation. During the latter part of his life, he became Dean of Winchester remaining in the position until his death at the age of 71 in 1626.
The last major attraction in the church is the Memorial Window of Shakespeare with a remarkable alabaster statue, created in 1912 by Henry McCarthy, of the great writer in repose, quill in hand. Shakespeare was a parishioner who worshiped at the cathedral when he lived near the Globe Theater. William’s brother Edmund was buried on the church grounds in 1607, however, the exact location of his tomb is unknown.
Before leaving the church, make sure to take a quick walk around the grounds of the church. While taking a look at the stunning Gothic architecture, also look for shrapnel damage which is still visible from the bombs dropped in the area between October 1940 to June 1941. Also, take a look at the archaeological remains located in the far side of the entry hall.
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A church on this site has been dated back to 1080, however, construction of the present church was begun, on orders of King Henry III, in 1245. In addition to the coronations, other notable events have been held at the abbey, including sixteen royal weddings (most recently, Prince William to Kate Middleton in 2011), the funeral of Diana, Princess of Wales and countless burials.
Following the audio guide, I was led past incredible sculpture and the 600 plus memorials in the Nave to the Tomb of the Unknown Warrior, in St. George’s chapel, which holds an unidentified British soldier, killed during World War I on a European battlefield. This young soldier was interred in Westminster Abbey in 1920 around the same time an unknown French soldier was interred at the Arc de Triomphe in France. These were the first two graves to honor the unknown dead from the First World War.
In the rear of the sanctuary is the Confessor’s Chapel and Henry VII’s Chapel. Henry VII’s 16th century chapel contains the tomb of Henry VII and his Queen. Be sure to take a look upward at the fan vaulting and richly appointed sculpture as well as the banners and carved stalls of the Knights of the Order of the Bath. Also, be sure not to miss Innocents Corner, the burial place of Sophie and Mary (James I daughters) who were only two and three years old at their passing and the small sarcophagus of Edward IV who was murdered in the Tower of London. The royal tombs of Elizabeth I and her predecessor, Mary Tudor, Charles II, William II and Queen Anne are also located within the chapel. Another point of interest is the Royal Air Force Chapel dedicated to the fallen in the Battle of Britain.
Though I had been able to get a few photos during the initial part of my visit, it was here in Henry VII’s chapel that I was informed that my phone had to be turned off. Apparently, photography and filming are not allowed in Winchester Abbey. As a devout admirer of sculpture and architecture as well as photography, it was disheartening to not be able to capture the beautiful images I was seeing in order to share with others.
As I walked through the Cloisters, dating from the 13th and 14th century, I admired the long vaulted corridors and the beautifully manicured courtyard in the center. The cloisters contain many tombs, the entrance to Dean’s Yard and the oldest garden in England, College Garden. There are also rooms located on the western side of the cloisters which include the Deanery, Jericho Parlor and the Jerusalem Chamber, the place of Henry IV’s death in 1413.
Located near the northern end of London Bridge, the Monument to the Great Fire of London, the fluted Doric column built of Portland stone, commemorates the Great Fire of London which started on September 2, 1666. Built between 1671 and 1677, it was here that the first church to be burnt down during the Great Fire, St. Margaret’s, was located. This historic monument was designed by Christopher Wren and Robert Hooke and its height marks the distance from the site of the shop of the king’s baker, where the Great Fire began.
If you have time (which I did not on this day), a viewing platform is located at the top of the monument and can be accessed by 311 steps on a narrow winding staircase. The summit of the monument is marked by a flaming gilt-bronze urn which sports a 360-degree panoramic camera which is updated every minute and runs 24 hours a day, providing a record of weather, building and ground activity in the city.
Originally built in 1100, the church was severely damaged during the Great Fire. Instead of rebuilding the church, the decision was made to repair it from 1668 to 1671, adding a steeple, designed by Christopher Wren, a few years later in 1695.
While the tower now houses the All Hallows House Foundation, the parish is combined with the Benefice of All Hallows by the Tower. If you are lucky enough to be in London on certain holidays, such as Palm Sunday, open-air services are held in the church followed by a procession to the All Hallows by the Tower along St Dunstan’s Hill and Great Tower Street.
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The Kunsthal Museum, located in the Museumpark in Rotterdam is unique in that it offers no permanent collection, instead, a wide range of temporary exhibits, attracting visitors who may come from one artist and open their mind to another totally different kind of art.
Social media is inundated with fetching felines. Anywhere you look on you YouTube today, you can find countless videos on cats. Check out Instagram and you’ll find cats exposed by their owners. In fact, cats are more popular than ever. Over the years, cats have inspired many artistic masterpieces by Henriette Ronner-Knip, Théophile-Alexandre Steinelen, Karel Appel, Picasso and Wallasse Ting, contemporary artists such as David Shrigley and photographer Marie Cécele Thijs and many of these are on display here. Meandering through the hall, you are offered some insight into how these artists were inspired by numerous felines. In fact, one area of the museum offers a place to experience what it is like to be a cat…creep around on all fours among the bushes, take a nap on one of the “cat beds”, sharpen your nails on a scratching post or take a stroll down the Catwalk. Cat lovers will be in heaven!
My favorites, however, were those that represented the cultural heritage of the airline, like Thai Airways, Allegheny Airlines, so proud of their name and of course, those worn throughout my own airline’s history! Though I loved seeing the various costumes worn by thousands, the way that they were displayed in a vertical manner, made it hard to inspect each of them at close range. All in all, however, it was thrilling to see such an awe-inspiring compilation of something so near and dear to my heart!
Though I cannot say that he was an artist whose work was one that I had previously sought out, I did enjoy his nude portraits of women from the 1920s and the paintings that incorporated macabre skeletons. The dreamlike quality exhibited in his work was extremely calming!
The next artist showcased in the Kunstal, was photographer Jeroen Oerlemans, a Dutch press photographer, who captured mesmerizing shots from Afghanistan, Chad, Libya, Haiti and Iraq of the local residents, despite the danger he constantly faced. The celebrated three-time recipient of the first prize in the Silver Camera foreign news category was unfortunately killed in 2016 by an IS sniper in the Libyan city of Sirte.
Despite visiting the museum for a specific purpose, I can concede that it was nice to step out of the winter day and enjoy some different types of art that I had not anticipated. Sometimes the best things are the least expected!
The first thing I noticed about Rotterdam is while there are new buildings and skyscrapers, there are also still some older buildings scattered throughout the city, sometimes sandwiched between newer construction. I thought that this gave an interesting quality to the city…a sort of ying-yang. The second thing I noticed was that sculpture is EVERYWHERE! Following the canal that led away from the train station, I began to see interesting pieces of artwork lining the banks. Each piece was identified by a metal plaque on the walkway advising observers of the name of the artwork, the artist’s name and location and year constructed. Making for a nice leisurely walk, I stopped at each of the sculptures as I made my way south on Westersingel to Eendrachtsplein, where I found the current location of the controversial sculpture by Paul McCarthy, Santa Claus. A shocking statue, it depicts the beloved Santa not holding a Christmas tree but a sex toy. While some people have defended it proclaiming that it reflects the fetishization of Christmas and the prevalent sexuality in consumer society, others declared it vulgar and offensive.
Further on, I gazed upward at the Euromast, the observation tower constructed between 1958 and 1960 and designed by Hugh Maaskant. Though I would have like to visit the observation platform to see the city from the tallest building in Rotterdam, time was limited and I was headed to the oldest part of the city, Delfshaven.
The Pilgrim Father’s Church, dating back to 1417, when the Roman Catholic Church of St. Anthony was consecrated on the site, later fell into Protestant hands in 1574. When a group of English dissenters fled to the Netherlands in 1608, they later decided to make the journey to America so that they might worship in their own way. On July 21, 1620, they knelt in prayer on the quay near the church before boarding the ship, the Speedwell.
The Erasmus Bridge (Erasmusbrug) was completed in 1996 and is the largest and heaviest bascule bridge in Western Europe, connecting the north and south parts of the city. Named after Desiderius Erasmus (Erasmus of Rotterdam), a prominent Christian renaissance humanist, the cable-stayed bridge section with its single asymmetrical pale blue pylon with a prominent horizontal base has earned the bridge the nickname, The Swan.
Finally, heading back toward the train station, I made three quick detours to see some fantastic landmarks, Kijk Kubus (Cube Houses), innovative housing designed by Piet Blom, Grote of St. Laurenskerk (Church of St. Lawrence), the only remnant of the medieval city of Rotterdam, and Stadhuis Rotterdam (City Hall), the Beaux Art style building (with Byzantine, Roman and Art Deco influences) that was one of the few buildings to survive the bombardment of World War II.
After five hours of intense sightseeing and walking throughout the old-yet-new city of Rotterdam, my feet were aching, yet satisfied. I had seen all that the city had to offer and was confident that future travels would be easier, allowing me to explore the city in depth.
It was time head back to Amsterdam and this time, I caught the Intercity Direct! Definitely the way to go! Heck, I didn’t really even have time to catch a nap!